Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

dadaïsme --- Cabaret Voltaire (Zürich 1916) --- der Zeltweg (1919) --- Ernst, Max --- Tzara, Tristan --- Arp, Hans --- dadaïsme. --- Cabaret Voltaire (Zürich 1916). --- der Zeltweg (1919). --- Ernst, Max. --- Tzara, Tristan. --- Arp, Hans.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dadaism --- Surrealism --- Dadaïsme --- Surréalisme --- Superrealism --- Surrealism in art --- Arts, Modern --- Dada --- Tabu-Dadaism --- Dadaism. --- Surrealism. --- Dadaïsme --- Surréalisme

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This collection of critical essays celebrates the subversive and challenging creativity of the Dada movement, born in pacifist Zurich in 1916 in violent reaction to the First World War. It examines the collective and individual activities that took place under the name of Dada in Zurich, Cologne, Berlin, Paris, New York and Barcelona, and explores the various creative forms employed, including text, collage, photomontage, objects, dance, performance and film. The authors suggest new ways of understanding the work of the most famous Dadaists, while also casting light on the contribution of hitherto neglected figures. “Dada was a bomb”, declared Max Ernst in an interview in 1958. “Can you imagine anyone, almost half a century after the explosion of a bomb, trying to collect its fragments and stick them together in order to display them?” The aim of this volume is not to reconstitute the bomb, but to analyse some of its explosive effects and after-effects that continue to resonate nearly a century later. Far from attempting to reduce Dada to a homogeneous movement, or to define a unifying principle beneath and beyond the multiple directions taken by Dadaists, this collection aims to respect the diversity and heterogeneity of the movement’s collective activities as well as the specificity of its individual actors.

Dadaism. --- Arts, Modern --- Arts, Modern. --- Dada --- Tabu-Dadaism --- Modern arts --- 1900 - 1999 --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Dadaist literature --- Littérature dadaïste --- Dadaïsme --- Arts --- dadaïsme --- politiek --- modernisme --- Arp, Hans --- Nougé, Paul --- Arnauld, Céline --- Baader, Johannes --- Taeuber-Arp, Sophie --- Picabia, Francis --- Höch, Hannah --- 20ste eeuw --- dadaïsme. --- politiek. --- modernisme. --- Arp, Hans. --- Nougé, Paul. --- Arnauld, Céline. --- Baader, Johannes. --- Taeuber-Arp, Sophie. --- Picabia, Francis. --- Höch, Hannah. --- 20ste eeuw. --- Dadaïsme --- Appréciation --- Histoire et critique --- Appréciation

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dan dada doe uw werk! Met deze woorden besluit de neo-dadaïstische en destructief constructivistische dichter I.K. Bonset in 1921 in De Stijl een tirade tegen pogingen om ‘de kanselliteratuur van vóór ’80’ in het interbellum nieuw leven in te blazen. Of scherprechter dada het ‘predikantenpathos’ inderdaad wist uit te drijven uit de Nederlandstalige literatuur, valt te betwijfelen. Wel lieten dada en andere avant-gardistische ‘ismen’ hun onmiskenbare sporen achter in de poëzie. Als laatste deel in de DADA-reeks van uitgeverij Vantilt biedt deze bloemlezing, samengesteld door Hubert van den Berg en Geert Buelens, een dwarsdoorsnede van de poëtische manifestaties van de historische avant-garde in vroege twintigste eeuw in Nederland en Vlaanderen. Onder meer van de hand van I.K. Bonset, Paul van Ostaijen, Antony Kok, E.L.T. Mesens, Til Brugman, Gaston Burssens, A.C. Willink, Michel Seuphor en H.N. Werkman.

Poetry --- Dutch literature --- anno 1900-1999 --- poëzie --- avant-garde --- dadaïsme --- België --- Nederland --- Dadaism --- 839.3-1 "19" --- Nederlandse literatuur: poëzie--20e eeuw. Periode 1900-1999 --- 839.3-1 "19" Nederlandse literatuur: poëzie--20e eeuw. Periode 1900-1999 --- poëzie. --- avant-garde. --- dadaïsme. --- België. --- Nederland. --- Aelman, Ferdinand.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The Posthuman Dada Guide is an impractical handbook for practical living in our posthuman world - all by way of examining the imagined 1916 chess game between Tristan Tzara, the daddy of Dada, and V.I. Lenin, the daddy of communism. This epic game at Zurich's Cafe de la Terrasse - a battle between radical visions of art and ideological revolution - lasted for a century and may still be going on, although communism appears dead and Dada stronger than ever. As the poet faces the future mass murderer over the chessboard, neither realizes that they are playing for the world. Taking the match as metaphor for two poles of twentieth- and twenty-first-century thought, politics, and life, Andrei Codrescu has created his own brilliantly Dadaesque guide to Dada - and to what it can teach us about surviving our ultraconnected present and future. Here dadaists Duchamp, Ball, and von Freytag-Loringhoven and communists Trotsky, Radek, and Zinoviev appear live in company with later incarnations, including William Burroughs, Allen Ginsberg, Gilles Deleuze, and Newt Gingrich. The Posthuman Dada Guide is arranged alphabetically for quick reference and (some) nostalgia for order, with entries such as "eros (women)," "internet(s)," and "war." Throughout, it is written in the belief "that posthumans lining the road to the future (which looks as if it exists, after all, even though Dada is against it) need the solace offered by the primal raw energy of Dada and its inhuman sources.""--Jacket.

dadaïsme --- avant-garde --- communisme --- geschiedenis --- Tzara, Tristan --- Lenin, Vladimir Ilitch --- 20ste eeuw --- Communism and culture. --- Dadaism. --- Dadaism --- Communism and culture --- Culture and communism --- Culture --- Dada --- Tabu-Dadaism --- Arts, Modern --- dadaïsme. --- avant-garde. --- communisme. --- geschiedenis. --- Tzara, Tristan. --- Lenin, Vladimir Ilitch. --- 20ste eeuw.