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German literature --- Hohl, Ludwig --- Criticism and interpretation --- -Criticism and interpretation --- -Criticism and interpretation. --- Criticism and interpretation.

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Can attending to poetic form help us imagine a radical politics and bridge the gap between pressing contemporary political concerns and an ancient literature that often seems steeped in dynamics of oppression? The corpus of the fifth-century Athenian playwright Aristophanes includes some of the funniest yet most disturbing comedies of Western literature. His work's anarchic experimentation with language invites a radically "oversensitive" hyperformalism, a formalistic overanalysis that disrupts, disables, or even abolishes a range of normativities (government, labor, reproduction, gender). Exceeding not just historicist contextualism, but also conventional notions of laughter and the logic of the joke, Resistant Form: Aristophanes and the Comedy of Crisis uses Aristophanes to fully embrace, in the practice of close or "too-close" reading, the etymological and conceptual nexus of crisis, critique, and literary criticism. These exuberant readings of Birds, Frogs, Lysistrata, and Women at the Thesmophoria, together with the first attempt ever to grapple with the comic style of critical theorists Gilles Deleuze, Achille Mbembe, and Jack Halberstam, connect Aristophanes with contemporary discourses of biopolitics, necrocitizenship, care, labor, and transness, and at the same time disclose a quasi- or para-Aristophanic mode in the written textures of critical theory. Here is a radically new approach to the literary criticism of the pre-modern - one that materializes the circuit of crisis and critique through a restless inhabitation of the becomings and unbecomings of comic form.

Aristophanes --- Criticism and interpretation.

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Pindar --- Criticism and interpretation.

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The Great Athanasius is an introductory survey of the life and work of the most dynamic pastor-theologian of the fourth century. From his birth and early years in Alexandria to the ""Golden Decade,"" the book charts the life and work of Athanasius through a close study of his main writings and other important works. Central to his story is the ""Arian controversy,"" the Council of Nicea, and the subsequent difficulties that emerged in building a consensus around the ""very God, very Man"" affirmation of the Nicene Creed. The eventual triumph of the theology of the Nicene Creed was largely due to his tireless efforts, which are carefully chronicled in this work. Though a controversial figure in his own lifetime, through both his theological insight and ecclesiastical leadership, and in his fidelity to his faith convictions, Athanasius proved to be ""the great"" church father and theologian of his age and one of the seminal Christian thinkers of all time. ""Dr. John Tyson presents us with a superb intellectual biography of the Great Athanasius. Having taken great pains to bridge history and theological analysis, he has enriched our understanding of Athanasius's theology by careful consideration of the ecclesio-political controversies as well as personal influences that shaped it. This is an excellent introduction to the life and work of St. Athanasius."" --David Yoon-Jung Kim, Arthur J. Gosnell Associate Professor of Christian Ethics, Colgate Rochester Crozer Divinity School ""John Tyson is to be applauded for his carefully researched and highly accessible introduction to Athanasius amid the theological tensions of the fourth century. This account provides a clear context for the champion of orthodoxy who consistently affirmed the full divinity and humanity of Jesus Christ against the Arian Controversy. It also reveals the challenges and tensions of seeking theological integrity in a world of competing claims."" --Tom Schwanda, Associate Professor of Christian Formation and Ministry, Wheaton College John R. Tyson is Professor of Church History at Colgate Rochester Crozer Divinity School, in Rochester, New York. He is author of ten books, including Faith, Doubt, and Courage (Wipf & Stock).

Athanasius, --- Criticism and interpretation.

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In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"âe"and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks builtâe"and a new model for studying the ancient world.

Pindar --- Criticism and interpretation.