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Inspiré par un des axes d'enseignement du DEA Sciences de la Ville de l'université François-Rabelais, ce livre croise réflexion méthodologique et études de cas appartenant aux espaces français, allemands, anglais et italiens au long d'une époque moderne largement taillée. Il réunit les contributions de onze historiens de Tours, Angers et Orléans : Florence ALAZARD, Les livrets d'entrées royales : une source pour l'histoire urbaine. Pascal BRIOIST, Hooke et Pepys : deux espaces-vécus du Londres du XVIIe. Gérald CHAIX, Histoire : Libertés - Justice. L'hôtel de ville de Cologne (XIIe - XVIIe siècle). Bernard CHEVALIER, L'éloge de Tours de Francesco Florio (1477). Entre la tradition médiévale et le discours humaniste. François COMTE, Angers à travers ses plans (1652-1813) : une cité immobile ? Natacha COQUERY, La beauté d'une ville : un château bien Pâti ou un théâtre magnifique ? Nantes d'après Brackenhoffer (1643-1644) et Young (1788). Brigitte MAILLARD, L'air, l'eau, la ville et le médecin au XVIIIes. Vincent MILLIOT, La ville au miroir des métiers. Représentations du monde du travail et imaginaires de la ville (XVIe - XVIIIe). Claude PETITFRÈRE, Une ville mise en scène : Tours d'après l'iconographie générale des XVIes au XVIIIes. Robert SAUZET, L'image de Nîmes antique dans l'historiographie et la mémoire collective au XVIIes et XVIIIes. Denise TURREL, La couleur de la ville : les représentations urbaines dans les cartes de l'Ancien Régime. L'ouvrage s'organise en trois parties : La ville vécue par le citadin et la ville racontée par l'historien, la ville donnée à lire par le visiteur étranger ou le médecin, la ville mise en scène par le cartographe, le dessinateur, le graveur, le peintre et l'architecte.

Sociology & Social History --- Social Sciences --- Communities - Urban Groups --- cartes --- cartographie --- Nîmes --- Nantes --- Angers --- Londres --- Tours --- imaginaire de la ville --- Cologne

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The Imperial City of Cologne: From Roman Colony to Medieval Metropolis (19 BC-1125 AD) is an urban history of Cologne from its imperial Roman origins as a northeastern frontier military outpost to a medieval metropolis on the German Empire's northwestern border. This first history of Cologne, available in English, challenges received notions of late Roman ethnic identities, a Dark Age collapse of urban life, devastating Viking and Magyar incursions, and the origins of medieval urban government.

Manners and customs. --- Politics and government. --- To 1500 --- Cologne (Germany) --- Germany --- History --- Politics and government --- Social life and customs --- Köln (Germany) --- Cöln (Germany) --- Kolonia (Germany) --- Oppidum Ubiorum (Germany) --- Colonia Agrippinensis (Germany) --- Augusta Ubiorum (Germany) --- Cöllen (Germany) --- Kelʹn (Germany) --- Colonia (Germany) --- Keulen (Germany) --- Moeurs et coutumes --- Politique et gouvernement --- Cologne (Allemagne) --- Histoire --- HISTORY / Medieval.

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Digital games as transmedia works of art - Games as social environments - The aesthetics of play - Digital games in pedagogy - Cineludic aesthetics - Ethics in games - these were some of the important and fascinating topics addressed during the international research conference "Clash of Realities" in 2015 and 2016 by more than a hundred international speakers, academics as well as artists. This volume represents the best contributions - by, inter alia, Janet H. Murray, David OReilly, Eric Zimmerman, Thomas Elsaesser, Lorenz Engell, Susana Tosca, Miguel Sicart, Frans Mäyrä, and Mark J.P. Wolf. Besprochen in: GMK-Newsletter, 2 (2018)

Games; Design; Art; Media; Film; Audiovisuality; Technology; Digital Culture; Digital Games; Electronic Arts; Cologne Game Lab; Media Studies; Internet; Computer Games; Digital Media; Media Aesthetics; Popular Culture; --- Art. --- Audiovisuality. --- Cologne Game Lab. --- Computer Games. --- Design. --- Digital Culture. --- Digital Games. --- Digital Media. --- Electronic Arts. --- Film. --- Internet. --- Media Aesthetics. --- Media Studies. --- Media. --- Popular Culture. --- Technology.

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This book explores the full range of social, economic, religious and cultural contacts between England and the German city of Cologne during the central Middle Ages, c.1000 to c.1300. A wealth of original archive material reveals an extensive network of English and German emigrants who were surprisingly successful in achieving assimilation into their new homeland. From beguines to English sterling, pilgrims to emigrants, crusaders and merchants to teachers, there existed a complex world of Anglo-German associations. The book therefore maintains the thesis that the Anglo-German nexus should be given a higher profile in current historiography on the Middle Ages, and that the book should stand as a contribution towards the reconfiguration of medieval history away from the boundaries created by modern political and intellectual categories. It will also encourage historians to reconsider their basic assumptions about what constituted 'medieval Europe'.

Germans --- British --- British people --- Britishers --- Britons (British) --- Brits --- Ethnology --- History. --- London (England) --- Cologne (Germany) --- Hamburg (Germany) --- Great Britain --- Londen (England) --- Londinium (England) --- Londres (England) --- Londýn (England) --- Lunnainn (England) --- Köln (Germany) --- Cöln (Germany) --- Kolonia (Germany) --- Oppidum Ubiorum (Germany) --- Colonia Agrippinensis (Germany) --- Augusta Ubiorum (Germany) --- Cöllen (Germany) --- Kelʹn (Germany) --- Colonia (Germany) --- Keulen (Germany) --- Hamburgo (Germany) --- Hambourg (Germany) --- Hamburgh (Germany) --- ハンブルク (Germany) --- Hanburuku (Germany) --- Hamburg --- Relations --- Emigration and immigration --- History --- Social life and customs --- Commerce --- Church history --- Arts and Humanities --- History of the United Kingdom and Ireland --- History of Germany and Austria --- anno 1000-1099 --- anno 1100-1199 --- anno 1200-1299 --- London --- Cologne --- Allemands --- Britanniques --- Histoire --- Londres (Angleterre) --- Cologne (Allemagne) --- Hambourg (Allemagne) --- Grande-Bretagne --- Social life and customs. --- Emigration et immigration --- Moeurs et coutumes --- Histoire religieuse

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How can we think of the “aura” of (sacred) contexts and (sacred) works? How to think of individual and collective (esthetic/religious) experiences? What to make of the manipulative dimension of (religious and esthetic) “auratic” experiences? Is the work of art still capable of mediating the experience of the “sacred,” and under what conditions? What is the significance of the “eschatological” dimension of both art and religion (the sense of “ending”)? Can theology offer a way to reaffirm the creative capacities of the human being as something that characterizes the very condition of being human? This Special Issue aspires to contribute to the growing literature on contemporary art and religion, and to explore the new ways of thinking of art and the sacred (in their esthetic, ideological, and institutional dimensions) in the context of contemporary culture.

aesthetic --- harmony --- n/a --- beauty --- Gerhard Richter --- haptic --- Cologne Cathedral window --- secularism --- iconography --- Strip --- aesthetic experience --- iconology --- retro-avant-garde --- photography --- Augustine --- concepts: image --- Franciscan theology --- faith --- post-secular --- intentionality --- aura --- theurgy --- freedom --- authorship --- Magdalene --- contemporary painting --- mysticism --- wonder --- belief --- sacred --- art --- Vermeer --- chance --- abstract painting --- sensory experience --- skepticism --- digital imagery --- reading/readers --- aesthetics --- rhythm --- book(s) --- culture --- sentience --- Jerome --- ratio --- Art and religion. --- Postsecularism. --- Post-secularism --- Post-secularity --- Philosophy, Modern --- Religion --- Secularism --- Art --- Arts in the church --- Religion and art --- Religious aspects