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American literature --- English literature --- Chinese in literature. --- Chinese American authors --- History and criticism. --- Chinese authors
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Divided into two parts - the first a combination of historical introduction and theoretical analysis, the second consisting of comprehensive, in-depth, detailed close readings of representative literary works - this book is a unique bridge connecting the fields of Comparative Literature, Asian American Studies, and Asian Studies. Through a repositioning of the Chinese component of Asian America in relation to the transformations of Chinese identity in modern times, it reads Asian American literature and Asian American literary studies in the context of the historical events and geopolitical ch
American literature --- English literature --- Agrarians (Group of writers) --- Chinese American authors --- History and criticism. --- Chinese influences. --- United States --- Relations
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This ground-breaking edited volume includes chapters which explore the past, present and future position of Chinese American authors within the framework of what Bloom identifies as the "Western literary canon." These selections, which simultaneously represent the exciting "transnational turn" in American literary studies, not only examine whether or not Chinese American literature is inside or outside the canon, but also question if there is, or should be, a literary canon at all. Moreover,...
American literature --- Canon (Literature) --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- English literature --- Agrarians (Group of writers) --- Chinese American authors --- History and criticism. --- Chinese influences. --- History and criticism
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The world is anything but unfamiliar with diaspora: Jewish, African, Armenian, Roma-Gipsy, Filipino/a, Tamil, Irish or Italian, even Japanese. But few have carried so global a resonance as that of China. What, then, of literary-cultural expression, the huge body of fiction which has addressed itself to that plurality of lives and geographies and which has come to be known as “After China”? This collection of essays offers bearings on those written in English, and in which both memory and story are central, spanning the USA to Australia, Canada to the UK, Hong Kong to Singapore, with yet others of more transnational nature. This collection opens with a reprise of woman-authored Chinese American fiction using Maxine Hong Kingston and Amy Tan as departure points. In turn follow readings of the oeuvres of Tan and Frank Chin. A comparative essay takes up novels by Canadian, American and Australian authors from the perspective of migrancy as fracture. Chinese Canada comes into view in accounts of SKY Lee, Wayson Choy, Evelyn Lau and Larissa Lai. Australia under Chinese literary auspices is given a comparative mapping through the fiction of Brian Castro and Ouyang Yu. The English language “China fiction” of Singapore and Hong Kong is located in essays centred, respectively, on Martin Booth and Po Wah Lam, and Hwee Hwee Tan and Colin Cheong. The collection rounds out with portraits of Timothy Mo as British transnational author, a selection of contextual Chinese British stories and art, and the phenomenon of “Chinese Chick Lit” novels. China Fictions/English Language will be of interest to readers drawn both to “After China” as diasporic literary heritage and comparative literature in general.
Chinese fiction --- Chinese fiction. --- Chinese literature --- History and criticism. --- 1900-1999 --- American literature --- English literature --- Chinese American authors --- Christian authors --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers)
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A young man arrives in England in the 1930's, knowing few words of the English language. Yet, two years later he writes a successful English book on Chinese art, and within the following decade publishes more than a dozen others. This is the true story of Chiang Yee, a renowned writer, artist, and worldwide traveler, best known for the Silent Traveller series--stories of England, the United States, Ireland, France, Japan, and Australia--all written in his humorous, delightfully refreshing, and enlightening literary style. This biography is more than a recounting of extraordinary accomplishments. It also embraces the transatlantic life experience of Yee who traveled from China to England and then on to the United States, where he taught at Columbia University, to his return to China in 1975, after a forty-two year absence. Interwoven is the history of the communist revolution in China; the battle to save England during World War II; the United States during the McCarthy red scare era; and, eventually, thawing Sino-American relations in the 1970's. Da Zheng uncovers Yee's encounters with racial exclusion and immigration laws, displacement, exile, and the pain and losses he endured hidden behind a popular public image.
Travelers' writings, English --- Exiles' writings, English --- Chinese in literature. --- Asian diaspora. --- Chinese --- Chinese American artists --- Chinese American authors --- English exiles' writings --- English literature --- Diaspora, Asian --- Human geography --- Asians --- Ethnology --- Artists, Chinese American --- Artists --- Authors, Chinese American --- Authors, American --- History and criticism. --- Migrations --- Chiang, Yee, --- Chiang, Chung-ya, --- Chiang, I, --- Jiang, Yi, --- 蒋彝, --- 蔣彜, --- Jiang, Zhongya, --- 蒋仲雅, --- 蒋重哑, --- Yaxingzhe, --- 啞行者, --- China --- In literature.
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American literature --- Chinese Americans in literature. --- Chinese Americans --- Culture in literature. --- Identity (Psychology) in literature. --- Jews in literature. --- Jews --- Judaism and literature --- Chinese American authors --- History and criticism. --- Jewish authors --- Intellectual life. --- Cahan, Abraham, 1860-1951. The Rise of David Levinsky --- Chinese Americans in literature --- Chinese Amerikanen in literatuur --- Culture dans la littérature --- Culture in literature --- Cultuur in de literatuur --- Identiteit (Psychologie) in de literatuur --- Identiteit in de literatuur --- Identity (Psychology) in literature --- Identity in literature --- Identité (Psychologie) dans la littérature --- Identité dans la littérature --- Jews in literature --- Joden in de literatuur --- Juifs dans la littérature --- Sino-Américains dans la littérature --- Chinese --- Ethnology --- English literature --- Agrarians (Group of writers) --- Chinese American authors&delete& --- History and criticism --- Jewish authors&delete& --- Intellectual life --- United States --- Love in literature --- Roth, Henry --- Roth, Philip --- Criticism and interpretation --- Chin, Frank Chew --- Gold, Herbert --- Hoffman, Eva --- Yezierska, Anzia --- Kingston, Maxine Hong --- Tan, Amy
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Yunte Huang takes a most original "ethnographic" approach to more and less well-known American texts as he traces what he calls the transpacific displacement of cultural meanings through twentieth-century America's imaging of Asia. Informed by the politics of linguistic appropriation and disappropriation, Transpacific Displacement opens with a radically new reading of Imagism through the work of Ezra Pound and Amy Lowell. Huang relates Imagism to earlier linguistic ethnographies of Asia and to racist representations of Asians in American pop culture, such as the book and movie character Charlie Chan, then shows that Asian American writers subject both literary Orientalism and racial stereotyping to double ventriloquism and countermockery. Going on to offer a provocative critique of some textually and culturally homogenizing tendencies exemplified in Maxine Hong Kingston's work and its reception, Huang ends with a study of American translations of contemporary Chinese poetry, which he views as new ethnographies that maintain linguistic and cultural boundaries.
Intertextuality. --- Ethnology in literature. --- Immigrants in literature. --- Chinese Americans in literature. --- Chinese Americans in mass media. --- Chinese Americans --- American literature --- Chinese literature --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Mass media --- Chinese --- Ethnology --- English literature --- Agrarians (Group of writers) --- Intellectual life. --- Chinese influences. --- Appreciation --- History and criticism. --- Chinese American authors --- Chinese Americans in literature --- Chinese Americans in mass media --- Ethnology in literature --- Immigrants in literature --- Intertextuality --- Chinese American authors&delete& --- History and criticism --- Chinese influences --- Intellectual life --- amy lowell. --- appropriation. --- asia. --- chinese poetry. --- critique. --- cultural history. --- cultural studies. --- disappropriation. --- displacement. --- ethnographer. --- ethnographic. --- ethnography. --- ezra pound. --- imagism. --- imagist poets. --- linguistic ethnography. --- linguistic theory. --- linguistics. --- race issues. --- race. --- racial stereotypes. --- racism. --- social history. --- social studies. --- stereotypes. --- transpacific.
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This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers’ formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the “other” country and to look homeward without blinders. .
American literature --- Chinese American authors --- History and criticism. --- Literature. --- Culture --- Literature --- Oriental literature. --- America --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Asian Literature. --- Literary Theory. --- Cultural Theory. --- Gender Studies. --- Postcolonial/World Literature. --- North American Literature. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Asian literature --- Literature and philosophy --- Philosophy and literature --- Cultural studies --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Study and teaching. --- Philosophy. --- Literatures. --- Psychological aspects --- Theory --- America-Literatures. --- Literature-Philosophy. --- Culture-Study and teaching. --- Literature . --- America—Literatures. --- Literature—Philosophy. --- Culture—Study and teaching. --- USA --- United States of America --- Vereinigte Staaten von Amerika --- Nordamerika --- Amerika --- United States --- Etats Unis --- Etats-Unis --- Vereinigte Staaten --- Estados Unidos de America --- EEUU --- Vereinigte Staaten von Nordamerika --- Soedinennye Štaty Ameriki --- SŠA --- Stany Zjednoczone Ameryki Północnej --- Hēnōmenai Politeiai tēs Boreiu Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- HēPA --- Ēnōmenes Politeies tēs Amerikēs --- ĒPA --- Meiguo --- Etats-Unis d'Amérique --- US --- Amerikaner --- Konföderierte Staaten von Amerika --- Soedinennye Štaty Ameriki --- SŠA --- Stany Zjednoczone Ameryki Północnej --- Hēnōmenai Politeiai tēs Boreiu Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- HēPA --- Ēnōmenes Politeies tēs Amerikēs --- ĒPA --- Etats-Unis d'Amérique --- Konföderierte Staaten von Amerika
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