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"'An impressively complete survey of the play in its cultural, theatrical, historical and political contexts.' - David Bradby, co-editor of Contemporary Theatre Review. Samuel Beckett's Waiting for Godot is not only an indisputably important and influential dramatic text -it is also one of the most significant western cultural landmarks of the twentieth century. Originally written in French, the play first amazed and appalled Parisian theatre-goers and critics before receiving a harshly dismissive initial critical response in Britain in 1955. Its influence since then on the international stage has been significant, impacting on generations of actors, directors and audiences."--Bloomsbury Publishing.
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Didi, Gogo, Pozzo, Lucky -- the bizarre names stand out strangely against the bare-bones landscape of Waiting for Godot. In an intriguing new study of one of the most haunting plays of this century, Frederick Busi shows that these names serve important dramatic functions, reinforcing the changing roles assumed by the mysterious characters in their tortuous search for -- and avoidance of -- self. Busi also explores Beckett's convoluted literary relationship with James Joyce, especially as revealed in the plays-within-the-play and verbal jigh jinks of Finnegan's Wake, where, as in Godot, the
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Si on pouvait rêver du vide, le rêve beckettien serait celui d’un monde sans mémoire, ni désir, un monde sans autrui – un monde évacué, sans littérature, ni mots, ni pensée. Sans lecteur. Un texte sans lecteur ou une scène sans acteurs. Soucieux de nuancer et d’équilibrer l’équation entre théorie et texte, symptôme et écriture, l’auteur montre que c’est Beckett qui nous invite à interroger, par le jeu et la pensée, son imagination et son écriture, si riches en matière négative. L’auteur fait pour la première fois le lien entre les concepts psychanalytiques abordés dans cette étude – le vide, le jeu, la pensée – et les concepts opératoires de la critique post-structuraliste : écriture, différance, espacement, altérité.
Beckett, Samuel --- Beckett, Samuel, --- Criticism and interpretation
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Poetry --- Drama --- Beckett, Samuel
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Literature --- Philosophy. --- Beckett, Samuel, --- Beckett, Samuel, --- Criticism and interpretation. --- Philosophy.
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French literature --- Drama --- Beckett, Samuel
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Provides Beckett scholars with a range of first-class essays in a single volumeThe Reader makes readily available for the first time 18 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present. Divided into two sections, Sources and Archives and Theories and Translations, and containing work by some of the world’s leading Beckett scholars (including John Pilling, James Knowlson, Shane Wellar and Mary Bryden) the volume reflects both a distinctive European emphasis as well as the ‘new pragmatism’ within Beckett Studies.Key FeaturesGathers 5 strongly textual essays laying out the underpinnings of Beckett’s texts Includes 2 theoretically informed essays by major French philosophers, Bruno Clément and Alain BadiouOffers a distinctive European emphasis, including studies of Beckett’s Italian translationsBrings together in one place high-quality, original research from immediately recognizable names in the field
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