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The literary theories of August Wilhelm Schlegel
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ISBN: 3111343138 9783111343136 9783110991635 3110991632 3112151755 Year: 1972 Publisher: The Hague Mouton

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No detailed description available for "The literary Theories of August Wilhelm Schlegel".


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Briefe schillers und goethes an a. w. schlegel
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Year: 2010 Publisher: To be supplied : Project Gutenberg,

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August Wilhelm Ambros: Musikaufsätze und -rezensionen: 1872-1876.: Historisch-kritische Ausgabe. Band 1: 1872 und 1873
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ISBN: 3990123386 3990123378 9783990123386 9783990123379 Year: 2017 Publisher: Hollitzer Verlag

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The present edition of musical essays and reviews by August Wilhelm Ambros (1816–1876) covers the years 1872–1876—a time that Ambros spent as a music reviewer for the Wiener Zeitung in Vienna. The first volume contains, in total, 138 essays from the years 1872 and 1873. It documents not only Ambros’ position within Viennese music criticism of the 1870s, but also an important chapter in European musical history.


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The anti-romantic
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ISBN: 9781472574817 9781472574824 9781472574831 1472574826 1472574834 9781472594488 1472594487 1322023743 9781322023748 1472574818 Year: 2014 Publisher: London New York, NY

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"Hegel's critique of Early German Romanticism and its theory of irony resonates to the core of his own philosophy in the same way that Plato's polemics with the Sophists have repercussions that go to the centre of his thought. The Anti-Romantic examines Hegel's critique of Fr. Schlegel, Novalis and Schleiermacher. Hegel rarely mentions these thinkers by name and the texts dealing with them often exist on the periphery of his oeuvre. Nonetheless, individually, they represent embodiments of specific forms of irony: Schlegel, a form of critical individuality; Novalis, a form of sentimental nihilism; Schleiermacher, a monstrous hybrid of the other two. The strength of Hegel's polemical approach to these authors shows how irony itself represents for him a persistent threat to his own idea of systematic Science. This is so, we discover, because Romantic irony is more than a rival ideology; it is an actual form of discourse, one whose performative objectivity interferes with the objectivity of Hegel's own logos. Thus, Hegel's critique of irony allows us to reciprocally uncover a Hegelian theory of scientific discourse. Far from seeing irony as a form of consciousness overcome by Spirit, Hegel sees it as having become a pressing feature of his own contemporary world, as witnessed in the popularity of his Berlin rival, Schleiermacher. Finally, to the extent that ironic discourse seems, for Hegel, to imply a certain world beyond his own notion of modernity, we are left with the hypothesis that Hegel's critique of irony may be viewed as a critique of post-modernity."--Bloomsbury Publishing.


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The Life of August Wilhelm Schlegel, Cosmopolitan of Art and Poetry
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ISBN: 9781909254978 9781909254985 1909254975 1909254983 9781909254961 9781909254954 9781909254992 1909254991 1909254967 2821881703 9782821881709 Year: 2016 Publisher: Open Book Publishers

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"This is the first full-scale biography, in any language, of a towering figure in German and European Romanticism: August Wilhelm Schlegel whose life, 1767 to 1845, coincided with its inexorable rise. As poet, translator, critic and oriental scholar, Schlegel's extraordinarily diverse interests and writings left a vast intellectual legacy, making him a foundational figure in several branches of knowledge. He was one of the last thinkers in Europe able to practise as well as to theorise, and to attempt to comprehend the nature of culture without being forced to be a narrow specialist. With his brother Friedrich, for example, Schlegel edited the avant-garde Romantic periodical Athenaeum; and he produced with his wife Caroline a translation of Shakespeare, the first metrical version into any foreign language. Schlegel's Lectures on Dramatic Art and Literature were a defining force for Coleridge and for the French Romantics. But his interests extended to French, Italian, Spanish and Portuguese literature, as well to the Greek and Latin classics, and to Sanskrit. August Wilhelm Schlegel is the first attempt to engage with this totality, to combine an account of Schlegel’s life and times with a critical evaluation of his work and its influence. Through the study of one man's rich life, incorporating the most recent scholarship, theoretical approaches, and archival resources, while remaining easily accessible to all readers, Paulin has recovered the intellectual climate of Romanticism in Germany and traced its development into a still-potent international movement. The extraordinarily wide scope and variety of Schlegel's activities have hitherto acted as a barrier to literary scholars, even in Germany. In Roger Paulin, whose career has given him the knowledge and the experience to grapple with such an ambitious project, Schlegel has at last found a worthy exponent. "


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August Wilhelm Ifflands Berliner Bühne
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ISBN: 3110392364 3110378469 9783110378467 9783110392364 9783110375237 3110375230 3110378477 Year: 2015 Publisher: Berlin [Germany] Boston, Massachusetts

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Vorliegende Studie tritt dem verbreiteten Urteil entgegen, August Wilhelm Iffland hätte das Berliner Nationaltheater von 1796 bis 1814 im Gegensatz zu Goethes Weimarer Bühne nur unter ökonomischem Aspekt geführt. Sie untersucht die komplexen Prozesse ökonomischer und ästhetischer Wertebildung im Theater und seinem Umfeld. Analysiert werden Repertoiregestaltung, Theaterkritiken, Theaterbilder und Bühnenstücke. Die Studie wird von einem dokumentarischen Anhang, bestehend aus einem Bild- und einem Textteil, ergänzt. Der Bildteil enthält Quellen, die Ifflands Berliner Zeit illustrieren. Der Textteil enthält u. a. Briefe von und an Iffland, Quittungen und Rechnungen der Autoren und Schauspieler, Gehaltslisten und Verträge. Erstmals wird ein monographischer Text des Berliner Lustspieldichters Julius von Voß über Iffland abgedruckt. Die Texte dienen zur Erläuterung der Monografie und sollen darüber hinaus der Forschung gleichzeitig neues Quellenmaterial liefern.


Book
August Wilhelm Ambros: Musikaufsätze und -rezensionen 1872-1876: Historisch-kritische Ausgabe. Band 2: 1874-1876
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ISBN: 3990124145 3990124137 9783990124147 9783990124130 Year: 2019 Publisher: Hollitzer Verlag

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The present edition of musical essays and reviews by August Wilhelm Ambros (1816–1876) covers the years 1872–1876—a time that Ambros spent as a music reviewer for the Wiener Zeitung in Vienna. The second volume contains, in total, 126 essays from the years 1874–1876. It documents not only Ambros’ position within Viennese music criticism of the 1870s, but also an important chapter in European musical history. Die vorliegende Edition von Musikaufsätzen und rezensionen von August Wilhelm Ambros (1816–1876) umfasst die Jahre 1872–1876 – eine Zeit, die Ambros als Musikrezensent bei der Wiener Zeitung in Wien verbracht hat. Der zweite Band enthält insgesamt 126 Aufsätze aus den Jahren 1874–1876. Durch die Edition wird nicht nur Ambrosʼ Stellung innerhalb der Wiener Musikkritik der 1870er-Jahre, sondern auch ein wichtiges Kapitel der europäischen Musikgeschichte ausführlich dokumentiert.

A structural and semantic analysis of the German modal "mögen"
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ISBN: 3261010673 Year: 1975 Publisher: Frankfurt


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Historienmalerei
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Year: 1996 Publisher: Reimer Verlag

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[English version below]
Mit 43 Quellentexten von Leon Battista Alberti bis ins späte 19. Jahrhundert gibt der Band "Historienmalerei" einen umfassenden Überblick über die Theoriegeschichte dieser Gattung, welcher die führende Rolle in der Hierarchie der Bildaufgaben zugewiesen worden ist. Die Textsammlung bietet damit die Möglichkeit, bei der Deutung des einzelnen Kunstwerks und seiner historischen Stellung die kunsthistorische Debatten der unterschiedlichen Epochen zu berücksichtigen. Alle Quellentexte sind in der Originalsprache wiedergegeben sowie in deutscher Übersetzung. Die Analyse erfolgt dann in deutscher Sprache.

With 43 source texts, starting with Leon Battista Alberti and reaching out into the late 19th century, the volume "Historienmalerei" gives a comprehensive overview of the theoretical history of this genre, which has been assigned the leading role in the hierarchy of image tasks. The text collection thus offers the opportunity to take into account the art-historical debates of the different epochs when interpreting the individual artwork and its historical position. All source texts are presented in their original language and a german translation. Interpretations in German only.

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