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Mass media. --- Mass media --- #SBIB:309H022 --- #SBIB:309H521 --- Mass communication --- Media, Mass --- Media, The --- Communication --- Technological innovations --- Massacommunicatie --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Mass communications --- Computer. Automation --- Technological innovations.
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Providing an introduction to textual analysis, starting from the most basic philosophical foundations that underlie the practice Alan McKee works through the core issues step-by-step, drawing on examples from advertising, films, novels, comic books television and videos.
Discourse analysis --- #SBIB:309H506 --- #SBIB:309H512 --- #SBIB:309H521 --- Discourse grammar --- Text grammar --- Semantics --- Semiotics --- Code en boodschap: inhoudsanalyse: theorie en methodologie --- Verbale communicatie: inhoudsanalyse: onderzoekingen --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Pragmatics --- Discourse analysis.
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Islam in mass media. --- Mass media --- Religious aspects --- Islam. --- #SBIB:309H1000 --- #SBIB:309H521 --- Media: algemene en theoretische werken --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Muslims - Egypt - Fiction --- Muslims - Egypt - Drama --- Television - Social aspects - Egypt --- Television and politics - Egypt
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"Examines the meaning of Europe in contemporary art-house and popular films from across the continent."--
Film --- Europe --- Motion pictures --- film --- filmgeschiedenis --- filmtheorie --- eenentwintigste eeuw --- Europa --- 791.43 --- #SBIB:309H1320 --- #SBIB:309H1328 --- #SBIB:309H521 --- History. --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een ideologische en spiegelfunctie --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- In motion pictures. --- PERFORMING ARTS / Film & Video / History & Criticism. --- History
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Exoticism in motion pictures. --- Motion pictures --- Race in motion pictures. --- Film --- Semiotics --- Exoticism in motion pictures --- Race in motion pictures --- #SBIB:309H1320 --- #SBIB:309H521 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Media --- Media-analyse --- Cultuur --- Sociologie --- Cultuursociologie --- Film (cinematografie) --- Toerisme --- Erfelijkheidsleer --- Stadssamenleving --- Verpleegkunde
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General ethics --- Mass media --- #SBIB:309H1523 --- #SBIB:309H521 --- Moral and ethical aspects --- Religious aspects --- Radio- en/of televisieprogramma's met een informatieve functie --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Moral and religious aspects --- Media --- Postmodernisme --- Godsdienst --- Nieuws --- Geschiedenis --- Geneeskunde --- Techniek (wetenschap) --- Filosofie --- Psychologie --- Sociologie --- Atlas --- Museum --- Man --- Cultuur --- Erfelijkheidsleer --- Stadssamenleving --- Verpleegkunde --- Volwassene
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In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate.While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a "just war" in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II.The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.
Motion pictures --- September 11 Terrorist Attacks, 2001 --- #SBIB:309H1321 --- #SBIB:309H521 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- Influence --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- History and criticism --- Influence. --- United States --- September 11 terrorist attacks, 2001 --- Motion Pictures --- Performing Arts
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Culture --- Cultuur --- Journalism --- Journalisme --- Journalistiek --- Televisie --- Television --- Télévision --- #SBIB:309H1016 --- #SBIB:309H512 --- #SBIB:309H521 --- Media: socio-culturele aspecten (massamedia en maatschappij, met inbegrip van cultuurhistorische werken en werken over de maatschappelijke en politieke effecten van de (diverse) media) --- Verbale communicatie: inhoudsanalyse: onderzoekingen --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Culture. --- Journalism. --- Television. --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Optical communication systems --- Social aspects
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African Americans in mass media --- Afro-Amerikanen in de massamedia --- Afro-américains dans les mass media --- Crime dans la communication de masse --- Crime in mass media --- Misdaad in de massamedia --- #SBIB:309H1024 --- #SBIB:309H521 --- #SBIB:309H525 --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Sociologie van de audiovisuele boodschap --- Mass media --- United States --- Crime and criminals in mass media --- Afro-Americans in mass media
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The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.
Road films --- History and criticism. --- Film --- United States --- #SBIB:309H1320 --- #SBIB:309H521 --- #SBIB:AANKOOP --- #SBIB:309H1326 --- film --- filmgeschiedenis --- Verenigde Staten --- twintigste eeuw --- road movies --- filmtheorie --- 791.43 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Road movies --- Motion pictures --- History and criticism --- United States of America
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