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In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870's through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past-the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.

Art and music. --- Modernism (Art) --- Modernism (Music) --- Music --- Modernism in music --- Modernist music --- Musical modernism --- Style, Musical --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Music and art --- History and criticism. --- Musique --- Modernisme (musique) --- Modernisme (art) --- Art et musique. --- 19th century european music. --- 20th century european music. --- ambivalent modernism. --- arnold schoenberg. --- austro german music. --- california studies in 20th century music. --- early modernism. --- eugen dalbert. --- franz schreker. --- german modernism. --- german naturalism. --- gustav mahler. --- hans pfitzner. --- historicist modernism. --- late richard wagner. --- max reger. --- max von schillings. --- modernism. --- modernist music. --- modernity. --- music and visual arts. --- music history. --- music. --- musicians. --- nietzsche. --- richard strauss. --- thomas mann. --- wagner.

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Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann's novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture.

Mann, Thomas, --- Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Mann, Paul Thomas --- Mann, Thomas --- マン・トオマス --- マン, トーマス --- MUSIC / Individual Composer & Musician. --- Doktor Faustus (Mann, Thomas). --- Man, Tomas, --- Man, Tʻomasŭ, --- Mān, Tūmās, --- Manas, Tomas, --- Mani, Tʻomas, --- Mann, Paul Thomas, --- Mann, Tomas, --- Mann, Tomasz, --- Thomas, Paul, --- Манн, Томас, --- מאן, תומאס --- מאן, תומאס, --- מאן, טאמאס --- מאן, טאמאס, --- מן, תומס --- מן, טומס --- מן, טומס, --- مان، توماس --- Schönberg, Arnold --- 20th century literature. --- 20th century music. --- argument. --- arnold schoenberg. --- artists. --- controversy. --- correspondence. --- culture. --- diary entries. --- doctor faustus. --- enemies. --- famous dispute. --- famous fights. --- faustus affair. --- german exile. --- letters. --- los angeles. --- nazi era. --- philosopher. --- private lives. --- public lives. --- theodor adorno. --- thomas mann.

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In the 1930's and 40's, Los Angeles became an unlikely cultural sanctuary for a distinguished group of German artists and intellectuals-including Thomas Mann, Theodore W. Adorno, Bertolt Brecht, Fritz Lang, and Arnold Schoenberg-who had fled Nazi Germany. During their years in exile, they would produce a substantial body of major works to address the crisis of modernism that resulted from the rise of National Socialism. Weimar Germany and its culture, with its meld of eighteenth-century German classicism and twentieth-century modernism, served as a touchstone for this group of diverse talents and opinions. Weimar on the Pacific is the first book to examine these artists and intellectuals as a group. Ehrhard Bahr studies selected works of Adorno, Horkheimer, Brecht, Lang, Neutra, Schindler, Döblin, Mann, and Schoenberg, weighing Los Angeles's influence on them and their impact on German modernism. Touching on such examples as film noir and Thomas Mann's Doctor Faustus, Bahr shows how this community of exiles reconstituted modernism in the face of the traumatic political and historical changes they were living through.

Jews, German --- Germans --- Modernism (Aesthetics) --- German Jews --- Ethnology --- Aesthetics --- Intellectual life. --- Los Angeles (Calif.) --- Los Anheles (Calif.) --- Pueblo de Nuestra Señora la Reina de los Angeles de Porciuncula (Calif.) --- Town of Our Lady the Queen of the Angels of Porciuncula (Calif.) --- Tʻien-shih-chih-chʻeng (Calif.) --- Tianshizhicheng (Calif.) --- Los Andzsheles (Calif.) --- Lo-shan-chi (Calif.) --- Loshanji (Calif.) --- Angeles (Calif.) --- Ciudad de Los Angeles (Calif.) --- Pueblo de Los Angeles (Calif.) --- Pueblo Los Angeles (Calif.) --- City of Los Angeles (Calif.) --- LA (Calif.) --- L.A. (Calif.) --- City of Angels (Calif.) --- لوس أنجلوس (Calif.) --- Lūs Anjilūs (Calif.) --- Los Anceles (Calif.) --- Горад Лос-Анджэлес (Calif.) --- Horad Los-Andz︠h︡ėles (Calif.) --- Лос-Анджэлес (Calif.) --- Los-Andz︠h︡ėles (Calif.) --- Лос Анджелис (Calif.) --- Los Andzhelis (Calif.) --- Λος Αντζελες (Calif.) --- Los Antzeles (Calif.) --- Los-Anĝeleso (Calif.) --- 로스앤젤레스 (Calif.) --- Losŭ Aenjellesŭ (Calif.) --- לוס אנג'לס (Calif.) --- Angelopolis (Calif.) --- Losandželosa (Calif.) --- Los Andželas (Calif.) --- Лос Анџелес (Calif.) --- Los Andželes (Calif.) --- ロサンゼルス (Calif.) --- Rosanzerusu (Calif.) --- ロサンゼルス市 (Calif.) --- Rosanzerusu-shi (Calif.) --- Los Anjeles (Calif.) --- Лос Андьелес (Calif.) --- Los Andʹeles (Calif.) --- Los Anxheles (Calif.) --- Лос Анђелес (Calif.) --- Our Lady Queen of the Angels (Calif.) --- Los Angeles City (Calif.) --- La La Land (Calif.) --- Intellectual life --- Exil. --- Intellektueller. --- Literatur. --- Moderne. --- Modernism (Aesthetics). --- Schriftsteller. --- 1900-1999. --- Geschichte 1933-1945. --- Modernism (Aesthetics) -- California -- Los Angeles.. --- Germans -- California -- Los Angeles -- Intellectual life.. --- Jews, German -- California -- Los Angeles -- Intellectual life.. --- Los Angeles (Calif.) -- Intellectual life -- 20th century. --- 18th century. --- 1930s. --- 1940s. --- 20th century. --- american history. --- arnold schoenberg. --- bertolt brecht. --- california. --- classicism. --- ehrhard bahr. --- exile. --- fritz lang. --- german artists. --- german modernism. --- germany. --- intellectual. --- los angeles. --- modernism. --- national socialism. --- pacific coast. --- schoenberg. --- socialism. --- southern california. --- theodore adorno. --- thomas mann. --- united states history. --- us history. --- weimer germany. --- weimer republic. --- west coast. --- western united states.