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With detailed case studies of "Final Chord" and "All That Heaven Allows", Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films.

Sirk, Douglas, --- Criticism and interpretation. --- All that heaven allows (Motion picture) --- Schlussakkord (Motion picture) --- Modernism (Aesthetics) --- Sirk, Douglas --- Sirk, Douglas, 1897-1987. --- Sierck, Claus Detler, --- Sierck, Detlef, --- Sierck, Detlev, --- Sierck, Hans Detlef, --- PERFORMING ARTS / Film & Video / Direction & Production.