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Es ist eine häufig erzählte Geschichte, dass Paris am Anfang des 20. Jahrhunderts das Weltzentrum der Kunst gewesen sei. Dieses Buch fragt danach, welchen Beitrag Ausstellungen zwischen 1921 und 1946 zur Entwicklung und Verbreitung dieser Erzählung geleistet haben. Es beleuchtet Ausstellungen in den Cafés des Pariser Viertels Montparnasse und die internationalen Ausstellungen der "École de Paris". So treten konkurrierende Sichtweisen auf Paris als Zentrum und Kreuzungspunkt der Kunstwelt hervor. Dieses Buch bietet erstmals einen chronologischen sowie topographischen Überblick über diese Ausstellungen. Zudem löst es die kunsthistorische Forschung zur "École de Paris" aus ihrer auf Paris fokussierten Perspektive und analysiert seinen Gegenstand im Horizont transkultureller Dynamiken. Bietet eine neue Sichtweise auf die "École de Paris" Ausstellungsgeschichte moderner Kunst Katalog zu den Caféausstellungen in Montparnasse und den internationalen Ausstellungen der "École de Paris" Blick ins Buch It is a frequently told story that Paris was the world center of art at the beginning of the 20th century. This book asks what contribution exhibitions between 1921 and 1946 made to the development and dissemination of this narrative. It highlights exhibitions in the cafés of the Montparnasse neighborhood of Paris and the international exhibitions of the "École de Paris." Competing views of Paris as the center and crossroads of the art world thus emerge. This book offers for the first time a chronological as well as topographical overview of these exhibitions. It also detaches art historical research on the "École de Paris" from its Paris-focused perspective and analyzes its subject in the horizon of transcultural dynamics. Offers a new perspective on the "École de Paris". History of exhibitions of modern art Catalog of the café exhibitions in Montparnasse and the international exhibitions of the "École de Paris". Look inside

ART / History / Modern (late 19th Century to 1945). --- abstraction, Ecole de Paris, art market.

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Welche Strategien und Mechanismen trugen dazu bei, die öffentliche Persona des dänischen Bildhauers Bertel Thorvaldsen (1770-1844) zu erschaffen? Die Autorin betrachtet die Verbreitung seines Ruhms und des beispiellosen Künstlerkults um Thorvaldsen als Teil einer celebrity-Kultur, die in der zweiten Hälfte des 18. Jahrhunderts in Europa entstanden ist und die auf medialer Vermittlung basiert. Der Fokus richtet sich auf Visualisierungen des Künstlerkults, angefangen bei Thorvaldsens eigenen Werken und zeitgenössischen Porträts über seine Ateliers in Italien und Dänemark bis hin zu seinem,von ihm selbst initiierten Museum in Kopenhagen, das zugleich sein Mausoleum werden sollte.

ART / History / Modern (late 19th Century to 1945). --- Thorvaldsen, Bertel, --- Criticism and interpretation. --- Influence. --- Thorvaldsen, Albert, --- Thorwaldsen, Bertel, --- Thorvaldsen, B. --- Torvalʹdsen, Bertelʹ,

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Gestalterinnen hatten einen entscheidenden Anteil an der Entwicklung der Moderne im Wien der Zwischenkriegszeit. Die Publikation präsentiert neue Forschungen zu Designerinnen, Keramikerinnen, Modeschöpferinnen, Grafikerinnen, Gartenarchitektinnen, Fotografinnen, Kunsthistorikerinnen und Mäzeninnen. An ihrem Beispiel wird gezeigt, wie angestammte Rollenbilder in der Zwischenkriegszeit aufgebrochen wurden und welch eminente Bedeutung diese Frauen für die Wiener Moderne hatten. Sie setzten sich mit bestehenden Vorurteilen auseinander und schufen neue visuelle Sprachen, um erfolgreich Karriere zu machen. Gleichzeitig trugen sie zu einem kritischen Diskurs über die Emanzipation der Frau bei. Zu den Gestalterinnen der Wiener Moderne gehörten u.a. Emilie Flöge, Mathilde Flögl, Jacqueline Groag, Fanny Harlfinger-Zakucka, Yella Hertzka, Else Hofmann, Hilda Jesser, Maria Likarz, Madame d'Ora, Pauline Metternich-Sándor, Bertha Pappenheim, Marie Reidemeister-Neurath, Lisl Weil, Vally Wieselthier, Helene Wolf und Berta Zuckerkandl Gestalterinnen played a decisive role in the development of modernism in Vienna. This publication presents new research on women designers, ceramicists, fashion designers, graphic artists, garden architects, photographers, art historians and patrons. The contributions illuminate the eminent importance of these women for Viennese modernism and show how traditional role models were challenged during the interwar period. The Gestalterinnen confronted existing prejudices and created new visual languages in order to forge successful careers. At the same time, they contributed to critical discourse on the emancipation of women. The Gestalterinnen of Viennese modernism included among others: Emilie Flöge, Mathilde Flögl, Jacqueline Groag, Fanny HarlfingerZakucka, Yella Hertzka, Else Hofmann, Hilda Jesser, Maria Likarz, Madame d’Ora, Pauline Metternich-Sándor, Bertha Pappenheim, Marie ReidemeisterNeurath, Lisl Weil, Vally Wieselthier and Helene Wolf Introduction and two chapters in English

ART / History / Modern (late 19th Century to 1945). --- 20th century. --- Berta Zuckerkandl. --- Bertha Pappenheim. --- Else Hofmann. --- Emilie Flöge. --- Fanny Harlfinger-Zakucka. --- Helene Wolf. --- Hilda Jesser. --- Jacqueline Groag. --- Lisl Weil. --- MAK Vienna. --- Madame d'Ora. --- Maria Likarz. --- Marie Reidemeister-Neurath. --- Mathilde Flögl. --- Pauline Metternich-Sándor. --- Vally Wieselthier. --- Viennese Modernism. --- art. --- design. --- persecution of Jews. --- women artists.

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What is the gender of political power? Since the beginning of political thought, rule has been a male prerogative in European imagination. This is of course not to say that there never were women sovereigns. In-depth studies of women sovereigns have grown considerably in number in the past three decades and have added substantially to our understanding of the complexities of their rule of power.0Yet what is often obscured by such in-depth analyses is the fact that all women rulers throughout the entirety of European cultural history have had to operate in a context that could not think of power as female - except in grotesque terms. This continuity, as this book demonstrates, can only be brought out by studying women?s political rule comparatively and in the longue duree.0This collection of essays brings together studies of female sovereignty from the Polish-Lithuanian to the British Commonwealth, and from the Middle Ages to the dawn of modern democracy. It demonstrates how the strategies and imagination women rulers adopted against the backdrop of an all-pervasive scepticism toward female rule are comparable across regions and periods. To illustrate its point, this book not only addresses historical figures and queens, but also takes stock of the rich yet unsettling imagination of female rule in philosophy, literature and art history.

Sociology of the family. Sociology of sexuality --- History of civilization --- Europe --- Women heads of state --- Academic collection --- 316 --- 396 --- Heads of state --- 396 Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- 396 Feminism. Women's movement. Woman and society --- Feminism. Women's movement. Woman and society --- 316 Sociologie --(algemeen)--EU --- Sociologie --(algemeen)--EU --- Art / History / Modern (Late 19th Century to 1945) --- Art / European --- Social Science / Gender Studies --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- gender --- political history --- cultural history --- literature --- art history

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"In this highly original book. Hungarian art historian Eva Forgacs examines the development of the Bauhaus school of architecture and applied design by focusing on the idea of the Bauhaus, rather than on its artefacts. What gave this idea its extraordinary powers of survival?" "Founded in 1919, with the architect Walter Gropius as its first director, the Bauhaus carried within it the seeds of conflict from the start. The duration of the Bauhaus coincides very nearly with that of the Weimar Republic; the Bauhaus idea - the notion that the artist should be involved in the technological innovations of mechanization and mass production - is a concept that was bound to arouse the most passionate feelings. It is these two strands - personal and political - that Forgacs so cleverly interweaves." "The text has been extensively revised since its original publication in Hungarian, and an entirely new chapter has been added on the Bauhaus's Russian analogue, VkhUTEMAS, the Moscow academy of industrial art."--Jacket.

Bauhaus ideologie --- 7.037 --- Kunstgeschiedenis 1900 - 1950 --- Macaristan --- Vengerskai︠a︡ Narodnai︠a︡ Respublika --- Magyar Népköztársaság --- Ungern --- Magyar Tanácsköztársaság --- Hungarian Republic --- Magyar Köztársaság (Republic) --- Oungaria --- Unkari --- Ungaria --- Ungheria --- Hungría --- Magyarország (Republic) --- Maďarsko --- Węgry --- Vengrii︠a︡ --- VNR --- V.N.R. --- Hungaryah --- Hungari --- Hŏnggari --- Ungarii︠a︡ --- Republic of Hungary --- Hongaria --- Hongarye --- Republiek van Hongarye --- Macarıstan Respublikası --- Венгрыя --- Venhryi︠a︡ --- Mađarska --- Republika Mađarska --- Унгария --- Унгарската република --- Ungarskata republika --- Hongria --- República d'Hongria --- Republikang Unggaro --- Unggriya --- Mad̕arská republika --- Republica Ungrese --- Hwngari --- Gweriniaeth Hwngari --- Republik Ungarn --- Ungari --- Ungari Vabariik --- Ουγγαρία --- Δημοκρατία της Ουγγαρίας --- Dēmokratia tēs Oungarias --- República de Hungría --- Hungario --- Hungarujo --- Hungara Respubliko --- Hungaria --- Hungariar Errepublika --- Hungariako Errepublika --- Tjóðveldið Ungarn --- République de Hongrie --- Ungáir --- Poblacht na hUngáire --- Ungaar --- Pobblaght ny h-Ungaar --- 헝가리 --- Hunakalia --- Republik Hongaria --- Ungverjaland --- Lýðveldið Ungverjaland --- הונגריה --- אונגארן --- Мажарстан --- Mazharstan --- Мажарстан Республикасы --- Mazharstan Respublikasy --- Венгрия --- Венгрия Республикасы --- Vengrii︠a︡ Respublikasy --- Jamhuri ya Hungaria --- Madjaristan --- Repúvlika de Madjaristan --- רפובליקא דא מאגיאדיסטאן --- מאגיאדיסטאן --- Маджар --- Madzhar --- Маджар Республика --- Madzhar Respublika --- Respublica Hungarica --- Ungārija --- Ungārijas Republika --- Vengrija --- Vengrijos respublika --- Ungaïa --- Ungri --- Унгарија --- Република Унгарија --- Republika Ungarija --- Ungerija --- Hanekeria --- Унгар --- Ungar --- Tlācatlahtohcāyōtl Hungria --- Hongaarse Republiek --- ハンガリー --- Hangarī --- Hungrii --- Republikken Ungarn --- Ongria --- Republica d'Ongria --- Vengriya --- Vengriya Respublikasi --- Republika Węgierska --- República da Hungria --- Republica Ungară --- Republica Ungaria --- Венгерская Республика --- Vengerskai︠a︡ Respublika --- Lepulika o Hungary --- Republika e Hungarisë --- Unghirìa --- Madžarska --- Republika Madžarska --- Madźary --- Мађарска --- Република Мађарска --- Unkarin tasavalta --- Republiken Ungern --- Unggarya --- Republika ng Unggarya --- Majarstan Jȯmḣu̇rii︠a︡te --- Majoriston --- Macaristan Cumhuriyeti --- Угорщина --- Uhorshchyna --- Мадярщина --- Madi︠a︡rshchyna --- Угорська Республіка --- Uhorsʹka Respublika --- Oгорська Республіка --- Ohorsʹka Respublika --- Ongiri --- Oonguri --- Republik bu Oonguri --- Honharije --- Vengrėjė --- Vengrėjės Respoblėka --- 匈牙利 --- Xiongyali --- 匈牙利共和國 --- Xiongyali gong he guo --- Xiongyali Gongheguo --- Bauhaus ; ideologie --- Kunstgeschiedenis ; 1900 - 1950 --- Bauhaus --- Berlin (Germany). --- Dessau (Dessau, Germany). --- Weimar (Thuringia, Germany). --- Baohaosi --- Bauhaus Dessau --- History. --- Jews --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- History --- Social life and customs --- Social conditions --- Hungary --- Ungarn --- Hongrie --- Hongarije --- Austro-Hungarian Monarchy --- Ethnic relations --- Staatliches Bauhaus --- Bauhaus - History. --- E-books --- Magyar Republic --- Ongaria --- Ethnic relations, Photography, Social conditions, Social life and customs, Jews. --- ART / History / Modern (late 19th Century to 1945). --- Weimar, Hannes Meyer, Dessau, Germany, Moscow. --- BNUU --- БНУУ --- Bu̇gd Naĭramdakh Ungar Uls