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Epistolary fiction, French --- French prose literature --- Narration (Rhetoric) --- Closure (Rhetoric) --- History and criticism
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Historical drama, English --- Literature and history --- Kings and rulers in literature --- Contradiction in literature --- Closure (Rhetoric) --- History and criticism --- Shakespeare, William, --- Histories. --- Great Britain --- History --- Historiography. --- In literature.
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There has been much discussion of narrative aspects of the Bible in recent years, but the ends of biblical narratives – how the ends contribute to closure for their stories and how the ending strategies affect the whole narrative – have not been studied comprehensively. This study shows how the writers and editors of short narratives in Genesis gave their stories a sense of closure (or in a few cases, the sense of non-closure). Multiple and sometimes unexpected, forms of closure are identified; together these form a set of closural conventions. This contribution to narrative poetics of the Hebrew Bible in the light of source criticism will also be valuable to those who are interested in narrative and in concepts of closure.
Closure (Rhetoric) in the Bible. --- Bible. --- Criticism, Narrative. --- 221.015 --- Oud Testament: literaire kritiek; authenticiteit; bronnenstudie; Formgeschiche; Traditionsgeschichte; Redaktionsgeschichte --- Be-reshit (Book of the Old Testament) --- Bereshit (Book of the Old Testament) --- Bytie (Book of the Old Testament) --- Chʻangsegi (Book of the Old Testament) --- Genesis (Book of the Old Testament) --- Sifr al-Takwīn --- Takwīn (Book of the Old Testament) --- 221.015 Oud Testament: literaire kritiek; authenticiteit; bronnenstudie; Formgeschiche; Traditionsgeschichte; Redaktionsgeschichte --- Closure (Rhetoric) in the Bible
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This work argues that artificial endings in Euripides reinforce innovations in plot and ending. After exploring the playwright's novel closing gestures, the book offers readings of plot, ending and generic innovation in six of Euripides' plays.
Tragedy --- Mythology, Greek, in literature --- Closure (Rhetoric) --- Originality (Aesthetics) --- Rhetoric, Ancient --- Euripides --- Technique --- Mythology, Greek, in literature. --- Originality (Aesthetics). --- Closure (Rhetoric). --- Rhetoric, Ancient. --- Tragedy. --- Technique. --- Ancient rhetoric --- Antieke retoriek --- Conclusion (Rhétorique) --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Oorspronkelijkheid (Esthetica) --- Originaliteit (Esthetica) --- Originalité (Esthétique) --- Peroratie --- Peroration --- Péroration --- Retoriek [Antieke ] --- Retoriek van de Oudheid --- Rhetoric [Ancient ] --- Rhétorique ancienne --- Rhétorique de l'Antiquité --- Slot (Retoriek) --- Drama --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Aesthetics --- Rhetoric --- -Technique --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Criticism and interpretation --- Greek drama (Tragedy) --- History and criticism --- Euripides - Technique --- History and criticism. --- Criticism and interpretation.
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Discourse analysis, Literary. --- Rhetoric, Medieval. --- Closure (Rhetoric) --- Discourse analysis, Literary --- Rhetoric, Medieval --- English --- Languages & Literatures --- English Literature --- Literary discourse analysis --- Rhetoric --- Literary style --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Chaucer, Geoffrey, --- Chaucer, Jeffrey, --- Chʻiao-sou, Chieh-fu-lei, --- Chieh-fu-lei Chʻiao-sou, --- Choser, Dzheffri, --- Choser, Zheoffreĭ, --- Cosvr, Jvoffrvi, --- Tishūsar, Zhiyūfrī, --- Technique.
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Closure (Rhetoric) --- Conversion in literature. --- Counter-Reformation --- Religion and literature --- Spanish literature --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- Anti-Reformation --- Church history --- Church renewal --- Reformation --- Literature --- Literature and religion --- History and criticism. --- Moral and religious aspects --- Conversion in literature --- History and criticism --- Spanish literature - Classical period, 1500-1700 - History and criticism --- Religion and literature - Spain --- Counter-Reformation - Spain
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American fiction --- Historical fiction, American --- Literature and history --- Western stories --- Frontier and pioneer life in literature. --- Wilderness areas in literature. --- Naturalism in literature. --- Closure (Rhetoric) --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- History and literature --- History and poetry --- Poetry and history --- History --- History and criticism. --- History. --- West (U.S.) --- In literature. --- 20th century --- History and criticism --- West [U.S.] in literature --- 19th century --- Historical fiction [American ] --- Naturalism in literature --- Boone, Daniel --- Norris, Frank --- Criticism and interpretation --- Crane, Stephen --- London, Jack --- Cather, Willa Sibert --- Curtis, Edward S.
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English poetry --- Manuscripts, English (Middle) --- Rhetoric, Medieval. --- Closure (Rhetoric) --- Arthurian romances --- Knights and knighthood in literature --- Rhetoric, Medieval --- English --- Languages & Literatures --- English Literature --- Romances --- English manuscripts (Middle) --- Manuscripts, Middle English --- Middle English manuscripts --- English literature --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- History and criticism. --- History and criticism --- Gawain and the Grene Knight. --- Pearl (Middle English poem) --- Gawain and the Grene Knight --- Sir Gawain and the Grene Knight --- Sir Gawayne and the Grene Knight --- Gawayne and the Grene Knight --- Sir Gawain and the Green Knight. --- Arthurian romances. --- Knights and knighthood in literature.
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Philippa Berry draws on feminist theory, postmodern thought and queer theory, to challenge existing critical notions of what is fundamental to Shakespearean tragedy. She shows how, through a network of images clustered around feminine or feminized characters, these plays 'disfigure' conventional ideas of death as a bodily end, as their figures of women are interwoven with provocative meditations upon matter, time, the soul, and the body. The scope of these tragic speculations was radical in Shakespeare's day; yet they also have a surprising relevance to contemporary debates about time and matt
Feminism and literature --- Women and literature --- Sex role in literature. --- Death in literature. --- Women in literature. --- Closure (Rhetoric) --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Tragedies. --- Characters. --- Characters --- Women.
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In this book, Walter Foreman studies the closing scenes of Shakespeare's tragedies, considering the tragic structure of the plays and the shapes the tragic characters give their lives by the way they encounter death.Foreman sees in the variety of tragic endings of the plays evidence that Shakespeare consciously experimented with tragic forms, for when he repeated he also changed, and changed more than superficially. Further, Foreman believes that these varieties and extensions of dramatic form were fundamentally a way of experiencing a various, often mysterious world. Extending and exploring t
Drama --- English literature --- Shakespeare, William --- Tragedy. --- Closure (Rhetoric) --- Death in literature. --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- Shakespeare, William, --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Tragedies.
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