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In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism.Focusing on the works of four different artists-Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin-Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina's timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.

Art, Russian --- Art, Modern --- Byzantine influences.

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"Discusses the changing relationship between Greek Byzantine music and Greek popular music in the contemporary Greek state"--

Nationalism in music. --- Popular music --- Political aspects --- History. --- Byzantine influences. --- History and criticism.

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This book discusses medieval Rome, adorned as it was by 'Byzantine' art, monuments, and culture, as a city that defined both East and West.

Rome --- Civilization. --- Art, Roman --- HISTORY / Europe / Italy. --- Byzantine influences. --- Byzantine Art. --- Byzantium. --- Early Middle Ages. --- Mosaics. --- Rome. --- Roman art --- Classical antiquities --- Civilization --- Byzantine Empire

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Ce quatrième et dernier volume du programme L’héritage byzantin en Italie (VIIIe-XIIe siècle), qui cherchait à analyser et à comparer l’évolution des régions autrefois soumises à l’autorité byzantine, de la Vénétie à la Sicile et à la Sardaigne en passant par Ravenne, Rome, Naples, le Salento et la Calabre, a pour thème des realia. On s’est intéressé aux originalités touchant à l’occupation du sol, aux formes de la grande propriété, aux contrats agraires et aux platee (listes de dépendants), enfin à la production et au commerce. La Sicile (sous les dominations byzantine et islamique) et la Sardaigne judicale (souvent négligée) sont bien représentées, à côté des diverses régions continentales ayant dépendu de l’Exarchat. Si, comme on s’y attendait, les évolutions sont dissemblables, les conclusions de Chris Wickham montrent la force de la tradition byzantine à propos de la grande propriété et du commerce ; l’héritage byzantin n’est pas uniforme, mais, même dans ces domaines éloignés de l’idéologie, il a laissé des traces durables.

Art, Byzantine --- Land use --- Land tenure --- Art byzantin --- Utilisation du sol --- Propriété foncière --- History --- Histoire --- Italy --- Byzantine Empire --- Italie --- Empire byzantin --- Civilization --- Byzantine influences --- Congresses. --- Relations. --- Relations --- Congresses --- Civilisation --- Influence byzantine --- Congrès --- Italie byzantine --- Italy - Civilization - Byzantine influences - Congresses --- Byzantine Empire - Relations - Italy - Congresses --- Italy - Relations - Byzantine Empire - Congresses --- Byzantine Empire - Civilization - Congresses --- Byzantine Empire - History - Congresses --- Byzance --- économie agraire

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This book, generated by the encounter between two schools - the Italian early mediaeval and the Argentine late antique - ranges from Italy to Gaul and the Eastern Mediterranean over a timespan from the third/fourth to the eighth centuries. It introduces a world polarised between an East destined to be divided between Byzantium and Islam, and a West composed of the post-Roman barbarian societies. The East, rooted within the Roman-Hellenistic heritage, represents a source of religious experiences which profoundly influence the West. With reference to Italy, the study focuses on an analysis of the Episcopal network, the emergence of the Benedictine Rule, and the correspondence of Gregory the Great. In the passage from East to West, the 'new' Barbarian societies emerge in the front line, proving that they too were seeking out ancient roots, both in Gaul and in Italy, the latter being partly still linked to Byzantium and partly under the dominion of the Lombards. Finally various crucial aspects of the Lombard kingdom - which proves to be profoundly permeated by the legacy of Rome - are addressed, including royalty, the capitals and the law, through the analysis of both written and archaeological sources. Questo libro, frutto di un incontro fra due scuole, quella altomedievistica italiana e quella tardo-antica argentina, spazia dall'Italia, alla Gallia, al Mediterraneo orientale, nei secoli dal III/IV all'VIII, presentando un mondo polarizzato fra un oriente destinato a dividersi fra Bisanzio e l'Islam e un occidente costituito dalle società barbariche post-romane. L'oriente, radicato nell'eredità romano-ellenistica,è presente come fonte di esperienze religiose che influenzano profondamente l'occidente. Qui, in riferimento all'Italia, si analizzano la crescita della reteepiscopale, le più antiche vicende della Regula benedettina, l'epistolario di GregorioMagno. Nel passaggio dall'oriente all'occidente emergono in primo piano le nuove società barbariche, che si rivelano anch'esse alla ricerca di radici antiche, sia inGallia che in Italia, quest'ultima in parte ancora legata a Bisanzio, in parte sottoil dominio dei Longobardi. Del regno longobardo, che si rivela profondamentepermeato dall'eredità romana, si presentano infine aspetti importanti (la regalità, le capitali, il diritto), analizzando fonti scritte ed archeologiche.

Civilization, Medieval. --- Civilization --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Civilization, Medieval --- Medieval civilization --- Middle Ages --- Chivalry --- Renaissance --- Byzantine influences. --- History --- Mediterranean Region --- Italy --- History. --- Civilization. --- Fonti archeologiche --- Open Access --- Storia --- Gregorio Magno --- Alto Medioevo --- Medioevo --- Regno Longobardo