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Over the past few decades feminist media scholarship has flourished, to become a major influence on the fields of media, film and cultural studies. At the same time, the cultural shift towards 'post-feminism' has raised questions about the continuing validity of feminism as a defining term for this work. This book explores the changing and often ambivalent relationship between the three terms women, feminism and media in the light of these recent debates. At the same time it places them within the broader discussions within feminist theory--about subjectivity, identity, culture, and narrative
Mass media and women. --- Women in mass media. --- Feminism and mass media. --- Mass media and feminism --- Mass media --- Women and mass media --- Women --- Feminism and mass media --- Mass media and women --- Women in mass media --- #SBIB:309H1024 --- #SBIB:316.346H29 --- Mediaboodschappen met een ideologische en spiegelfunctie (beeld vrouw, migranten …) --- Positie van de vrouw in de samenleving: andere topics
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"What happens when women tell their own stories in film? In What If I Had Been the Hero?, Sue Thornham addresses this question through an exploration of a wide range of films, from experimental feminist film to mainstream Hollywood, and from the 1970s to the present day, by film-makers including Sally Potter, Jane Campion, Deepa Mehta, Patricia Rozema and Lynne Ramsay. Her discussion takes in films from India and Argentina as well as Europe, Canada, Australia and the US."--Cover pages [4].
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Mass media --- -Mass communication --- Media, Mass --- Media, The --- Communication --- Mass media. --- Mass communication --- massamedia --- Mass communications
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"Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014)."--Bloomsbury publishing.
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This textbook introduction to current feminist theories maps the development of feminist thought and suggests future directions. Reflecting the diversity of feminist theory, and its multiple practices and approaches, the chapters range across the humanities and social sciences covering: social theory; theory and economic change; political theory; jurisprudence;anthropological theory; psychoanalytic theory; theories of gender; lesbian theory; postmodern and cultural theory; black theory; literary theory; linguistic theories; media and film theory; postcolonial theory; perspectives on science; theorising the personal; methodologies/epistemologies; and women's studies.
Feminist theory --- Gender & Ethnic Studies --- Social Sciences --- Gender Studies & Sexuality --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Philosophy --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Feminist theory.
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