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In The Normal Personality, Steven Reiss argues that human beings are naturally intolerant of people who express values significantly different from their own. Because of this intolerance, psychologists and psychiatrists sometimes confuse individuality with abnormality and thus over-diagnose disorders. Reiss shows how normal motives - not anxiety or traumatic childhood experiences - underlie many personality and relationship problems, such as divorce, infidelity, combativeness, workaholism, loneliness, authoritarianism, weak leadership style, perfectionism, underachievement, arrogance, extravagance, pompousness, disloyalty, disorganisation, and over-anxiety. Calling for greater understanding and tolerance of all kinds of personalities, Reiss applies his theory of motivation to leadership, human development, relationships, and counselling.
Personality. --- Persoonlijkheidspsychologie --- handboeken en inleidingen. --- Personal identity --- Personality psychology --- Personality theory --- Personality traits --- Personology --- Traits, Personality --- Psychology --- Individuality --- Persons --- Self --- Temperament --- Health Sciences --- Psychiatry & Psychology
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Presenting the previously unpublished lecture notes of ‘Über das Leben Raffaels von Urbino’ by Carl Wilhelm Friedrich Oesterley, a lecture series given in spring 1841 at the University of Göttingen, this edition sheds light on a major step contribution to the research on Raphael and academic teaching in the 19th century. The manuscript draws on the seminal study of Johann David Passavant on Raphael and his father Giovanni Santi, published two years earlier in 1839. The volume presents a collection of studies on Oestlerley’s role within the reception of Raphael in the Romanticism and on his career as painter, arthistorian and as curator of the university art collection in Göttingen. Based on numerous original sources, the edition offers an insight into the academic teaching in the mid-19th century. Mit dem Manuskript der Vorlesung Über das Leben Raffaels von Urbino, welche Carl Wilhelm Friedrich Oesterley erstmals im Sommersemester 1841 an der Göttinger Universität hielt, wird ein bedeutendes Zeugnis der Raffael-Forschung sowie der kunstgeschichtlichen Lehrpraxis des 19. Jahrhunderts der wissenschaftlichen Öffentlichkeit vorgestellt. Erst zwei Jahre vor Entstehung des Manuskripts war im Jahr 1839 Johann David Passavants überaus einflussreiche Publikation über Raffael und seinen Vater Giovanni Santi erschienen. Oesterleys Position im Kontext der romantischen Raffael-Rezeption, sein Werdegang als Maler und Kunsthistoriker sowie seine Tätigkeit als Kustos der Göttinger Universitätskunstsammlung werden in einleitenden Aufsätzen behandelt. Auf Grundlage zahlreicher erhaltener Quellen bietet diese Edition einen exemplarischen Einblick in die kunsthistorische Lehre der Mitte des 19. Jahrhunderts.
Carl Wilhelm Friedrich Oesterley --- Raffael von Urbino --- 19. Jahrhundert
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