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There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs--and not others--get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets--in particular, organizations and geography--in the development of early twentieth-century jazz. Damon Phillips considers why places like New York played more important roles as engines of diffusion than as the sources of standards. He demonstrates why and when certain geographical references in tune and group titles were considered more desirable. He also explains why a place like Berlin, which produced jazz abundantly from the 1920's to early 1930's, is now on jazz's historical sidelines. Phillips shows the key influences of firms in the recording industry, including how record companies and their executives affected what music was recorded, and why major companies would rerelease recordings under artistic pseudonyms. He indicates how a recording's appeal was related to the narrative around its creation, and how the identities of its firm and musicians influenced the tune's long-run popularity. Applying fascinating ideas about market emergence to a music's commercialization, Shaping Jazz offers a unique look at the origins of a groundbreaking art form.

Jazz --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- Social aspects --- History and criticism --- E-books --- History and criticism. --- Social aspects. --- African Americans. --- Berlin. --- German jazz. --- Milenburg Joys. --- New York. --- Victorian-era firms. --- Weimar Germany. --- adoption narratives. --- anti-jazz sentiments. --- authenticity. --- black musicians. --- bottled water. --- consumers. --- critics. --- cultural elites. --- cultural markets. --- cultural objects. --- cultural products. --- diffusion. --- discographical canon. --- disconnected cities. --- disconnectedness. --- geographic mobility. --- geography. --- green technology. --- identity sequences. --- identity threats. --- identity. --- incumbents. --- jazz music. --- jazz recordings. --- jazz standards. --- jazz. --- legitimacy. --- markets. --- mobility networks. --- musicians. --- nanotechnology. --- organizational role identities. --- product appeal. --- production. --- pseudonyms. --- race. --- re-recording. --- reception. --- record company deception. --- record company. --- record labels. --- recording industry. --- recording location. --- social congruence. --- social systems. --- sociological congruence. --- software.