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Management --- Motion pictures in education. --- Study and teaching --- Audio-visual aids.

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Annotation.

Communication in management -- Audio-visual aids. --- Communication in organizations -- Audio-visual aids. --- Employee motivation. --- Visual communication. --- Management Theory --- Management --- Business & Economics --- Communication in management --- Communication in organizations --- Audio-visual aids. --- Graphic communication --- Imaginal communication --- Pictorial communication --- Motivation in industry --- Work motivation --- Organizational communication --- Communication in industry --- Managerial communication --- Communication --- Motivation (Psychology) --- Personnel management --- Psychology, Industrial --- Goal setting in personnel management --- Organization --- Visual communication --- Employee motivation --- Audio-visual aids --- E-books

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In The History of Music Production, Richard James Burgess draws on his experience as a producer, musician, and author. Beginning in 1860 with the first known recording of an acoustic sound and moving forward chronologically, Burgess charts the highs and lows of the industry throughout the decades and concludes with a discussion on the present state of music production. Throughout, he tells the story of the music producer as both artist and professional, including biographical sketches of key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Burgess arg

Sound recordings --- Music and technology. --- Sound --- Sound recording industry --- Enregistrements sonores --- Musique et technologie --- Son --- Disques --- History. --- Recording and reproducing --- Production and direction --- Histoire --- Enregistrement et reproduction --- Production et réalisation --- Industrie --- Music and technology --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Technology and music --- Technology --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- History --- Production and direction&delete& --- Recording and reproducing&delete& --- E-books

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From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"—films accessible by all audiences and acceptable to Hollywood's various critics and detractors.

Sex in motion pictures. --- Motion pictures --- Sex in moving-pictures --- Erotic films --- Pornographic films --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Ratings --- History and criticism --- Sex in motion pictures --- E-books

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This dictionary is an aid to anyone involved in seeking to finance a feature film project, especially independents. It covers terms used in film production and distribution, marketing, accounting, insurance, securities, corporate structures and general financial arenas. All of the principal forms of feature film finance are covered, including studio/distributors, production companies, lending institutions, co-financing, pre-sales, grants, foreign and passive investor financing involving the sale of a security.

Motion picture industry --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Finance --- Distribution --- History and criticism --- E-books