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"Art is often seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf , haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts."--Publisher's description.

Modernism (Art) --- Artists --- Art, Modern --- Social networks. --- Social life and customs. --- Modernism (Literature) --- Literary landmarks --- kunst --- kunstgeschiedenis --- kunstenaars --- salons --- kunst en literatuur --- negentiende eeuw --- twintigste eeuw --- modernisme --- kunstenaarskolonies --- 7.036 --- Artist colonies --- Art colonies --- Artists' colonies --- Colonies, Artist --- Authors --- Landmarks, Literary --- Historic buildings --- Literature --- Persons --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Homes and haunts --- History and criticism --- kunstenaarsgroeperingen --- moderne kunst --- 19de eeuw --- 20ste eeuw --- kunstenaarsgroeperingen. --- modernisme. --- moderne kunst. --- 19de eeuw. --- 20ste eeuw.

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modernisme --- 1900 - 1939 --- 20ste eeuw --- Groot-Brittannië --- 7.036 <41> --- Art, English --- -Modernism (Art) --- -Modernisme --- Kunst ; Groot-Brittannië ; 1900-1939 --- 7.037 --- (410) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Moderne kunststijlen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Kunstgeschiedenis ; 1900 - 1950 --- (Groot-Brittannië) --- 7.036 <41> Moderne kunststijlen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Modernism (Art) --- Modernisme --- Art [Modern ] --- 20th century --- England --- 1900 - 1939. --- 20ste eeuw. --- Groot-Brittannië.

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Wereldoorlog II --- War Artists' Advisory Committee (WAAC) --- geschiedenis --- oorlog --- nationalisme --- vrouwen --- Clark, Kenneth --- 1939 - 1945 --- 20ste eeuw --- Groot-Brittannië --- 942.083 <084> --- Geschiedenis van Engeland--(1919-1945)--Illustraties; foto's; kaarten; portretten --- Government aid to the arts --- Modernism (Art) --- Nationalism and art --- World War, 1939-1945 --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Arts --- Government patronage of the arts --- World War, 1939-1945, in art --- Art and nationalism --- Art --- History --- Government aid --- Finance --- Great Britain. --- WAAC --- vrouw --- Wereldoorlog II. --- War Artists' Advisory Committee (WAAC). --- geschiedenis. --- oorlog. --- nationalisme. --- vrouw. --- Clark, Kenneth. --- 1939 - 1945. --- 20ste eeuw. --- Groot-Brittannië.

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Through in-depth essays on selected issues related to the meaning of ornament and its theoretical importance for the formation of modernism especially in England, Austria, and Germany, the collection re-examines two issues in particular: on the one hand the critical discourse that appeared at the end of the nineteenth century focused on the relationship between art practice, art theory and the rising of modernism, and, on the other, the operative value ornament came to acquire in the construction, settling, and revision of the discipline of art history. The essay volume deals also with the falling into pieces of the long-sought and never-secured unity of art and ornament that marks out the entrance of modernity. Contributors to the volume treat these ill-defined aspects of the separation-process which juts forth into postmodernism. The essays, ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, show how artistic theories are deeply related to the art practice of their own times, and how ornament lends itself to probe historical transformations.

modernisme --- kunsttheorie --- toegepaste kunsten --- architectuur --- esthetica --- Jones, Owen --- Velde, Henry van de --- Muthesius, Hermann --- Gombrich, Ernst Hans Josef --- 19de eeuw --- 20ste eeuw --- Europa --- Engeland --- Duitsland --- Decoration and ornament --- Psychological aspects. --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art, Decorative --- Decoration and ornament, Primitive --- Decorative art --- Decorative design --- Design, Decorative --- Nature in ornament --- Ornament --- Painting, Decorative --- Art --- Decorative arts --- Arts and crafts movement --- Psychological aspects --- Social aspects --- History --- modernisme. --- kunsttheorie. --- architectuur. --- esthetica. --- Jones, Owen. --- Van de Velde, Henry. --- Muthesius, Hermann. --- Gombrich, Ernst Hans Josef. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- Engeland. --- Duitsland. --- Van de Velde, Henry

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This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary.

Still-life in art --- Still-life in literature --- Movement in literature --- Dance --- Modernism (Art) --- Modernism (Literature) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Crepuscolarismo --- Literary movements --- modernisme --- stillevens --- Bloomsbury Group --- Cézanne, Paul --- Woolf, Virginia --- Fry, Roger --- Stevens, Wallace --- Mauron, Charles --- Huxley, Aldous --- Gertler, Mark --- Nicholson, Winifred --- Jones, David --- Morris, Margaret --- 19de eeuw --- 20ste eeuw --- Groot-Brittannië --- modernisme. --- stillevens. --- Bloomsbury Group. --- Cézanne, Paul. --- Woolf, Virginia. --- Fry, Roger. --- Stevens, Wallace. --- Mauron, Charles. --- Huxley, Aldous. --- Gertler, Mark. --- Nicholson, Winifred. --- Jones, David. --- Morris, Margaret. --- 19de eeuw. --- 20ste eeuw. --- Groot-Brittannië. --- Movement in literature. --- Still-life in art. --- Still-life in literature.