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"Over the last century, many artists have made works that challenge dominant models of gender and sexuality. The results can be sexy or serious, satirical or tender, discreetly coded or defiantly outspoken. This book illustrates the wide variety of queer art from around the world -- exploring bodies and identity, love and desire, prejudice and protest through drawing, painting, photography, sculpture and installation. A Queer Little History of Art features a wide selection of artists who subverted the norms of their day via bold new forms of expression, as 70 outstanding works reveal how queer experiences have differed across time and place, and how art has been part of a story of changing attitudes and emerging identities from 1900 to the present."--Publisher's website. This small but lavishly illustrated book showcases a selection of works which illustrate the breadth and depth of queer art from around the world. Exploring identity, eroticism, relationships, hidden desires, love and gender through drawing, painting, photography, sculpture and film, it tells the story of queer art from 1900 to the present, revealing how experiences have also been shaped by class and ethnicity, and how art itself has played a key role in changing attitudes and crystalising identities. From the deeply personal to the political or emotive, each work is beautifully reproduced with a short text explaining its wider social and cultural context, and what 'queer' means in different historic and contemporary contexts. Including works from a variety of artists -- among them Egon Schiele, Duncan Grant, Romaine Brooks, Edward Burra, Salvador Dali, Frida Kahlo, David Hockney, Diane Arbus, Francis Bacon, Bhupen Khakhar, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki -- all of whom found new freedom in radical ideas and new art forms, A Queer Little History of Art is a true celebration of over 100 years of queer art, as well as the LGBT community that has embraced it.
Homosexuality and art --- Gay artists --- Lesbian artists --- Homosexuality in art --- Art --- Gender Identity --- Homosexuality, Female --- Homosexuality, Male --- 7.041 --- Homoseksualiteit --- Genderidentiteit --- Queer people --- Male Homosexuality --- Sexual and Gender Minorities --- Lesbianism --- Female Homosexuality --- Gender --- Man's Role --- Men's Role --- Woman's Role --- Women's Role --- Gender Role --- Sex Role --- Gender Identities --- Gender Roles --- Identity, Gender --- Role, Man's --- Role, Men's --- Role, Sex --- Role, Woman's --- Role, Women's --- Roles, Gender --- Roles, Men's --- Roles, Sex --- Roles, Woman's --- Roles, Women's --- Sex Roles --- Woman's Roles --- Women's Roles --- Transgender Persons --- Arts --- Artists --- Art and homosexuality --- History --- Iconografie ; de mens, portretten --- Gender Studies --- 7(091) --- 7.01 --- Queer en kunst ; 20ste en 21ste eeuw --- Kunst ; geschiedenis --- Kunst ; theorie, filosofie, esthetica --- gender. --- 1900. --- 20ste eeuw. --- 21ste eeuw. --- Homosexuality --- Queer --- Art history --- Book --- gender --- queer --- 1900 --- 20ste eeuw --- 21ste eeuw --- queer. --- gravure. --- houtsnede. --- 1450 - 1700. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- Nederlanden.
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Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.
7.04 --- 392.6 --- 392.6 Seksualiteit. Seksueel leven. Concubinaat. Samenwonen. Prostitutie. Erotiek. Seksuele gebruiken. Liefdeskunst --- Seksualiteit. Seksueel leven. Concubinaat. Samenwonen. Prostitutie. Erotiek. Seksuele gebruiken. Liefdeskunst --- 7.04 Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding --- Men in art --- Painting, Modern --- Sculpture, Modern --- Art, Modern --- Themes, motives. --- Themes, motives --- Sociology of the family. Sociology of sexuality --- Art --- anno 1800-1899 --- Europe --- iconography --- male homosexuality --- gender. --- orientalisme. --- (naakte) menselijke figuur; ‘Corpo humano’ (Ripa). --- Grand Tour. --- geschiedenis. --- militaire geschiedenis. --- Dalou, Jules. --- Stevens, Alfred. --- Stevens, Arthur. --- Vuillard, Édouard. --- Roussel, Ker-Xavier. --- Meunier, Constantin. --- Minne, George. --- Bazille, Frédéric. --- Chaperon, Eugène. --- Fuller, Loïe. --- Lambeaux, Jef. --- Van der Stappen, Charles. --- 19de eeuw. --- Gender --- History --- Family --- Homosexuality --- Queer --- Body --- Body care --- Masculinity --- Relationships --- Sexuality --- Friendships --- Book
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