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art [fine art] --- painting [image-making] --- Art --- Painting --- Gogh, van, Vincent --- Gauguin, Paul --- anno 1800-1899 --- France --- Gogh, Vincent van --- Artists --- -Artists --- -Artistic collaboration --- -Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art --- Persons --- -Gogh, Vincent van --- Artistic collaboration --- Collaboration, Artistic --- Gauguin, Paul, --- Gogh, Vincent van, --- Van-Gog, Vint︠s︡ent, --- Van Gogh, Vincent, --- Gogh, Vincent-Willem van, --- Fan'gao, --- Fan-kao, --- Fangu, --- Fangu, Wensheng, --- Fan-ku, --- גוך, וינסנט ואן, --- ゴッホ, --- ビンセントゴッホ, --- 梵高, --- Gaogeng, Baoluo, --- Gauguin, Eugène Henri Paul, --- Gauguin, Pablo, --- Гоген, Поль, --- Gogen, Polʹ, --- גוגן, פול, --- Van Gogh, Vincent --- Van Gogh, Vincent. --- Gauguin, Paul. --- art [discipline]

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"Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide. The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness -- the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics -- within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice"--Publisher's website.

dansen --- kunsttheorie --- tekenen --- handschrift, schrijven als activiteit --- hedendaagse kunst --- Artistic collaboration --- Dance in art --- Performance drawing --- Gansterer, Nikolaus. --- Cocker, Emma. --- Greil, Mariella. --- dansen. --- kunsttheorie. --- tekenen. --- handschrift, schrijven als activiteit. --- hedendaagse kunst.

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The prototypical Pre-Raphaelite artist, Edward Burne-Jones (1833-1898) embodied in his art the glamours of Victorian Romantic painting, harking back to an Arthurian Medieval England of chivalry, virtue, Arcadian delight and dreamy sensuality. "I mean by a picture a beautiful, romantic dream of something that never was, never will be," he once wrote, "in a light better than any light that ever shone--in a land no one can define or remember, only desire." Burne-Jones' fantasies of an ideal Albion offered solace against the onset of the Industrial Revolution, which had increasingly come to determine urban life in Victorian Britain, and which his close friend William Morris had also critiqued in his bestselling poetry book The Earthly Paradise (1868). This volume explores Burne-Jones' vision of an "Earthly Paradise" as expressed in painting cycles such as Perseus, Amor and Psyche, St George and Briar Rose, and his wonderful Arthurian tapestry sequences and book illustrations. It also opens up the artist's more practical efforts to secure this earthly paradise through the domestic crafts, rejuvenating the Victorian interior through Medieval precedents: carpets, textiles, stained glass windows, furniture and other Arts and Crafts objects. In emphasizing the conceptual unity of Burne-Jones' painting cycles and domestic designs, this monograph reveals his vision to be a coherent expression and longing for a finer world.

mythologie --- religieuze kunst --- Burne-Jones, Edward Coley --- Morris, William --- Cassavetti-Zambaco, Maria --- Artistic collaboration --- Burne-Jones, Edward Coley, 1833-1898 --- Morris, William, 1834-1896. Earthly paradise --- Morris, William, 1834-1896 --- mythologie. --- religieuze kunst. --- Burne-Jones, Edward Coley. --- Morris, William. --- Cassavetti-Zambaco, Maria.

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Cet essai aborde l'histoire des lettres belges par le biais des échanges littéraires, largement inexplorés à ce jour, avec l'Allemagne avant et pendant la Première Guerre mondiale, époque durant laquelle des écrivains allemands majeurs (Gottfried Benn, Carl Sternheim…) ont vécu en Belgique.

Avec des chapitres spécifiques sur Ernst Jünger et sur Paul Colin. Prix de l'Essai du Parlement de la Communauté française 2003.

German literature --- Comparative literature --- anno 1910-1919 --- Belgium --- Belgian literature --- Littérature allemande --- Littérature belge --- History and criticism --- Political aspects --- Histoire et critique --- Aspect politique --- literatuur --- 1914 - 1918 --- 20ste eeuw --- Duitsland --- België --- Expressionism in literature --- Flemish movement --- --Mouvement flamand --- --1914-1918, --- History --- 830 --- Literature German --- Littérature allemande --- Littérature belge --- History and criticism. --- German literature - Belgium - History and criticism --- German literature - 20th century - History and criticism --- Mouvement flamand --- Belgium - History - German occupation, 1914-1918 --- 1914 - 1918. --- 20ste eeuw. --- Duitsland. --- België. --- BELGIQUE --- POLITIQUE ET LITTERATURE --- ALLEMAGNE --- HISTOIRE --- 1914-1918 (OCCUPATION ALLEMANDE) --- COLLABORATION --- 1914-1918 --- RELATIONS CULTURELLES --- Belgique --- FLAKE Otto --- Anton KIPPENBERG --- Culture flamande --- Littérature de guerre --- Première Guerre mondiale --- Allemagne --- Expressionnisme littéraire --- Friedrich EISENLOHR --- Der Belfried --- Sternheim, Carl --- Sternheim, Thea --- Benn, Gottfried --- Eekhoud, Georges --- Streuvels, Stijn --- Jünger, Ernst --- Einstein, Carl --- Hausenstein, Wilhem --- Pansaers, Clément --- Colin, Paul