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Matisse, Henri --- Sculpture --- Painting --- sculpture [visual works] --- bronzes [visual works] --- easel paintings [paintings by form] --- Matisse, Henri. --- paintings [visual works]
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Sculpture --- sculpture [visual works] --- bronzes [visual works] --- forming [physical activity] --- Nature --- materials [substances] --- gypsum --- human figures [visual works] --- Moore, Henry
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sculpting --- Sculpture --- restoration [process] --- Conservation. Restoration --- bronzes [visual works] --- Matisse, Henri --- Rodin, Auguste --- Sappho of Lesbos --- Bourdelle, Antoine --- Laurens, Henri --- Vo, Danh --- Kunsthaus [Zürich] --- Bourdelle, Emile-Antoine --- Bourdelle, Antoine.
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sculpting --- Sculpture --- bronze [metal] --- bronzes [visual works] --- Frederiks, J.W. --- Museum Boymans-van Beuningen [Rotterdam] --- anno 1500-1799 --- Bronzes --- Catalogs --- Museum Boijmans-van Beuningen, Rotterdam --- sculpturen --- brons --- Museum Boijmans van Beuningen (Rotterdam) --- 1500 - 1800 --- 16de eeuw --- 17de eeuw --- 18de eeuw
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sculpting --- bronzes [visual works] --- Congres / 1998 --- beeldhouwkunst --- bronzen --- renaissance --- Donatello --- Verrocchio, Andrea del --- Ammanati, Bartolomeo di Antonio --- Desiderio da Firenze --- Bologna, Giovanni da --- Aspetti, Tiziano --- 16de eeuw --- 73 <45> --- Beeldhouwkunst. Sculptuur--Italië --- Conferences - Meetings --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- sculptuur --- Donatello. --- Andrea del Verrocchio. --- Ammanati, Bartolomeo di Antonio. --- Desiderio da Firenze. --- Bologna, Giovanni da. --- Aspetti, Tiziano. --- 16de eeuw. --- Andrea del Verrocchio
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Alberto Giacometti, who was born in the Swiss canton of Graubünden in 1901, was active throughout his career in Paris, where he worked as a painter, sculptor and draftsman until his death in 1966. His affinity with cubism and surrealism, his attraction to the antique and non-western arts, his preference for the human figure make him a very special personality that was not outside the artistic developments of the twentieth century. On the basis of more than one hundred and fifty works, including the most important sculptures, paintings and drawings from his oeuvre, this catalog mainly highlights the crucial and sometimes misunderstood confrontations that characterized Giacometti’s career: the introduction to Constantin Brancusi’s work at the Salon des Tuileries in 1927, where his Spoonwife competed with Vogel in the room of the Romanian sculptor; Egyptian antiquity, a source of inspiration during Giacometti’s entire career; or his friendly and intellectual connection with the writer Jacques Dupin, his first biographer. Numerous photographs of the artist and of his studio place the artworks again in the context of their creation.
art [fine art] --- collections [object groupings] --- Art --- Liechtenstein: the Princely Collections [Wien] --- Sculpture --- Painting --- sculpture [visual works] --- easel paintings [paintings by form] --- Giacometti, Alberto --- Kubrick, Stanley --- Leclercq, Léna --- Noble, Michael --- Zinelli, Carlo --- Giacometti, Alberto. --- Kubrick, Stanley. --- Noble, Michael. --- Zinelli, Carlo. --- Leclercq, Léna. --- art [discipline] --- bronzes [visual works] --- busts [general, figures] --- human figures [visual works] --- paintings [visual works]
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Sculpture --- bronzes [visual works] --- Art --- Quentin Collection --- anno 1500-1799 --- anno 1400-1499 --- Europe --- The Frick Collection (New York) --- Quentin Collection (New York) --- brons --- beeldhouwkunst --- Quentin, Claudia --- Frick, Henry Clay --- Europa --- The Frick Collection (New York). --- Quentin Collection (New York). --- brons. --- sculptuur. --- Quentin, Claudia. --- Frick, Henry Clay. --- Europa. --- sculptuur
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Art styles --- Sculpture --- reliefs [sculptures] --- terracottas [sculptural works] --- bronzes [visual works] --- Renaissance --- Donatello --- Italy --- renaissance --- reliëfs --- beeldhouwkunst --- madonnabeelden --- pijn, smart, rouw, verdriet; 'Dolore, 'Dolore di Zeusi' (Ripa) --- restauratie --- Von Bode, Wilhelm --- Firenze --- Londen --- Duitsland --- Padua --- renaissance. --- reliëfs. --- sculptuur. --- madonnabeelden. --- pijn, smart, rouw, verdriet; 'Dolore, 'Dolore di Zeusi' (Ripa). --- restauratie. --- Donatello. --- Von Bode, Wilhelm. --- Firenze. --- Londen. --- Duitsland. --- Padua. --- sculptuur
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Serruys, Yvonne --- Sculpture --- sculpture [visual works] --- women [female humans] --- vrouwelijke kunstenaars --- sculptuur --- Belle Époque --- interbellum --- gender --- vrouwen --- Mille, Pierre --- 19de eeuw --- 20ste eeuw --- België --- Beeldhouwkunst. --- Beeldhouwwerken [beeldmateriaal]. --- Tentoonstellingscatalogus. --- vrouwen. --- Serruys, Yvonne, --- paintings [visual works] --- bronzes [visual works] --- busts [general, figures] --- nudes [representations] --- studios [work spaces] --- gypsum --- marble [rock] --- glaskunst --- human figures [visual works] --- gender [sociological concept]
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bronzes [visual works] --- Sculpture --- Renaissance-Baroque styles --- Sculpture, Renaissance --- Sculpture, European --- Sculpture de la Renaissance --- Sculpture européenne --- Catalogs --- Catalogs. --- Private collections --- Catalogues --- Collections privées --- Sammlung Thyssen-Bornemisza --- verzameling Thyssen-Bornemisza --- renaissance --- beeldhouwkunst --- brons --- Thyssen-Bornemisza, Carmen --- 15de eeuw --- 16de eeuw --- 17de eeuw --- Sculpture européenne --- Collections privées --- Thyssen-Bornemisza Museum [Madrid] --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- sculptuur --- Thyssen-Bornemisza, Carmen. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw.
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