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Painting, Spanish --- Painting, Renaissance --- Peinture espagnole --- Peinture de la Renaissance --- Berruguete, Pedro, --- renaissance --- Berruguete, Pedro --- Castilië --- Berruquete, Pedro --- Exhibitions --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Berruguete, Pedro. --- Castilië.
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Painting, Spanish --- History in art --- Peinture espagnole --- Histoire dans l'art --- Exhibitions --- Expositions --- Spain --- Espagne --- In art --- Dans l'art --- historiestukken --- historieschilderkunst --- 19de eeuw --- Spanje --- Exhibitions. --- 19de eeuw. --- Spanje.
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Painting, Spanish --- Painting, French --- Peinture espagnole --- Peinture française --- Picasso, Pablo, --- Criticism and interpretation. --- kubisme --- Guernica (Picasso) --- Picasso, Pablo --- Guernica --- art [fine art] --- kunst --- Peinture française --- art criticism --- Aesthetics of art --- Spaanse burgeroorlog (1936-1939) --- kubisme. --- Guernica (Picasso). --- Spaanse burgeroorlog (1936-1939). --- Picasso, Pablo. --- Guernica. --- art [discipline]
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Art --- Museum of Fine Art [Budapest] --- Painting, Spanish --- Painting --- Peinture espagnole --- Peinture --- Catalogs. --- Catalogs --- Catalogues --- Szépmuvészeti Múzeum (Hungary) --- catalogs --- Museum of Fine Arts (Budapest) --- museumcollecties --- schilderkunst --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Spanje --- Szépművészeti Múzeum (Hungary) --- catalogs. --- Painting [Spanish ] --- Budapest. Museum of Fine Arts --- Szépmüvészeti Múzeum --- Spaanse school --- Museum of Fine Arts (Budapest). --- schilderkunst. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- Spanje. --- Musee des beaux-arts de budapest (hongrie)
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Painting, Spanish --- Exoticism in art --- Peinture espagnole --- Exotisme dans l'art --- orientalisme --- 19de eeuw --- 20ste eeuw --- Spanje --- Orientalism in art --- Painters --- Painting, Modern --- Biography --- Middle East --- Asia, South West --- Asia, Southwest --- Asia, West --- Asia, Western --- East (Middle East) --- Eastern Mediterranean --- Fertile Crescent --- Levant --- Mediterranean Region, Eastern --- Mideast --- Near East --- Northern Tier (Middle East) --- South West Asia --- Southwest Asia --- West Asia --- Western Asia --- Orient --- In art. --- 19de eeuw. --- 20ste eeuw. --- Spanje.
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Wallace Collection (Londen) --- museumcollecties --- Frankrijk --- Wallace Collection [London] --- Wallace Collection (London, England) --- Art --- Catalogues --- Groot-Brittannië --- Duitsland --- Spanje --- Italië --- 19de eeuw --- Nederlanden --- Catalogs --- Art européen --- Art. --- Peinture allemande --- Peinture espagnole --- Peinture européenne --- Peinture française --- Peinture italienne --- peinture européenne --- Wallace Collection (Londres) --- 19e s --- Wallace, Richard, --- Collections d'art. --- Wallace Collection (London, England). --- Wallace Collection (Londres, Angleterre) --- Wallace collection (Londres) --- Catalogs. --- Catalogues. --- England --- Wallace Collection (Londen). --- museumcollecties. --- Groot-Brittannië. --- Duitsland. --- Spanje. --- Italië. --- 19de eeuw. --- Frankrijk. --- Nederlanden.
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Ce nouveau catalogue fait suite au volume de l'école italienne (2007) et à celui des écoles flamande et hollandaise (2009). Il est conçu de la même manière que ces deux derniers, soit, pour chaque peinture (535 œuvres), une notice illustrée pourvue d'un historique approfondi et d'une sélection des principales références bibliographiques. Les historiques ont pu être singulièrement complétés grâce aux nouveaux instruments de recherche que constituent les bases informatisées, Getty et Lugt, qui recensent les ventes anciennes. Un jeu d'index (noms d'artistes, titres des œuvres et provenances : commanditaires, collectionneurs, marchands et donateurs) assure à l'ouvrage sa fonction attendue d'instrument de recherche, en particulier pour ce qui concerne l'histoire des collections et du goût.
Museums --- Painting, English --- Painting, Spanish --- Painting, German --- Painting, Scandinavian --- Musées --- Peinture anglaise --- Peinture espagnole --- Peinture allemande --- Peinture scandinave --- Exhibitions --- Expositions --- Musée du Louvre. --- Musée du Louvre-Département des Peintures --- schilderkunst --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- Groot-Brittannië --- Spanje --- Duitsland --- Scandinavië --- Painting --- Louvre (Paris, France) --- Museum exhibits. --- Musées --- Musée du Louvre. --- Painting - Europe - Catalogs --- Musée du Louvre-Département des Peintures. --- schilderkunst. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- Groot-Brittannië. --- Spanje. --- Duitsland. --- Scandinavië. --- Musée du louvre -- catalogues
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"This exhibition offers an unprecedented look at the life and artistic achievements of seventeenth-century Afro-Hispanic painter Juan de Pareja (ca. 1608-1670). Largely known today as the subject of The Met's iconic portrait by Diego Velázquez, Pareja was enslaved in Velázquez's studio for over two decades before becoming an artist in his own right. This presentation is the first to tell his story and examine the role of enslaved artisanal labor and a multiracial society in the art and material culture of Spain's so-called "Golden Age." Representations of Spain's Black and Morisco populations in works by Francisco de Zurbarán, Bartolomé Esteban Murillo, and Velázquez join works that chart the ubiquity of enslaved labor across media, from sculpture to silver. The Met's portrait, executed by Velázquez in Rome in 1650, is contextualized by his other portraits from this period and the original document whereby Pareja was freed upon return to Madrid. The exhibition culminates in the first gathering of Pareja's rarely seen paintings, some of enormous scale, which engage with the canons of Western art while reverberating throughout the African diaspora. Harlem Renaissance collector and scholar Arturo Schomburg was vital to the recovery of Pareja's work and serves as a thread connecting seventeenth-century Spain with twentieth-century New York, providing a lens through which to view the multiple histories that have been written about Pareja."--
Painting --- slavery --- easel paintings [paintings by form] --- figures [representations] --- Spanish Renaissance-Baroque styles --- Pareja, Juan de --- anno 1600-1699 --- Artistes noirs --- Velázquez, Diego --- Influence. --- zwarten --- slavernij; lijfeigenen en slaven --- de Pareja, Juan --- Velázquez, Diego Rodriguez de Silva y --- Schomburg, Arturo --- 17de eeuw --- Spanje --- Painters, Black --- Artists, Black --- Painting, Spanish --- Slavery in art --- Black people in art --- Portrait painters --- Peintres noirs --- Peinture espagnole --- Personnes noires dans l'art --- Portraitistes --- Employees --- Pareja, Juan de, --- Velázquez, Diego, --- Influence --- 1600-1699 --- Christian art and symbolism --- Esclavage dans l'art --- Art et symbolisme chrétiens
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Au début du XXème siècle, Barcelone devient le bastion de l'avant-garde artistique et connaît un boom artistique sans précédents. L'ouvrage fait le point sur les temps forts des différents mouvements qui se sont développés depuis la fin du XIXème siècle jusqu'à la guerre civile espagnole
Peinture --- Painting, Swiss --- CDL --- 75.071 BÖCKLIN --- Swiss painting --- Böcklin, Arnold, --- Boecklin, Arnold, --- Böcklin, A. --- Painting --- 19th century --- Painting, Spanish --- Peinture espagnole --- kunstenaarsateliers --- Catalonië --- Gaudi, Antonio --- Art, Spanish --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Art, Modern --- Spanish art --- Dau al set (Group of artists) --- Grupo Pórtico (Group of artists) --- Moviment Artístic del Mediterrani (Group of artists) --- avant-garde --- Barcelona --- Art nouveau --- Avant-garde --- Cubisme --- Art moderne --- Histoire de l'art --- Dali, Salvador --- Picabia, Francis --- Picasso, Pablo --- 20e siècle --- Barcelone --- Espagne --- Architecture --- Sculpture, Spanish --- Art espagnol --- Sculpture espagnole --- Böcklin, Arnold --- Exhibitions --- Gaudí, Antoni, --- Böcklin, Arnold --- Peinture - Suisse - 19e siecle - Expositions --- Art, Spanish - Spain - Barcelona - 20th century --- Avant-garde (Aesthetics) - Spain - Barcelona --- Gaudí, Antoni, 1852-1926 --- avant-garde. --- kunstenaarsateliers. --- Barcelona. --- Catalonië.
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Publisher's description: A much anticipated, wide-ranging survey of works by one of the world's greatest artists. El Greco (1541-1614), born Domenikos Theotokopoulos, was one of the most fascinating and distinctive artists of the sixteenth century. His works are immediately recognizable for their brilliant colors, elongated figures, and spiritual intensity. Initially trained in Crete, in around 1567 El Greco moved to Italy where he purportedly studied with Titian. A decade later he is documented in Toledo (south of Madrid), and he spent the rest of his long life in Spain. His paintings and writings offer a thoughtful, frequently inspired response to the varied environments in which he worked--and they reveal that he was deeply engaged with the religious and artistic thinking of his times. This lavishly illustrated book--the first comprehensive English-language publication on El Greco in many years--addresses the full range of the artist's work in painting and sculpture, from his Byzantine icons to his late altarpieces. It considers his personality from both a religious and intellectual point of view, and presents the artist's religious, mythological, genre, landscape, and portrait works, providing the historical context in which they were made. El Greco is the catalogue for an exhibition organized jointly by The Metropolitan Museum of Art, New York, and the National Gallery, London. The exhibition opens in New York in October 2003, and moves to London in February 2004.
Art --- Greco, el --- El Greco --- Greco, --- Greco, El, --- Painting, Spanish --- Peinture espagnole --- Catalogs. --- Exhibitions. --- Greco --- Catalogs --- CDL --- 75.071 GRECO --- Theotocopuli, Dominico, --- Theotokopoulos, Domenikos, --- Theocopuli, Domenico, --- Theotocopuli, Domenico, --- Zeotokopoulos, Doménikos, --- Theotocópuli, Domingo, --- Theotocópoulos, Doménicos, --- Theoscopoli, Domenico, --- Greco, Domenico, --- Griego, --- El Greco, --- Greco, Dominico, --- Ο Γκρεκο, --- Exhibitions --- (069) --- 75.07 --- El Greco (Domenikos Theotokopoulos) 1541-1614 (° Kreta). Verbleef eerst in Italië, daarna in Spanje --- Schilderkunst ; 2de h. 16de-begin 17de eeuw ; El Greco --- Schilderkunst ; Maniërisme --- Tentoonstellingscatalogi ; New York ; Metropolitan Museum of Art --- (Musea. Collecties) --- Schilderkunst ; schilders --- barok --- Essays : --- kunst --- renaissance --- schilderkunst --- Spanje --- Theotokopoulos Domenikos --- zestiende eeuw --- zeventiende eeuw --- Theotocopuli, Dominico --- Theotokopoulos, Domenikos --- Theocopuli, Domenico --- Theotocopuli, Domenico --- Zeotokopoulos, Doméniko, --- Theotocópuli, Domingo --- Theotocópoulos, Doménicos --- Theoscopoli, Domenico --- Greco, Domenico --- Griego --- Greco, Dominico --- Ο Γκρεκο --- Greco, - 1541?-1614 - Exhibitions --- Greco, - 1541?-1614 --- El Greco.
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