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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Muybridge is best known for the photographs of horses and other animals in motion, which he made in the 1870s and 80s. The first person to use photography to freeze rapid action for analysis and study, he devised a method for photographing episodes of behaviour using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world. Time Stands Still is the catalogue to accompany a major exhibition celebrating the work of Eadweard Muybridge, one of the most influential photographers of the 19th century. The exhibition, opening Spring 2003 and touring through 2004, will combine an examination of the artists' career in motion photograph with a survey of early attempts to photograph moving subjects. The catalogue is primarily written by guest curator Phillip Prodger, but includes an additional essay on the earliest experiments in cinema by Tom Gunning, an expert on early film at the University of Chicago. The exhibition will display Muybridge's zoopraxiscope and other equipment, drawings, ephemera, and photographs made from the invention of photography in the 1830s to the end of Muybridge's career, which culminated with the publication of his encyclopaedic work, Animal Locomotion, in 1887. The photographs and objects are drawn largely from the collection of the Cantor Center and supplemented with a selection of stop-action photographs from other private and public collections. Represented will be the work of, among others, Talbot, Rejlander, Maray, Eakins, Edison, and the Lumiere Frères
fotografie --- photography [process] --- Photography --- Muybridge, Eadweard --- beweging --- 19de eeuw --- chronophotography --- motion --- stop-motion photography --- beweging. --- Muybridge, Eadweard. --- 19de eeuw.
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Photography --- Sprengel Museum Hannover --- fotografie --- Wilde, Ann --- Wilde, Jürgen --- Becher, Bernd --- Becher, Hilla --- Blossfeldt, Karl --- Ehrhardt, Alfred --- Gutschow, Arvid --- Henri, Florence --- Krull, Germaine --- Michals, Duane --- Muybridge, Eadweard --- Renger-Patzsch, Albert --- Seidenstücker, Friedrich --- Seuphor, Michel --- Specker, Heidi --- Zwart, Piet --- Sprengel Museum Hannover. --- Wilde, Ann. --- Wilde, Jürgen. --- Becher, Bernd. --- Becher, Hilla. --- Blossfeldt, Karl. --- Ehrhardt, Alfred. --- Gutschow, Arvid. --- Henri, Florence. --- Krull, Germaine. --- Michals, Duane. --- Muybridge, Eadweard. --- Renger-Patzsch, Albert. --- Seidenstücker, Friedrich. --- Seuphor, Michel. --- Specker, Heidi. --- Zwart, Piet.
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Severini, Gino --- dans --- Seurat, Georges --- Muybridge, Eadweard --- Rodin, Auguste --- Kirchner, Ernst Ludwig --- Boccioni, Umberto --- Balla, Giacomo --- Depero, Fortunato --- Prampolini, Enrico --- Sironi, Mario --- Cominetti, Giuseppe --- Lewis, Percy Wyndham --- Gaudier-Brzeska, Henri --- Man Ray --- Doesburg, Theo van --- 1909 - 1916 --- 20ste eeuw --- dansen --- van Doesburg, Theo --- Severini, Gino. --- Seurat, Georges. --- Muybridge, Eadweard. --- Rodin, Auguste. --- Kirchner, Ernst Ludwig. --- Boccioni, Umberto. --- Balla, Giacomo. --- Depero, Fortunato. --- Prampolini, Enrico. --- Sironi, Mario. --- Cominetti, Giuseppe. --- Lewis, Percy Wyndham. --- Gaudier-Brzeska, Henri. --- Man Ray. --- van Doesburg, Theo. --- 1909 - 1916. --- 20ste eeuw.
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Thompson, Charles Thurston --- Gray, le, Gustave --- Muybridge, Eadweard --- Cameron, Julia Margaret --- Bedford, Francis Donkin --- Emerson, P.H. --- Victoria and Albert Museum (Londen) --- museumcollecties --- fotografie --- Le Gray, Gustave --- 1853 - 1900 --- 19de eeuw --- Victoria and Albert Museum [London] --- Cameron, Julia Margaret. --- Le Gray, Gustave. --- 1853 - 1900. --- 19de eeuw.
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In 1909 ontstond het futurisme. Het was een van de belangrijkste avant-gardebewegingen uit het begin van de twintigste eeuw. In dit boek wordt het werk van onder meer Giacomo Balla, Umberto Boccioni, Carlo Carrà, Gino Severini, Wundham Lewis en Kasimir Malevitsj besproken.
Art --- fine arts --- Futurist --- anno 1900-1999 --- futurisme --- 7.037 --- 705.8 --- Balla, Giacomo --- Boccioni, Umberto --- Bragaglia, Anton Giulio --- Braque, Georges --- Carra, Carlo --- Chiattone, Mario --- Crali, Tullio --- Delaunay, Sonia --- Epstein, Jacob --- Futurisme --- Gaudier-Brzeska, Henri --- Ginna, Arnaldo --- Gontsjarova, Natalia --- Larionov, Michail --- Lewis, Wyndham --- Malevitsj, Kasimir --- Marinetti, F.T. --- Muybridge, Eadweard --- Nevinson, Christopher --- Pelizza da Volpedo, Giuseppe --- Prampolini, Enrico --- Rosso, Medardo --- Russolo, Luigi --- Sant'Elia, Antonio --- Severini, Gino --- Wadsworth, Edward --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- Art styles --- Marinetti, F.T --- futurisme.
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"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.
Minneapolis Institute of Arts --- fotografie --- museumcollecties --- 19de eeuw --- 20ste eeuw --- Photography, Artistic --- 760.5 --- fotogeschiedenis --- Verenigde Staten --- Europa --- Fox Talbot, William Henry --- Frith, Francis --- Hill, David Octavius --- Adamson, Robert --- Thomson, John --- Evans, Frederick H --- Cameron, Julia Margaret --- Pirou, Eugène --- Tourtin, Emile --- Muybridge, Eadweard --- Gurney, Jeremiah --- Atget, Eugene --- Sommer, Giorgio --- Curtis, Edward S --- Russell, Andrew Joseph --- Jackson, William Henry --- Watkins, Carleton E --- Eakins, Thomas --- Coburn, Alvin Langdon --- Bellocq, E. J --- Hine, Lewis --- Van DerZee, James --- Stieglitz, Alfred --- Newman, Arnold --- Cunningham, Imogen --- Strand, Paul --- Brandt, Bill --- Sander, August --- Telberg, Vel --- Alvarez Bravo, Manuel --- Brassaï --- Lartigue, Jacques-Henri --- Steichen, Edward --- Abbott, Berenice --- Kertész, André --- Steiner, Ralph --- Renger-Patzsch, Albert --- Evans, Walker --- Bros, Clarence K --- Adams, Ansel --- Chiarenza, Carl --- Weston, Brett --- Weston, Edward --- Bullock, Wynn --- Siskind, Aaron --- White, Minor --- Callahan, Harry --- Faurer, Louis --- Liebling, Jerome --- Palfi, Marion --- Frank, Robert --- Welpott, Jack --- Meatyard, Ralph Eugene --- Wilcox, Robert Gene --- Uelsmann, Jerry N --- Davidson, Bruce --- Wessel Jr., Henry --- Krims, Leslie --- Cohen, Mark --- Mertin, Roger --- Swedlund, Charles --- Gowin, Emmet --- Crane, Arnold --- Weegee --- Klein, William --- Arbus, Diane --- Avedon, Richard --- Dovydenas, Jonas --- Selkirk, Neil --- Snyder, Joel --- Mayes, Elaine --- Nixon, Nicolas --- Olsenius, Richard --- Burns, Marsha --- Goin, Peter --- Moss, Joan --- Muxter, Ramon J --- Dickey, Michael --- Fink, Larry --- Coplans, John --- Holmgren, Robert --- Arndt, Thomas F --- Lanzano, Louis --- DeLory, Peter --- Donneman, Eve --- Lang, Gerald --- Jensen, Mark E --- Tice, George A --- Jachna, Joseph D --- Levinson, Joel D --- Friedlander, Lee --- Simon, Michael --- Myers, Joan --- McFarland, Lawrence --- Deal, Joe --- Agar, Will --- Barrow, Thomas F --- Swerdlove, Allen --- Gohlke, Frank W --- Smith, Michael A --- MacWeeney, Alen --- Tuckerman, Jane --- Winogrand, Garry --- Papageorge, Tod --- Meyerowitz, Joel --- Lyons, Joan --- Eggleston, William --- Callis, Jo Ann --- Neimanas, Joyce --- Golden, Judith --- James, Christopher P --- Estabrook, Reed --- Henkel, James --- Merill, Lawrence J --- Albert, Brian --- Christenberry, William --- Jenshel, Len --- Klipper, Stuart D --- fotografie, verzamelen - musea - tentoonstellingen --- Minneapolis. --- Minneapolis Society of Fine Arts. --- Minneapolis Institute of Fine Arts --- Minneapolis Institute of Art (1915-2015) --- MIA (Minneapolis Institute of Arts) --- Minneapolis Institute of Art --- Photograph collections. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Minneapolis Institute of Arts. --- museumcollecties. --- 19de eeuw. --- 20ste eeuw.
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private collections
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History
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portraits
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photography [process]
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Iconography
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outsider art
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Art
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art history
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Photography
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Paolini, Giulio
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Ionin, Nikolaj Aleksandrovic
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Hopper, Edward
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Pfeiffer, Ludwig
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Man Ray
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Maillol, Aristide
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Gimpel, Léon
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Kossoff, Leon
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Petrov-Vodkin, Kuzma
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von Geyer, Otto
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Balla, Giacomo
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Corbaz, Aloïse
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Flanagan, Barry
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Chadwick, Helen
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Zhang Xiaogang
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Saliger, Ivo
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Schlemmer, Oskar
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Epstein, Jacob
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Léger, Fernand
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Freud, Lucian
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Martini, Arturo
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Sadr, Ivan Dmitrijec
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Demachy, Robert
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Goodwin, Betty
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Prinzhorn, Hans
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Ernst, Max
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Agnetti, Vincenzo
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Guidi, Virgilio
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Brogi, Carlo
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Richer, Paul
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Koestodiev, Boris Michajlovitsj
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Melotti, Fausto
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Matthias, Eugen
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Magritte, René
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Gutfreund, Otto
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Newton, Helmut
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Bonnard, Pierre
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Samochvalov, Aleksander Nikolajevitsj
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Hélion, Jean
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Lebel, Jean-Jacques
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Matisse, Henri
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Gaudier-Brzeska, Henri
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Smith, Kiki
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Burri, Alberto
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Lopez, Antonio
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Pollock, Jackson
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Nussbaum, Felix
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Oppenheim, Meret
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Gruber, Francis
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Brancusi, Constantin
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Carlson, Mary
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Wildt, Adolfo
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Denis, Maurice
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Deineka, Alexander
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Parmiggiani, Claudio
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Artaud, Antonin
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Depero, Fortunato
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Segantini, Giovanni
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Ducos du Hauron, Louis
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Klimt, Gustav
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Picasso, Pablo
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Gromaire, Marcel
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Meidner, Ludwig
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Brauner, Victor
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Campigli, Massimo
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Corinth, Lovis
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Spagnulo, Giuseppe
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Rainer, Arnulf
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Beuys, Joseph
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Kertész, André
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Music, Zoran
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Fox, Judy
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Clegg, Michael
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Hill, Carl Fredrik
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Sherman, Cindy
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Brus, Günther
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Duchamp, Marcel
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Kandinsky, Vasili Vassileevich
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Boiffard, Jacques-André
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Zorio, Gilberto
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Gerstl, Richard
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Goldsworthy, Andy
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Delvaux, Paul
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Huene, von, Stephan
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Casorati, Felice
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Eakins, Thomas
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Fontana, Lucio
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Lang, Gerhard
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Yan Pei-Ming
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Bragaglia, Arturo
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Dumas, Marlene
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Beckmann, Max
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Cragg, Tony
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Garanger, Marc
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Close, Chuck
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Rodin, Auguste
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Filonov, Pavel Nikolaevich
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Miró, Joan
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Gallina, Pietro
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Baselitz, Georg
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Andrews, Michael
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Malczewski, Jacek
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Belling, Rudolf
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Severini, Gino
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Vallorz, Paolo
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Grosso, Giacomo
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Arikha, Avigdor
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Cascella, Andrea
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Schjerfbeck, Helena
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Bragaglia, Anton Giulio
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Nauman, Bruce
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Penone, Giuseppe
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Kelley, Mike
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Louÿs, Pierre
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César
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Josephson, Ernst
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