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Ces études mettent l'accent sur les liens importants qui se sont noués de la fin du XIXe siècle aux années 1920 entre lettres francophones et néerlandophones de Belgique, relations qui se sont étendues aux beaux-arts. Des apports suggestifs sur les échanges entre Belgique, France, Pays-Bas, Angleterre et Allemagne.
French literature (outside France) --- Dutch literature --- anno 1900-1999 --- Belgium --- Nougé, Paul --- Jespers, Floris --- Jespers, Oscar --- Berghe, van den, Frits --- Smet, de, Gustaaf --- Doesburg, van, Theo --- Belgique --- België --- Franse letterkunde --- Littérature française --- Literature, Experimental --- Belgian literature --- Littérature expérimentale --- Littérature belge --- History and criticism --- Histoire et critique --- literatuur --- avant-garde --- tijdschriften --- 1880 - 1950 --- 19de eeuw --- 20ste eeuw --- Avant-garde (Aesthetics) --- History and criticism. --- Avant-garde (esthétique) --- -Belgian literature --- -Literature, Experimental --- -Avant-garde literature --- Experimental literature --- Modernism (Literature) --- Style, Literary --- Aesthetics --- Modernism (Art) --- -History and criticism --- -Avant-garde (Aesthetics) --- Avant-garde literature --- Littérature expérimentale --- Littérature belge --- Literary style --- Literature [Experimental ] --- Histoire et critique. --- Belgian literature - 20th century - History and criticism. --- Literature, Experimental - Belgium - History and criticism. --- Avant-garde (Aesthetics) - Belgium. --- 1880 - 1950. --- 19de eeuw. --- 20ste eeuw. --- België. --- 1950 --- Belgique : littérature : 1880 --- Avant-gardes littéraires --- tekeningen --- 17de eeuw. --- Nederlanden.
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This book is a re-examination of the fertile years of early modernism immediately preceding the First World War. During this period, how, where, and under whose terms the avant-garde in Britain would be constructed and consumed were very much to play for. It is the first study to look in detail at two little magazines marginalised from many accounts of this competitive process: Rhythm and the Blue Review. By thoroughly examining not only the content but the interrelated networks that defined and surrounded these publications, Faith Binckes aims to provide a fresh and challenging perspective to the on-going reappraisal of modernism. Founded in 1911, and edited by John Middleton Murry with assistance from Michael Sadleir and subsequently from Katherine Mansfield, Rhythm and The Blue Review featured a series of pivotal moments. Rhythm was the arena for a challenge to Roger Fry's vision of Post-Impressionism, for the introduction of Picasso to a British audience, for early short stories and reviews by Lawrence, and for Mansfield's discovery of a voice in which to frame her breakthrough writing on New Zealand. A further context for many of these experiments was the extended and acrimonious debate Rhythm conducted with A.R. Orage's New Age, in which issues of the proper gender, generation, and formulation of modernity were debated month by month. However, reading magazines as vehicles for avant-garde development can only provide half the story. The book also pays close attention to their dialogic, reproductive, and periodical nature, and explores the strategies at work within the terminology of the new. Crucially, it argues that they offer compelling material evidence for the consistently mobile and multiple boundaries of the modern, and puts forward a compelling case for focusing upon the specificity of magazines as a medium for literary and artistic innovation.
avant-garde --- modernisme --- tijdschriften --- literatuur --- post-impressionisme --- Rhythm (1911-1913) --- Blue review (1913-1914) --- Murry, John Middleton --- Mansfield, Katherine --- Little magazines --- Literature publishing --- Modernism (Literature) --- Literature, Experimental --- Avant-garde (Aesthetics) --- Art and literature. --- Publishing --- History --- History and criticism. --- Rhythm (London, England : 1911) --- Blue review (London, England) --- Art and literature --- Small magazines --- Periodicals --- Literary publishing --- Literature --- Publishers and publishing --- Avant-garde literature --- Experimental literature --- Literary style --- Aesthetics --- Modernism (Art) --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- History and criticism --- Rhythm --- Blue review --- avant-garde. --- modernisme. --- tijdschriften. --- literatuur. --- post-impressionisme. --- Rhythm (1911-1913). --- Blue review (1913-1914). --- Murry, John Middleton. --- Mansfield, Katherine.
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The first volume of the new series "European Avant-Garde and Modernism Studies" focuses on the relation between the avant-garde, modernism and Europe. It combines interdisciplinary and intermedial research on experimental aesthetics and poetics. The essays, written by experts from more than fifteen countries, seek to bring out the complexity of the European avant-garde and modernism by relating it to Europe's intricate history, multiculturalism and multilingualism. They aim to inquire into the divergent cultural views on Europe taking shape in avant-garde and modernist practices and to chart a composite image of the "other Europe(s)" that have emerged from the (contemporary) avant-garde and experimental modernism. How did the avant-garde and modernism in (and outside) Europe give shape to local, national and pan-European forms of identity and community? To what extent does the transnational exchange and cross-fertilisation of aesthetic tendencies illustrate the well-rehearsed claim that the avant-gardes form a typically European phenomenon? Dealing with canonised as well as lesser known exponents of modernism and the avant-garde throughout Europe, this book will appeal to all those interested in European cultural, literary and art history.
avant-garde --- modernisme --- oorlogen --- tijdschriften --- Joden --- surrealisme --- Der Sturm (1910-1932) --- Résurrection (1917-1918) --- Pannwitz, Rudolf --- Von Hofmannsthal, Hugo --- Goll, Ivan --- Goll, Claire --- Giménez Caballero, Ernesto --- Pound, Ezra --- Apollinaire, Guillaume --- Schreyer, Lothar --- Schwitters, Kurt --- Klein, Yves --- Diktonius, Elmer --- Kaplan, Nelly (Belen) --- Ruhnau, Werner --- Marinetti, Filippo Tommaso --- Tzara, Tristan --- Einstein, Carl --- Deharme, Paul --- Carpentier, Alejo --- Kawara, On --- 20ste eeuw --- Europa --- Afrika --- Japan --- Australië --- Amerika --- European literature --- Literature, Experimental --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Modernism (Art) --- National characteristics, European --- Multiculturalism --- Multilingualism --- Literature and history --- Literature and society --- History and criticism --- History --- Avant-garde (esthétique) --- Modernisme (esthétique) --- Littérature et société --- Littérature et histoire --- National characteristics, European. --- History and criticism. --- 82.015 --- 7.036 --- Literaire stromingen --- Moderne kunststijlen --- 7.036 Moderne kunststijlen --- 82.015 Literaire stromingen --- European national characteristics --- Avant-garde literature --- Experimental literature --- Literary style --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- History and literature --- History and poetry --- Poetry and history --- Aesthetics --- Social aspects --- tijdschrift --- Joden, Joods leven --- Language and languages --- European literature - 20th century - History and criticism --- Literature, Experimental - Europe - History and criticism --- Avant-garde (Aesthetics) - Europe - History - 20th century --- Modernism (Literature) - Europe --- Modernism (Art) - Europe --- Multiculturalism - Europe --- Multilingualism - Europe --- Literature and history - Europe - History - 20th century --- Literature and society - Europe - History - 20th century --- avant-garde. --- modernisme. --- oorlogen. --- tijdschriften. --- Joden, Joods leven. --- surrealisme. --- Der Sturm (1910-1932). --- Résurrection (1917-1918). --- Pannwitz, Rudolf. --- Von Hofmannsthal, Hugo. --- Goll, Ivan. --- Goll, Claire. --- Giménez Caballero, Ernesto. --- Pound, Ezra. --- Apollinaire, Guillaume. --- Schreyer, Lothar. --- Schwitters, Kurt. --- Klein, Yves. --- Diktonius, Elmer. --- Kaplan, Nelly (Belen). --- Ruhnau, Werner. --- Marinetti, Filippo Tommaso. --- Tzara, Tristan. --- Einstein, Carl. --- Deharme, Paul. --- Carpentier, Alejo. --- Kawara, On. --- 20ste eeuw. --- Europa. --- Afrika. --- Japan. --- Australië. --- Amerika. --- tentoonstelling Gent (1892). --- Salon van Gent (1892). --- Koninklijke Maatschappij ter aanmoediging van Schoone Kunsten (Gent, 1850 - ). --- 18de eeuw. --- 19de eeuw.
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