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The Symposium XVI for the Study of Underdrawing and Technology in Painting. The Quest for the Original, Bruges-September 2006, was organized by the Laboratoire d'étude des œuvres d'art of the Université catholique de Louvain, in collaboration with Illuminare, Centre for the Study of Illuminated Manuscripts of the KULeuven and KIKIRPA, Royal Institute for Cultural Heritage, Brussels. Articles are on painting of the Low Countries, Italy, France, Germany, Denmark... between medieval and modern times, not only easelpainting, but also bookillumination, painting on glas and ceramics and framing in the Southern Netherlands (15th until 17th c.). Some methodological issues are discussed. Molly Faries accepted to share her experience for an update on equipments for examination of paintings in the Infrared. The organizers had received for presentation in Bruges more interesting papers than they could accept; they include some of them in this publication. The volume also presents a bibliography in the infrared studies for the years 2005-2007

Conservation. Restoration --- Painting --- vervalsingen --- origineel --- dateringstechnieken --- Memling, Hans --- Bosch, Jheronimus --- Massijs, Quinten (I) --- Massijs, Jan --- Brueghel, Pieter (de Oude) --- Key, Willem --- Francken (familie) --- Jordaens, Jacob --- Veken, Joseph van der --- Giotto --- Van Scorel, Jan --- Chassériau, Théodore --- Dix, Otto --- Painting, Renaissance --- Painting, European --- Underdrawing --- Infrared technology --- Expertising --- 7.072 --- 7.02 --- Kunstexpertise. Activiteiten van historici; critici; wetenschappelijk deskundigen --- Kunsttechniek. Methoden en technieken in de kunst --- Conferences - Meetings --- 7.02 Kunsttechniek. Methoden en technieken in de kunst --- 7.072 Kunstexpertise. Activiteiten van historici; critici; wetenschappelijk deskundigen --- Drawing --- Paintings, Renaissance --- Renaissance painting --- European painting --- Technique --- Art --- Congresses --- Painting, Renaissance - Expertising - Congresses --- Painting, European - Expertising - Congresses --- Underdrawing - Europe - Congresses --- Infrared technology - Congresses --- vervalsingen. --- origineel. --- dateringstechnieken. --- Memling, Hans. --- Bosch, Jheronimus. --- Massijs, Jan. --- Bruegel, Pieter I. --- Key, Willem. --- Francken (familie). --- Jordaens, Jacob. --- Veken, Joseph van der. --- Giotto. --- van Scorel, Jan. --- Chassériau, Théodore. --- Dix, Otto. --- Bruegel, Pieter I --- van Scorel, Jan

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En relation avec la remarquable exposition Bruges et la Renaissance. De Memling à Pourbus (1998), organisée par la ville et les musées communaux de Bruges, le colloque XII pour l'étude du dessin sous-jacent et de la technologie dans la peinture, avait pour sujet la peinture dans les pays-Bas au 16e siècle. Pratiques d'atelier. Infrarouges et autres méthodes d'investigation. Nombre de communications y étaient consacrées. Outre les communications consacrées à l'art des Pays-Bas, l'art allemand était également présent avec Hans Holbein et quelques maîtres colonais comme le Maître du Retable de Saint Barthélémy. Ont été également examinées des oeuvres de quelques uns des plus grands peintres de l'art italien Piero della Francesca, Ghirlandaio, Paolo Uccello, Perugino, Verochio et Léonard de Vinci. Ce sont les retombées de ce colloque que vous trouverez dans le présent volume

technical art history --- congres / 1997 --- infrared reflectography --- Painting --- Spectrometric and optical chemical analysis --- ateliers [studios, organizations] --- underdrawings --- fysicochemie --- Museology --- anno 1500-1599 --- Belgium --- Netherlands --- Belgique --- België --- Colloques --- Colloquia --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- technieken --- wetenschappen --- restauratie --- radiografie --- Van Scorel, Jan --- Engebrechtsz., Cornelis --- Bosch, Jheronimus --- Provoost, Jan --- Orley, Bernard van --- Gossaert, Jan --- Cleve, Joos van --- Benson, Ambrosius --- Bellegambe, Jean --- Claeissens, Antoon --- Perugino --- Raphaël --- Leonardo da Vinci --- Piero della Francesca --- Eyck, Jan van --- Verrocchio, Andrea del --- Uccello, Paolo --- Holbein, Hans (De Oude) --- Jean de France (duc de Berry) --- 16de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- Painting, Dutch --- Painting, Belgian --- Underdrawing --- Infrared technology --- Expertising --- Congrès --- Histoire de l'art --- Pays-Bas (anciens) --- Peintres --- Restauration, histoire --- Technologie, histoire --- #gsdbA --- Academic collection --- 75 <491.9> --- -Underdrawing --- -Painting, Belgian --- -Painting, Dutch --- 702.8 --- Dutch painting --- Belgian painting --- Drawing --- Infra-red technology --- Technology --- Schilderkunst--De Nederlanden. Benelux --- Expertising. --- Technique --- Conferences - Meetings --- 75 <491.9> Schilderkunst--De Nederlanden. Benelux --- Painting, Flemish --- Congresses. --- van Orley, Bernard --- van Cleve, Joos --- Painting, Dutch - 16th century - Expertising - Congresses. --- Painting, Belgian - 16th century - Expertising - Congresses. --- Underdrawing - Congresses. --- Infrared technology - Congresses. --- wetenschappen. --- radiografie. --- van Scorel, Jan. --- Engebrechtsz., Cornelis. --- Bosch, Jheronimus. --- Provoost, Jan. --- van Orley, Bernard. --- Gossaert, Jan. --- van Cleve, Joos. --- Benson, Ambrosius. --- Bellegambe, Jean. --- Claeissens, Antoon. --- Perugino. --- Rafaël. --- Leonardo da Vinci. --- Piero della Francesca. --- van Eyck, Jan. --- Andrea del Verrocchio. --- Uccello, Paolo. --- Holbein, Hans (De Oude). --- Jean de France (duc de Berry). --- 16de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden. --- van Scorel, Jan --- Perugino, Pietro --- Rafaël --- van Eyck, Jan --- Andrea del Verrocchio

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underdrawings --- Art --- infrared reflectography --- tempera --- pentimenti --- lacquerware --- Rubens, Peter Paul --- Royal Museum of Fine Arts [Antwerp] --- Painting, Flemish --- Peinture flamande --- Rubens, Peter Paul, --- Criticism and interpretation. --- Koninklijk Museum voor Schone Kunsten (Belgium) --- Catalogs --- Rubens, Pieter Paul --- voorstudies --- pigmenten --- schildertechnieken --- Exhibitions --- Exhibitions. --- Flemish painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Antwerp (Belgium). --- Museum van Schoone Kunsten (Antwerp, Belgium) --- Museum voor Schone Kunsten (Antwerp, Belgium) --- Royal Museum of Antwerp --- Antwerp. --- Musée royal des beaux-arts (Belgium) --- Royal Museum of Fine Arts (Belgium) --- KMSK --- Museu de Belas-Artes de Antuérpia --- Musée royal d'Anvers --- Musée royal des beaux-arts d'Anvers --- Koninklijk Museum voor Schone Kunsten Antwerpen --- KMSKA --- Königliches Museum für Schöne Künste zu Antwerpen --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Criticism and interpretation --- Koninklijk Museum voor Schone Kunsten (Antwerpen) --- Painting [Flemish ] --- 16th century --- 17th century --- Kunst --- ondertekeningen --- lakwerk --- infraroodreflectografie --- Koninklijk Museum voor Schone Kunsten [Antwerpen] --- departement Beeldende Kunst 10 --- schilderkunst 16-17e eeuw --- Antwerp (Belgium). Koninklijk Museum van Schoone Kunsten --- Antwerp. Musée royal des beaux-arts --- Antwerp (Belgium). Musée royal des beaux-arts --- Antwerp (Belgium). Royal Museum --- Koninklijk Museum van Schone Kunsten Antwerpen --- voorstudie --- voorstudie. --- pigmenten. --- schildertechnieken. --- Rubens, Peter Paul. --- vergroten van een paneel