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Book
The making of a collection : photographs from the Minneapolis Institute of Arts
Authors: ---
ISBN: 0893811572 9780893811570 0893811637 9780893811631 Year: 1984 Publisher: [Millerton, N.Y.] [New York, N.Y.] Aperture [Distributed in the U.S. by Viking Penguin]

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Abstract

"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.

Keywords

Minneapolis Institute of Arts --- fotografie --- museumcollecties --- 19de eeuw --- 20ste eeuw --- Photography, Artistic --- 760.5 --- fotogeschiedenis --- Verenigde Staten --- Europa --- Fox Talbot, William Henry --- Frith, Francis --- Hill, David Octavius --- Adamson, Robert --- Thomson, John --- Evans, Frederick H --- Cameron, Julia Margaret --- Pirou, Eugène --- Tourtin, Emile --- Muybridge, Eadweard --- Gurney, Jeremiah --- Atget, Eugene --- Sommer, Giorgio --- Curtis, Edward S --- Russell, Andrew Joseph --- Jackson, William Henry --- Watkins, Carleton E --- Eakins, Thomas --- Coburn, Alvin Langdon --- Bellocq, E. J --- Hine, Lewis --- Van DerZee, James --- Stieglitz, Alfred --- Newman, Arnold --- Cunningham, Imogen --- Strand, Paul --- Brandt, Bill --- Sander, August --- Telberg, Vel --- Alvarez Bravo, Manuel --- Brassaï --- Lartigue, Jacques-Henri --- Steichen, Edward --- Abbott, Berenice --- Kertész, André --- Steiner, Ralph --- Renger-Patzsch, Albert --- Evans, Walker --- Bros, Clarence K --- Adams, Ansel --- Chiarenza, Carl --- Weston, Brett --- Weston, Edward --- Bullock, Wynn --- Siskind, Aaron --- White, Minor --- Callahan, Harry --- Faurer, Louis --- Liebling, Jerome --- Palfi, Marion --- Frank, Robert --- Welpott, Jack --- Meatyard, Ralph Eugene --- Wilcox, Robert Gene --- Uelsmann, Jerry N --- Davidson, Bruce --- Wessel Jr., Henry --- Krims, Leslie --- Cohen, Mark --- Mertin, Roger --- Swedlund, Charles --- Gowin, Emmet --- Crane, Arnold --- Weegee --- Klein, William --- Arbus, Diane --- Avedon, Richard --- Dovydenas, Jonas --- Selkirk, Neil --- Snyder, Joel --- Mayes, Elaine --- Nixon, Nicolas --- Olsenius, Richard --- Burns, Marsha --- Goin, Peter --- Moss, Joan --- Muxter, Ramon J --- Dickey, Michael --- Fink, Larry --- Coplans, John --- Holmgren, Robert --- Arndt, Thomas F --- Lanzano, Louis --- DeLory, Peter --- Donneman, Eve --- Lang, Gerald --- Jensen, Mark E --- Tice, George A --- Jachna, Joseph D --- Levinson, Joel D --- Friedlander, Lee --- Simon, Michael --- Myers, Joan --- McFarland, Lawrence --- Deal, Joe --- Agar, Will --- Barrow, Thomas F --- Swerdlove, Allen --- Gohlke, Frank W --- Smith, Michael A --- MacWeeney, Alen --- Tuckerman, Jane --- Winogrand, Garry --- Papageorge, Tod --- Meyerowitz, Joel --- Lyons, Joan --- Eggleston, William --- Callis, Jo Ann --- Neimanas, Joyce --- Golden, Judith --- James, Christopher P --- Estabrook, Reed --- Henkel, James --- Merill, Lawrence J --- Albert, Brian --- Christenberry, William --- Jenshel, Len --- Klipper, Stuart D --- fotografie, verzamelen - musea - tentoonstellingen --- Minneapolis. --- Minneapolis Society of Fine Arts. --- Minneapolis Institute of Fine Arts --- Minneapolis Institute of Art (1915-2015) --- MIA (Minneapolis Institute of Arts) --- Minneapolis Institute of Art --- Photograph collections. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Minneapolis Institute of Arts. --- museumcollecties. --- 19de eeuw. --- 20ste eeuw.


Book
Vues d'en haut
Authors: --- ---
ISBN: 9782359830255 2359830252 Year: 2013 Publisher: Metz : Editions du Centre Pömpidou-Metz,

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Sur plus de 2000 m2, l’exposition plonge dans le rêve d’Icare et offre, à travers près de 500 œuvres en dialogue (peintures, photographies, dessins, films, maquettes d’architecture, installations, livres et revues…), un panorama inédit et spectaculaire de l’art moderne et contemporain. Depuis quelques années, la vue aérienne suscite un regain d’intérêt. Du succès de La Terre vue du ciel de Yann Arthus-Bertrand à la popularité de Google Earth, la vue à vol d’oiseau fascine, tant par la beauté des paysages dévoilés que par le sentiment de toute-puissance qu’elle inspire. L’exposition Vues d’en haut prend appui sur cette actualité pour remonter aux origines de la photographie aérienne et explorer son impact sur la création artistique et, de fait, sur l’histoire de l’art. Les premiers clichés aériens pris par Nadar depuis un aérostat, dans les années 1860, marquent le début de l’émancipation du regard. Voir le monde, non plus à hauteur d’yeux, mais depuis une machine volante, revient à briser le modèle de perspective issu de la Renaissance. Désormais le corps, mobile et flottant, n’est plus le point d’ancrage de la vision de l’espace. C’est un monde sans relief, dénué de saillies et de creux, qui s’offre au regard, devenu panoramique. Progressivement, la terre se mue en une surface plane où les repères se confondent et se perdent. Depuis plus de 150 ans, peintres, photographes, architectes et cinéastes ne cessent d’explorer les enjeux esthétiques et sémantiques de ce renversement perspectif. L’exposition Vues d’en haut propose de retracer ce cheminement passionnant qui, pour la première fois, fait l’objet d’une grande exposition pluridisciplinaire. L’exposition se déploie en huit sections thématiques – basculement, planimétrie, extension, distanciation, domination, topographie, urbanisation, supervision – qui s’inscrivent dans la chronologie des temps modernes, ponctuée par la Première et la Seconde Guerres mondiales. Une scénographie inédite fait évoluer le visiteur dans le temps comme dans l’espace : au fil du parcours, la vision s’élève, du balcon au satellite.

Keywords

steden --- topografie --- modernisme --- kubisme --- De Stijl --- avant-garde --- Wereldoorlog I --- Wereldoorlog II --- stadsontwikkeling --- fotografie --- film --- architectuur --- vogelvluchtperspectief --- Devambez, André --- Mondriaan, Piet --- Moholy-Nagy, László --- Kandinsky, Wassily --- Klee, Paul --- Albers, Jozef --- Bayer, Herbert --- Petschow, Robert --- Le Corbusier (pseud.) --- Bourke-White, Margaret --- Desvigne, Michel --- Storr, Marcel --- Ruscha, Ed --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Photographie aérienne --- Histoire de la peinture --- Histoire de la photographie --- Paysage --- Urbanisation --- Aerial photography --- Bird's-eye views in art --- Cities and towns in art --- Views --- Art --- Dans l'art --- kunst --- luchtfotografie --- vogelperspectief --- kunst en fotografie --- Nadar --- Tissandier Gaston --- Devambez André --- schilderkunst --- Mondriaan Piet --- Mondrian Piet --- utopie --- Moholy-Nagy Laszlo --- Kandinsky Wassily --- Klee Paul --- Albers Josef --- Le Corbusier --- Smithson Robert --- stedenbouw --- Ristelhueber Sophie --- Dallaporta Raphaël --- Abbott Berenice --- Abdessemed Adel --- Almendra Wilfrid --- ArT errOriste --- Arthus-Bertrand Yann --- Atkinson Lawrence --- Bay Didier --- Bayer Herbert --- Bayrle Thomas --- Bel Geddes Norman --- Berkeley Busby --- Black James Wallace --- Boulade Antonin --- Boulade Léo --- Bourke-White Margaret --- Braque Georges --- Bridges Marilyn --- Büchel Christoph --- Buckminster Fuller Richard --- Burkhard Balthasar --- Caillebotte Gustave --- Carline Richard --- Chashnik Ilya --- Closky Claude --- Coburn Alvin Langdon --- Cognée Philippe --- Daumier Honoré --- De Palma Brian --- Debord Guy --- Delaunay Robert --- Deutsch David --- Desvigne Michel --- Diebenkorn Richard --- van Doesburg Theo --- Dürer Albrecht --- Eames Charles --- Eames Ray --- van Eesteren Cornelis --- Estève Maurice --- Farocki Harun --- Feininger Andreas --- Ferrari Leon --- Francis Sam --- François Michel --- Freedland Thornton --- Friedman Yona --- Frize Bernard --- Gefeller Andreas --- Gehr Ernie --- Gerster Georg --- Giacomelli Mario --- Gimpel Léon --- Goldblatt David --- Gorin Jean --- Gowin Emmet --- Grandville --- Graubner Oscar --- Griaule Marcel --- Gropius Walter --- Gursky Andreas --- Hadjithomas Joana --- Joreige Khalil --- Hallo Charles-Jean --- Haviland Paul --- Heartfield John --- Henner Mishka --- Hine Lewis W. --- Hoover H. Earl --- Hutchinson Peter --- Ichac Pierre --- Ignatovitch Boris --- Johnson Dano --- Travis Jeffrey --- Kertesz André --- Klier Michael --- Klucis Gustav --- Konrad Aglaia --- Koolhaas Rem --- Krull Germaine --- Lalanne François-Xavier --- Landau Ergy --- Léger Fernand --- Leonard Zoe --- Lewis Mark --- LeWitt Sol --- Lissitzky El --- Lotar Eli --- Lumière Auguste --- Lumière Louis --- MacLean Alex --- Malevich kazimir --- Ray Man --- Man ray --- Marinetti Filippo Tommaso --- Masoero Filippo --- Mattheuer Wolfgang --- Mole Arthur S. --- Thomas John D. --- Monet Claude --- Morris Robert --- Namuth Hans --- Napangardi Ruby Rose Yardaya --- Neubronner Julius --- Nevinson Christopher --- Noguchi Isamu --- O'Keeffe Georgia --- Oppenheim Dennis --- Otto Frei --- Oud J.J.P. --- Perrault Dominique --- Petschow Robert --- Picasso Pablo --- Polke Sigmar --- Pollock Jackson --- Richter Gerhard --- Riefenstahl Leni --- Roh Franz --- Rovner Michal --- Ruscha Ed --- Schelcher André --- Schiele Egon --- Schum Gerry --- Severini Gino --- Sheeler Charles --- Souietine Nikolaï --- Steichen Edward --- Stevens Albert William --- Storr Marcel --- Strand Paul --- Superstudio --- Tato --- Thiel Frank --- Tillmans Wolfgang --- Tobey Mark --- Umbo --- Sadahide Utagawa --- Valloton Félix --- Vantongerloo Georges --- Vostell Wolf --- Wadsworth Edward --- Weininger Andor --- Wenz Emile --- Wyler William --- 7.036/039 --- Exhibitions --- Hine Lewis W --- Mole Arthur S --- Thomas John D --- Oud J.J.P --- Aerial photography - Exhibitions --- Bird's-eye views in art - Exhibitions --- Cities and towns in art - Exhibitions --- Views - Exhibitions --- steden. --- topografie. --- modernisme. --- kubisme. --- De Stijl. --- avant-garde. --- Wereldoorlog I. --- Wereldoorlog II. --- stadsontwikkeling. --- film. --- architectuur. --- vogelvluchtperspectief. --- Devambez, André. --- Mondriaan, Piet. --- Moholy-Nagy, László. --- Kandinsky, Wassily. --- Klee, Paul. --- Albers, Jozef. --- Bayer, Herbert. --- Petschow, Robert. --- Le Corbusier (pseud.). --- Bourke-White, Margaret. --- Desvigne, Michel. --- Storr, Marcel. --- Ruscha, Ed. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.

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