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El Lissitzky : beyond the Abstract cabinet : photography, design, collaboration
Authors: --- --- --- --- --- et al.
ISBN: 0300081707 9780300081701 Year: 1999 Publisher: New Haven: Yale university press,

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Abstract

Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky's and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers.


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Moholy-Nagy
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ISBN: 0500274495 9780500274491 0500540969 9789631312799 9780500540961 9631312798 Year: 1987 Publisher: New York: Thames and Hudson,


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Naum Gabo : Constructions for Real Life (Exhibition St. Ives, tate, 25.01 - 03.05.2020).
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ISBN: 9781849767248 1849767246 Year: 2020 Publisher: London : Tate Gallery Publishing,


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Soviet Art 1920s - 1930s ; Russian Museum, Leningrad
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ISBN: 0810923998 Year: 1988 Publisher: New York City : Harry N. Abrams, Inc.,


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In search of 0,10 : the last futurist exhibition of painting
Authors: --- --- --- --- --- et al.
ISBN: 9783775740333 9783906053271 390605327X 3775740333 Year: 2015 Publisher: Bâle: Fondation Beyeler,

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Abstract

Le jour où Kazimir Malevitch présenta au public, sous la bannière du suprématisme, ses tableaux non figuratifs tandis que Vladimir Tatline exposait ses contre-reliefs révolutionnaires est à marquer d’une pierre blanche dans l’histoire de l’art moderne. Ces rivaux acharnés s’opposaient diamétralement sur le plan artistique. La tribune où ils montrèrent leurs plus récents travaux – 0,10 – La dernière exposition futuriste de tableaux, organisée par leur collègue artiste Ivan Puni (Jean Pougny) en 1915 à Petrograd (l’actuelle Saint-Pétersbourg) – , incita les 12 autres artistes exposés à cette occasion à se ranger dans le camp de l’un ou de l’autre. Il en résulta une exposition stylistiquement très diverse, dans laquelle on pouvait même voir des travaux inspirés du cubisme. La Fondation Beyeler permet de redécouvrir pour la première fois un grand nombre de ces œuvres dans le cadre d’une exposition. Le catalogue propose des textes de Matthew Drutt et d’autres auteurs spécialisés, ainsi que des documents historiques dont certains n’ont encore jamais été publiés en traduction.


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Rodchenko & Popova : defining Constructivism (exhibition London, Tate Modern, 12.02 - 17.05.2009 ; Thessaloniki, State Museum of Contemporary Art, 18.06 - 20.09.2009 ; Madrid, Museo Nacional Centro de Arte Reina Sofia, 20.10.2009 - 31.01.2010).
Authors: --- --- ---
ISBN: 9781854377968 Year: 2009 Publisher: London : Tate Publishing,


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Contrasts of Form : Geometric Abstract Art 1910-1980 from the collection of the Museum of Modern Art (New York), including the Riklis Collection of McCrory Corporation.
Authors: ---
ISBN: 0870702890 Year: 1985 Publisher: New York City : The Museum of Modern Art,

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