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Orazio Gentileschi was one of the most internationally successful painters of the 17th century. This work, based on new research, gives a full account of his activity for the English court of Charles I.
Art --- Gentileschi, Orazio --- Charles I [King of England and Scotland] --- Charles I (Koning van Engeland) --- CDL --- 75.071 GENTILESCHI --- Gentileschi, Orazio, --- Charles --- Charles Ier, roi d'Angleterre --- Gentileschi Lomi, Orazio --- Lomi, Orazio Gentileschi --- Gentileschi, Lomi Orazio --- Art patronage --- Exhibitions --- Gentileschi, Orazio. --- Charles I (Koning van Engeland).
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private collections --- Art --- easel paintings [paintings by form] --- Charles I [King of England and Scotland] --- Exhibitions --- Royal Collection Trust (Londen) --- barok --- diplomatie --- geschiedenis --- hofkunst --- renaissance --- Charles I (Koning van Engeland) --- Gonzaga, Ferdinando --- Mantegna, Andrea --- Raphaël --- Rubens, Peter Paul --- Titiaan --- Van Dyck, Anthony --- 15de eeuw --- 16de eeuw --- 17de eeuw --- Duitsland --- Italië --- Nederlanden --- Spanje --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- van Dyck, Anthony --- Royal Collection Trust (Londen). --- diplomatie. --- geschiedenis. --- hofkunst. --- barok. --- Charles I (Koning van Engeland). --- van Dyck, Anthony. --- Titiaan. --- Rubens, Peter Paul. --- Mantegna, Andrea. --- Rafaël. --- Gonzaga, Ferdinando. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- Spanje. --- Italië. --- Nederlanden. --- Duitsland. --- private collections [object groupings] --- collecting, United Kingdom --- Rafaël
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This intriguing book draws for the first time a complete picture of the artistic and political connections between Rubens and the Stuart court. Fiona Donovan examines the works the great Flemish artist created for English patrons, his relationships with English courtiers beginning in 1616, and his nine-month diplomatic mission to London in 1629-30. She focuses particular attention on the paintings Rubens created for the Banqueting House ceiling of Whitehall Palace-a project that is considered by many to be the most significant work of art ever commissioned by the English Crown. The series of nine canvases for the Whitehall ceiling-beautifully illustrated in full color in this volume-celebrates the reign of Charles I's father, James I. Placing emphasis on the theme of peace, Rubens depicts not only King James's role as a peacemaker but also his own diplomatic concerns with ending hostilities between Spain and England. Rubens's iconographic scheme for the Whitehall ceiling presented English courtiers with a complex pictorial language not seen before in Great Britain. Donovan explores the artist's allegorical imagery and his explicit and implicit systems of meaning, providing fresh insights into Rubens's achievement as well as into the role that culture played in politics and society at the court of Charles I. Published for the Paul Mellon Centre for Studies in British Art
Londen, Whitehall, Banqueting House --- diplomacy --- Rubens, Peter Paul --- England --- Charles I [King of England and Scotland] --- mecenaat --- cultuurgeschiedenis --- Charles I (Koning van Engeland) --- 17de eeuw --- Groot-Brittannië --- Ceilings --- Charles --- James --- Rubens, Peter Paul, --- Art patronage. --- Criticism and interpretation. --- Political activity. --- Travel --- Banqueting House (London, England) --- Banqueting House (London, England). --- Architecture --- Building --- Details --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Jacobus --- Charles Ier, roi d'Angleterre --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Criticism and interpretation --- Political activity --- London (England) --- James I --- Portraits --- Charles I --- Art patronage --- Jakob --- Jacques --- Well affected subject of the kingdome of Scotland, --- C., --- Jacobo --- mecenaat. --- cultuurgeschiedenis. --- Rubens, Peter Paul. --- Charles I (Koning van Engeland). --- 17de eeuw. --- Groot-Brittannië.
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portraits --- Art --- Rubens, Peter Paul --- Dyck, van, Anthony --- Charles I [King of England and Scotland] --- Painting --- anno 1600-1699 --- Great Britain --- schilderkunst --- portretten --- historische figuren --- Charles I (Koning van Engeland) --- 1620 - 1649 --- 17de eeuw --- Groot-Brittannië --- Art, English --- Charles --- Exhibitions. --- Exhibitions --- Peinture anglaise --- English art --- Ancients (Group of artists) --- HobbypopMUSEUM (Group of artists) --- School of London (Group of artists) --- Shoreham Circle (Group of artists) --- Charles Ier, roi d'Angleterre --- Gerbier d'Ouvilly, Balthazar --- Petitot, Jean --- Gentileschi, Orazio --- Bacon, Nathaniel --- Jones, Inigo --- Oliver, Isaak --- Hilliard, Nicholas --- Soest, Gerard --- Wouters, Frans --- Steenwijck, van, Hendrik [Younger] --- Mijtens, Daniël I --- Dusart, François --- Bernini, Giovanni Lorenzo --- Hanneman, Adriaen --- Carlile, Joan --- Gentileschi, Artemisia --- Marshall, Edward --- Norgate, Edward --- Briot, Nicholas --- Hayls, John --- Villiers, George --- Passe, van de, Simon --- Thomas Howard [Earl of Arundel] --- Reni, Guido --- Bower, Edward --- Fruytiers, Philip --- Priwitzer, Johannes --- Le Sueur, Hubert --- Houckgeest, Gerard --- Mierevelt, van, Michiel --- Lely, Peter --- Hoskins, John [Elder] --- Lanier, Nicholas --- Cooper, Samuel --- Janssens van Ceulen, Cornelis I --- Pot, Hendrik Gerritsz. --- Simon, Abraham --- Neve, de, Cornelis --- Hollar, Wenzel --- Walker, Robert --- Jongh, Claude de --- Souch, John --- Stone, Nicholas I --- Honthorst, van, Gerrit --- Poelenburch, van, Cornelis --- Dobson, William --- Somer, van, Paul I --- Jackson, Gilbert --- Oliver, Peter --- Nederlandse kunstenaars in Engeland --- Oliver, Isaac --- Charles I (Koning van Engeland). --- 1620 - 1649. --- 17de eeuw. --- Groot-Brittannië. --- Engelse school
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