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roofkunst --- Wereldoorlog II --- geschiedenis --- kunsthandel --- politiek --- nazisme --- Duitsland --- Europa --- 351.852 --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- roofkunst. --- Wereldoorlog II. --- geschiedenis. --- kunsthandel. --- politiek. --- nazisme. --- Duitsland. --- Europa.

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Im Zuge des Zweiten Weltkriegs, der NS-Verfolgung der Juden im Deutschen Reich und während der Besatzungszeit fand ein Kunstraub in einem bisher nicht gekannten Ausmaß statt. Die vorwiegend völkerrechtliche Debatte um die Rückführung der Beutekunst aus der Russischen Föderation und seinen Nachbarstaaten nach Deutschland ist bis heute weitgehend ungelöst. Internationale Konferenzen in London, Washington und Vilnius haben im Hinblick auf die Restitution von Kulturgütern aus jüdischem Besitz Empfehlungen und Absichtserklärungen (soft law) für den Umgang mit diesem zivilrechtlich geprägten Problem formuliert. In der Bundesrepublik Deutschland ist man ausweislich der Gemeinsamen Erklärung von Bund, Länder und Gemeinden aus dem Jahre 1999 und der sie erläuternden Handreichung bemüht, faire und gerechte Lösungen im Rahmen der Rückgabe NS-verfolgungsbedingt entzogener Kulturgüter aus öffentlichem Besitz zu finden. Das Werk wendet sich als umfassendes Kompendium an alle Personen und Institutionen, die noch heute in Museen, Sammlungen, Versicherungen und am internationalen Kunstmarkt in Galerien und Auktionshäusern von diesen Problemstellungen betroffen sind. Es schildert in einer systematischen Darstellung die historisch wie juristisch äußerst vielschichtige Materie des Kunstraubs im Zweiten Weltkrieg (so genannte "Beutekunst") in wertender Gegenüberstellung zum verfolgungsbedingten Entzug von Kulturgütern aus zumeist jüdischer Provenienz. In diesen häufig sensiblen Fragen über die Restitution kriegsbedingt verlagerter und/oder verfolgungsbedingt entzogener Kulturgüter sind vornehmlich Fragestellungen aus dem (internationalen) Privatrecht, dem intertemporalen Recht der Rückerstattung und Wiedergutmachung und dem Völkerrecht zu beantworten. Neben der Darstellung entscheidender privatrechtlicher Institute, wie den gutgläubigen Erwerb, die Ersitzung und die Verjährung des Herausgabeanspruchs, wird der Leser durch die parallel hierzu verlaufende völkerrechtliche Debatte (unter anderem zur Haager Landkriegsordnung, Verjährung des Restitutionsanspruchs, acquiescence, zwingendes Recht) unter Berücksichtigung rechtsvergleichender Bezüge und des Kollisionsrechts geführt. Ausgehend von einer gegenwärtig geteilten Anspruchsituation nach privatrechtlichen oder völkerrechtlichen Anspruchsvoraussetzungen und dem gegenwärtigen soft law geht die Arbeit der Frage nach, wie weit das gegenwärtige Recht reicht und wo Handlungsbedarf besteht. Vorschläge zu möglichen gesetzgeberischen Maßnahmen, geeigneten alternativen Streitschlichtungsmechanismen und die Darstellung der verschiedenen Lösungsansätze in den Beute- und Raubkunstdebatten vertiefen den praktischen Nutzen. Die auf dieses Werk abgestimmte Website www.Beutekunst.info bietet ergänzend Hyperlinks zur internationalen Restitutionsdebatte sowie Aktualisierungen und Nachrichten. [Art Theft in War and Persecution. The Restitution of Looted and Stolen Art in the Conflict of Laws Provisions and International Law]In the course of the Second World War, the National Socialist persecution of the Jews in the German Reich and throughout the occupation period, an art theft to an extent previously unknown occurred. The predominantly international law debate concerning the return of the looted art from the Russian Federation and its neighbouring states to Germany is for the most part unsolved to this day. International conferences in London, Washington and Vilnius have formulated recommendations and declarations of intent (soft law) for dealing with this markedly civil law problem with regard to the restitution of cultural assets from Jewish ownership. In the Federal Republic of Germany, officials have made explicit endeavours aimed at the mutual declaration of the federal government, the states and the municipalities from 1999, and also to arrive at fair and equitable solutions within the scope returning cultural assets from public ownership that were removed under the aegis of National Socialism persecution. As a comprehensive compendium, the work applies to all individuals as well as institutions which are still affected today by these problems - in museums, collections, insurance companies, and also on the international art market in galleries and auction houses. It describes in a systematic presentation - in historical as well as juridical terms - the extremely complex subject matter of art theft in the Second World War (so-called "looted art"), in marked contrast to persecution-related dispossession of cultural assents from mostly Jewish provenience. In these frequently sensitive matters concerning the restitution of war-related, expropriated and/or persecution-related, removed cultural assets, questions arising from the realm of (international) private law, the intertemporal law of restitution and indemnification as well as international law are to be answered first and foremost.

rechten --- Art thefts --- Conflict of laws --- Cultural property --- Holocaust, Jewish (1939-1945) --- International law --- Restitution --- World War, 1939-1945 --- 351.852 --- Art --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Replevin --- Unjust enrichment --- Reparations for historical injustices --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Choice of law --- Intermunicipal law --- International law, Private --- International private law --- Private international law --- Law --- Legal polycentricity --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Protection&delete& --- Law and legislation --- Reparations --- Interpretation and construction --- Confiscations and contributions --- Claims --- Thefts --- Civil law --- roofkunst --- Wereldoorlog II --- geschiedenis --- Joden --- 20ste eeuw --- Art thefts. --- Restitution. --- Conflict of laws. --- Interpretation and construction. --- Confiscations and contributions. --- Reparations. --- Protection --- Law and legislation. --- Joden, Joods leven --- roofkunst. --- Wereldoorlog II. --- geschiedenis. --- rechten. --- Joden, Joods leven. --- 20ste eeuw.

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kunstfilosofie --- hedendaagse kunst --- kunstsociologie --- Aesthetics --- kunstbeschouwing --- 694 --- #gsdbf --- Kunstfilosofie --- 7.01 --- 111.852 --- kunst --- kunsttheorie --- esthetica --- psychologie --- waarneming --- beeldelementen --- Esthetica en filosofie --- Kunst theorie, filosofie, esthetica --- Filosofie Kunstfilosofie. Esthetica --- kunst algemeen, filosofie van de kunst en vormgeving --- #A9505PSA --- Aesthetics. --- Art --- Philosophy. --- 700.6 --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Kunst ; theorie, filosofie, esthetica --- Filosofie ; Kunstfilosofie. Esthetica --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- art theory --- philosophy of art --- Philosophy --- CDL --- kunstfilosofie.

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Taste is a well known but largely underestimated phenomenon. Yet it is one of the factors that has shaped our knowledge and view of art. Why is Rembrandt van Rijn today considered to be one of the greatest painters in European art while Gerard de Lairesse, Rembrandt's younger contemporary and one of the best-selling painters of his day, is now forgotten? This book is a systematic and quantitative study of taste. More specifically it focuses on the painters of the seventeenth-century Low Countries and follows the changes in consumer evaluation of them from the seventeenth century up to 2008. Proceeding from the same starting point as Gerald Reitlinger in his monumental The Economics of Taste, it uses the prices paintings have fetched at auction as a basis for tracing trends in the taste of the art-buying public. Whereas Reitlinger's approach was rather intuitive, this study develops a sound methodological basis for researching taste and auction prices. It is not only quantitative methods and properties of auction prices that require a specific approach: in historical research quantitative data and analyses are only reliable when they can also be tested against qualitative or historical sources. Based on a statistical analysis, various "universal" painters, such as Rubens and Rembrandt, are defined. In addition, however, specific genres such as landscape, portrait, history painting, and so on are analysed. In the case of eighty-three painters there is sufficient information to allow the profiling of individual price trends. But other quantitative data drawn from the examination of collections or catalogues raisonnés prove an additional source of information when compared with auction prices. This book shows what big data and statistics can mean to our understanding of art.

taste [aesthetics] --- Art auctions --- Painting, Flemish --- Painting, Netherlandish --- Data processing --- Prices --- golden age [mythology] --- Painting --- History --- prices --- art market --- auctions --- Netherlands --- Flanders --- 7.078 --- 351.852 --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- economische geschiedenis --- genres --- kunsthandel --- veilingen --- Bakhuizen, Ludolf --- Berchem, Nicolaes Pietersz --- Brouwer, Adriaen --- Brueghel, Jan (de Oude) --- Brueghel, Pieter (de Jonge) --- Craesbeeck, Joos van --- De Lairesse, Gérard --- Dou, Gerrit --- Jordaens, Jacob --- Laer, Pieter van --- Miel, Jan --- Mieris, Frans van (de Oude) --- Ostade, Adriaen van --- Palamedesz., Palamedes (I) --- Rembrandt van Rijn --- Rijckaert, David (III) --- Rubens, Peter Paul --- Snayers, Peter --- Teniers, David (II) --- Van Dyck, Anthony --- Van Poelenburgh, Cornelis --- Wouwerman, Philips --- 17de eeuw --- Noordelijke Nederlanden --- Vlaanderen --- Zuidelijke Nederlanden --- van Dyck, Anthony --- van Poelenburgh, Cornelis --- de Lairesse, Gérard --- van Craesbeeck, Joos --- van Ostade, Adriaen --- van Mieris, Frans (de Oude) --- Rembrandt --- Brueghel, Jan I --- Brueghel, Pieter II --- kunsthandel. --- economische geschiedenis. --- veilingen. --- genres. --- Rubens, Peter Paul. --- Rembrandt. --- van Dyck, Anthony. --- Teniers, David II. --- Bakhuizen, Ludolf. --- Berchem, Nicolaes. --- Wouwerman, Philips. --- van Poelenburgh, Cornelis. --- Brueghel, Jan I. --- Jordaens, Jacob. --- de Lairesse, Gérard. --- Brouwer, Adriaen. --- van Craesbeeck, Joos. --- Brueghel, Pieter II. --- Rijckaert, David (III). --- van Ostade, Adriaen. --- Dou, Gerrit. --- van Mieris, Frans (de Oude). --- Snayers, Peter. --- Palamedesz., Palamedes (I). --- Laer, Pieter van. --- Miel, Jan. --- 17de eeuw. --- Noordelijke Nederlanden. --- Vlaanderen. --- Zuidelijke Nederlanden. --- auctions [sales events] --- Hollandse school --- receptiegeschiedenis --- Vlaamse school --- schilderkunst, Nederlanden --- Teniers, David II --- Berchem, Nicolaes --- Dou, Gerard

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kunsttheorie --- kunstbeschouwing --- Art --- Philosophy --- Aesthetics, Modern --- Psychoanalyse --- Philosophy. --- cultuur en religie. --- philosophy of art --- art [fine art] --- art theory --- Iconography --- Aesthetics of art --- Sociology of culture --- semiotics --- Philosophy and psychology of culture --- aesthetics --- 111.852 --- 7.01 --- Kunstfilosofie ; kunsttheoretische stromingen ; 1945-1990 --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Filosofie ; Kunstfilosofie. Esthetica --- Kunst ; theorie, filosofie, esthetica --- Analysis, interpretation, appreciation --- History --- Kunsten --- Filosofie --- kunstfilosofie --- postmodernisme --- #KVHA:Kunst --- #KVHB:Kunsttheorie --- fenomenologie --- filosofie --- kunst --- psychologie --- semiotiek --- sociologie --- twintigste eeuw --- Willem Elias --- 7.039 --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- kunst algemeen, filosofie van de kunst en vormgeving --- Kunst --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- Cultuursociologie --- Cultuurtheorie: algemeen (cultuurfilosofie, intellectuelen) --- Postmodernisme --- Art - Philosophy --- Aesthetics, Modern - 20th century --- art [discipline] --- kunstsociologie --- kunstpsychologie --- anno 1990-1999