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Delvaux, Laurent --- Sculptors --- Sculpteurs --- Biography --- Biographie --- Delvaux, Laurent, --- Criticism and interpretation --- -Criticism and interpretation --- Criticism and interpretation. --- Delvaux, Laurent, - 1696?-1778 - Criticism and interpretation --- Delvaux, Laurent, - 1696?-1778 - Catalogues raisonnés --- Delvaux, Laurent. --- Delvaux, Laurent, - 1696?-1778
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This large format size book on Piranesi etchings follows the first French Edition of 1803. This series is produced directly from a complete original Piranesi catalogue. The book includes full reproductions of all the 135 etchings of the 'Vedute di Roma' made by Giambattista Piranesi plus 2 etchings made by his son Francesco and the Pianta di roma e del Campo Marzo (1 folded sheet : ill. ; 96 x 58 cm., folded to 32 x 29 cm.).
vedute --- stadsgezichten --- archeologie --- oudheid --- etsen (prenten) --- architectuur --- Piranesi, Giovanni Battista --- Piranesi, Francesco --- Rome --- 76.07 --- Grafiek ; etsen ; 18de eeuw ; G.P. Piranesi --- Stadsgezichten ; Rome --- Piranesi, Giovanni Battista 1720-1778 (°Mogliano, Mestre, bij Venetië, Italië) --- Ruïnes --- Kopergravures --- Grafische kunst ; grafische kunstenaars A-Z --- 1720-1778. --- Rome (Italy) --- Piranesi, Giovanni Battista, --- geschiedenis en archeologie --- vedute. --- stadsgezichten. --- geschiedenis en archeologie. --- oudheid. --- etsen (prenten). --- architectuur. --- Piranesi, Giovanni Battista. --- Piranesi, Francesco. --- Rome.
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In Piranesi and the Modern Age, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Piranesi's modern-day comeback, Tschudi argues, relied on new dimensions found within his work that inspired attempts to inscribe within them a world that was very modern. For more than a century, these interpretations have helped legitimize new forms, theories, technologies, and movements. Tschudi examines, among other things, how Piranesi's disturbing prison interiors—the Carceri—became modern metaphors for the mind; how Alfred H. Barr and the Museum of Modern Art made the case for Piranesi's alleged abstraction in the 1930s; and how Sergei Eisenstein reinvented Piranesi as a progenitor of his own innovative filmmaking techniques. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas. Generously illustrated, Piranesi and the Modern Age offers an entirely new reading of Piranesi's work.
Modernism (Aesthetics) --- Art criticism. --- Piranesi, Giovanni Battista, --- Criticism and interpretation. --- Modernisme (Esthétique) --- Critique d'art --- Influence. --- Modernism (Aesthetics). --- Art criticism --- Piranesi, Giovanni Battista, - 1720-1778 --- etchings [prints] --- architecture [discipline] --- Piranesi, Giovanni Battista --- Architecture --- art criticism --- anno 1900-1999 --- anno 2000-2099 --- Stedenbouw ; ontwerpen ; collages ; montages --- Film en architectuur ; filmset ontwerpen en ontwerpers --- Eisenman, Peter °1932 (°Newark, New Jersey, Verenigde Staten) --- Tschumi, Bernard °1944 (°Lausanne, Zwitserland) --- Holl, Steven °1947 (°Bremerton, Washington, Verenigde Staten) --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- Architectuurtekenen ; architecturale illustraties --- Grafiek ; 18de eeuw ; G.P. Piranesi --- Piranesi, Giovanni Battista 1720-1778 (°Mogliano, Mestre, bij Venetië, Italië) --- 76.07 --- Grafische kunst ; grafische kunstenaars A-Z --- Piranesi, Giovanni Battista. --- 18de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- 18de eeuw --- 20ste eeuw --- 21ste eeuw
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drawing [image-making] --- Art --- Musée du Louvre [Paris] --- Rome --- Drawing --- anno 1600-1699 --- Musée du Louvre (Parijs) --- barok --- tekeningen --- Italiaanse School --- 1650 - 1760 --- 17de eeuw --- 18de eeuw --- Art baroque --- Baroque --- Dessin --- Histoire du dessin --- Drawing, Italian --- Drawing, Baroque --- Art museums --- Maratti, Carlo --- Piranese --- Musée du Louvre --- 17e siècle --- 18e siècle --- Piranesi, Giovanni-Battista, --- Drawing, Italian - Italy - Rome - Exhibitions --- Drawing, Baroque - Italy - Rome - Exhibitions --- Art museums - France - Exhibitions --- Drawing - France - Paris - Exhibitions --- Piranesi, Giovanni-Battista, 1720-1778 --- Italiaanse school --- Louvre Museum [Paris] --- Musée du Louvre (Parijs). --- barok. --- tekeningen. --- Italiaanse School. --- 1650 - 1760. --- 17de eeuw. --- 18de eeuw. --- Rome.
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Piranesi, Giovanni Battista --- grafiek --- 18de eeuw --- Italië --- 76 PIRANESI, GIOVANNI BATTISTA --- 76.047 <45 ROMA> --- 769 <43 STUTTGART> --- 72.025.21 --- 769.04:72 --- Piranesi, Giovanni Battista 1720-1778 (°Mogliano, Mestre, bij Venetië, Italië) --- Grafiek ; etsen ; 18de eeuw ; G.P. Piranesi --- Gevangenissen --- Architectuur ; visionaire ; bizarre --- Architectuur ; fantastische --- Stadsgezichten ; Rome --- Kunst en illusie --- Kunst ; optische effecten --- Gezichtsbedrog --- 76.07 --- (069) --- Grafische kunsten. Grafiek. Prentkunst--PIRANESI, GIOVANNI BATTISTA --- Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Italië--ROMA --- Prentenverzamelingen--Duitsland voor 1945 en na 1989--STUTTGART --- Ruines. Resten van gebouwen. Archeologische overblijfselen --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Architectuur. Bouwkunst --- Grafische kunst ; grafische kunstenaars A-Z --- (Musea. Collecties) --- Etching --- Piranesi, Giovanni Battista, --- Staatsgalerie Stuttgart. --- 769.04:72 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Architectuur. Bouwkunst --- 72.025.21 Ruines. Resten van gebouwen. Archeologische overblijfselen --- 769 <43 STUTTGART> Prentenverzamelingen--Duitsland voor 1945 en na 1989--STUTTGART --- 76.047 <45 ROMA> Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Italië--ROMA --- 76 PIRANESI, GIOVANNI BATTISTA Grafische kunsten. Grafiek. Prentkunst--PIRANESI, GIOVANNI BATTISTA --- Etchings --- Art --- Prints --- Engraving --- Piranesi, Giambattista --- Piranèse --- Stuttgart. --- Staatsgalerie --- Piranesi, Giovanni Battista. --- 18de eeuw. --- Italië.
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Cet ouvrage est publié à l'occasion de l'exposition éponyme, présentée au Petit Palais, Paris, du 1er octobre2015 au 17 janvier 2016. De Goya à Redon, un univers peuplé de monstres. Lorsque Francisco de Goya place sa suite de quatre-vingts gravures, les Caprices, sous le signe du "sommeil de la raison qui engendre des monstres", il ne se doute pas qu'il ouvre une brèche qui n'est pas prête de se refermer : la veine fantastique va hanter, tout au long du XIXe siècle, l'imaginaire des artistes qui lui succèderont. Squelettes, fantômes, sorcières et diables en tout genre peuplent les oeuvres d'Eugène Delacroix, de Victor Hugo, de Gustave Doré ou d'Odilon Redon. L'estampe, vecteur idéal des motifs fantastiques. Cet ouvrage met en lumière la manière dont l'inspiration fantastique a évolué au fil de trois générations successives d'artistes. A travers cent chefs-d'oeuvre, il révèle l'incroyable alchimie née de la rencontre de la veine fantastique avec le médium de l'estampe. L'utilisation des encres noires, propice aux jeux d'ombre et de clair-obscur, permet d'illustrer de la manière la plus frappante les récits surnaturels qui voient le jour. C'est d'ailleurs grâce à la gravure, oeuvre reproductible et donc largement diffusée, que les motifs du fantastique vont connaître, en littérature, un succès retentissant.
Painting --- Graphic arts --- engravings [prints] --- Neo-Romantic --- illustrations [layout features] --- Iconography --- prints [visual works] --- Romantic [modern European styles] --- Symbolist --- anno 1800-1899 --- Prints --- Prints, European --- Fantasy in art --- Romanticism in art --- Estampe --- Estampe européenne --- Fantasmes dans l'art --- Romantisme dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- grafiek --- visioenen --- spiritualiteit --- romantiek --- realisme --- symbolisme --- techniek --- duivel --- Bibliothèque nationale de France-Département des Estampes et de la Photographie (Parijs) --- Delacroix, Eugène --- Shakespeare, William --- Goethe, Johann Wolfgang von --- Hugo, Victor --- Boulanger, Louis --- Nanteuil, Célestin --- Johannot, Tony --- Grandville, Jean-Jacques --- Bracquemond, Félix --- Legros, Alphonse --- Bresdin, Rodolphe --- Doré, Gustave --- Redon, Odilon --- Ensor, James --- 19de eeuw --- 76.045 --- Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- 76.045 Symbolische voorstellingen: allegorieën; dodendansen in de prentkunst --- Estampe européenne --- Gravure --- Lithographie --- Fantastique --- Romantisme --- Symbolisme --- Réalisme --- Goya, Francisco De --- Dante, Abrév.de Durante Alighieri --- Goethe, Johann Wolfgang Von --- Rops, Félicien --- Dore, Gustave --- Piranesi, Giovanni-Battista, --- Rembrandt, Harmenszoon Van Rijn --- duivel(s) en demonen --- von Goethe, Johann Wolfgang --- Piranesi, Giovanni-Battista, 1720-1778 --- visioenen. --- spiritualiteit. --- romantiek. --- realisme. --- symbolisme. --- techniek. --- duivel(s) en demonen. --- Bibliothèque nationale de France-Département des Estampes et de la Photographie (Parijs). --- Delacroix, Eugène. --- Shakespeare, William. --- von Goethe, Johann Wolfgang. --- Hugo, Victor. --- Boulanger, Louis. --- Nanteuil, Célestin. --- Johannot, Tony. --- Grandville, Jean-Jacques. --- Bracquemond, Félix. --- Legros, Alphonse. --- Bresdin, Rodolphe. --- Doré, Gustave. --- Redon, Odilon. --- Ensor, James. --- 19de eeuw.
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Piranesi, Giovanni Battista --- Piranesi, Giovanni Battista, --- Universiteit Gent. --- Bibliotheek --- Digitalization --- prenten --- Universiteitsbibliotheek (Gent) --- 76.07 --- (069) --- Tentoonstellingscatalogi ; Gent ; Museum voor Schone Kunsten --- Grafiek ; etsen ; 18de eeuw ; G.P. Piranesi --- Gevangenissen --- Architectuur ; visionaire ; bizarre --- Stadsgezichten ; Rome --- Architectuur ; fantastische --- 76 PIRANESI, GIOVANNI BATTISTA --- 72.034 <45> --- 76.047 <45> --- 72.025.21 --- 769 <493 GENT> --- Kunst en illusie --- Kunst ; optische effecten --- Piranesi, Giovanni Battista 1720-1778 (°Mogliano, Mestre, bij Venetië, Italië) --- Kunstverzamelingen ; België ; prentencollectie Universiteit Gent --- kunst --- tekenkunst --- grafiek --- achttiende eeuw --- Italië --- Piranesi Giovanni Battista --- kunstcollecties --- kunstverzamelingen --- landschap --- landschapsschilderkunst --- 76.071 PIRANESI --- 7.078 --- 708.94931 --- 769.945 --- Grafische kunst ; grafische kunstenaars A-Z --- (Musea. Collecties. Tentoonstellingen) --- Grafische kunsten. Grafiek. Prentkunst--PIRANESI, GIOVANNI BATTISTA --- Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Italië --- Ruines. Resten van gebouwen. Archeologische overblijfselen --- Prentenverzamelingen--België--GENT --- Arts Prints Italy --- Exhibitions --- 769 <493 GENT> Prentenverzamelingen--België--GENT --- 72.025.21 Ruines. Resten van gebouwen. Archeologische overblijfselen --- 76.047 <45> Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Italië --- 72.034 <45> Architectuur van de renaissance; barok; rococo en koloniale stijl--Italië --- 76 PIRANESI, GIOVANNI BATTISTA Grafische kunsten. Grafiek. Prentkunst--PIRANESI, GIOVANNI BATTISTA --- Prints [Italian ] --- 18th century --- CDL --- architects --- Italy --- Universiteitsbibliotheek (Gent). --- Piranesi, Giovanni Battista. --- Architecture --- architecture [discipline]
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