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Chabaud, Auguste --- 1907 - 1912 --- 20ste eeuw --- Parijs --- Chabaud, Auguste. --- 1907 - 1912. --- 20ste eeuw. --- Parijs.
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kubisme. --- Gris, Juan.
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vrouwelijk naakt --- moderne kunst --- symbolisme --- Eva --- Gauguin, Paul --- Rodin, Auguste --- Bonnard, Pierre --- Chagall, Marc --- (naakte) menselijke figuur; 'Corpo humano' (Ripa) - AA - vrouwelijke figuur --- (naakte) menselijke figuur; 'Corpo humano' (Ripa) - AA - vrouwelijke figuur. --- moderne kunst. --- symbolisme. --- Eva. --- Gauguin, Paul. --- Rodin, Auguste. --- Bonnard, Pierre. --- Chagall, Marc.
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Ce catalogue rassemble une cinquantaine d'oeuvres d'Henri Manguin (1874-1949), peintes dans les années précédant la Première Guerre mondiale. Ses thèmes de prédilection y sont représentés : sa famille, sa muse, Jeanne, le paysage. Mettant la couleur à l'honneur, son travail illustre le rôle du peintre dans l'émergence du fauvisme. ©Electre 2016
Manguin, Henri --- Catalogues d'exposition --- fauvisme --- Hahnloser-Bühler, Arthur --- Hahnloser-Bühler, Hedy --- Painters --- Painting, French --- Fauvism --- Peintres --- Peinture française --- Fauvisme --- Manguin, Henri, --- Peinture française --- fauvisme. --- Manguin, Henri. --- Hahnloser-Bühler, Arthur. --- Hahnloser-Bühler, Hedy.
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Inventeur du cubisme, Georges Braque (Argenteuil 1882-Paris 1963) est une figure marquante de la peinture en France dont il s'attache au fil de son œuvre à renouveler la tradition de Poussin à Chardin, Corot et surtout Cézanne. De nombreuses expositions lui ont été consacrées mais c'est la première fois que le paysage -de l'Estaque à Varengeville- fait l'objet d'une exposition et d'un livre. C'est l'occasion de préciser le parcours de Braque dans sa lecture personnelle des œuvres de Cézanne, et de suivre l'aventure à travers le paysage de celui dont on s'accorde à dire qu'il a su tirer et porter vers d'autres perspectives les leçons du maître d'Aix célébré en cette année le centenaire de sa disparition. L'exposition et le catalogue tentent de mettre en évidence combien le paysage a été un facteur de développement à des moments clefs dans le parcours de Braque. Les expériences uniques du fauvisme et du cubisme constituent autant d'étapes constructives entre Anvers, l'Estaque, La Ciotat, Céret, La Roche Guyon ou Carrière-Saint-Denis, avant que les paysages de sa jeunesse, de Dieppe et de Varengeville, reviennent à partir de 1928, hanter son espace mental, l'univers sobre, sensible et solitaire de ses dernières années. Les textes d'Éric Darragon, Claude Frontisi, Alvin Martin, Théodore Reff et Véronique Serrano contribuent à élargir et préciser la connaissance de l'œuvre de cet artiste essentiel. (Quatrième de couverture)
Painting, French --- Peinture française --- Braque, Georges, --- Exhibitions. --- Varengeville-sur-Mer (France) --- In art --- Exhibitions --- landschappen --- fauvisme --- kubisme --- Braque, Georges --- L'Estaque --- Varengeville --- Cubisme --- Fauvisme --- Paysage --- Landscapes in art --- Peinture française --- French painting --- Landscape --- landschappen. --- fauvisme. --- kubisme. --- Braque, Georges. --- L'Estaque. --- Varengeville. --- Braque, Georges, - 1882-1963
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Pierre Bonnard (1867-1947) was one of a generation of artists that helped transform painting during the first half of the twentieth century. As a painter, he preferred to work from memory - imaginatively capturing the spirit of a moment and expressing it through his unique handling of colour and unconventional choice of composition. Focusing on Bonnard's work from 1912-47, this book presents a variety of landscapes and intimate domestic scenes which capture the passage of time. These works are the artist's memories creatively reconstructed to convey a sense of sensuality or melancholy. As well as looking at his processes, his reliance on photography and his ability to work on different subjects side-by-side, this book relocates Bonnard in the turbulent history of his times. Although modest and withdrawn, he was a subtle witness to events - both in the wider world and his more intimate circle - that can be seen to define the ways in which he thought about and made his very personal art. 0Channelling to the heart of Bonnard's position as an artist who maintained continuities with the past while developing an individual expression of his engagement with the world, this sumptuously illustrated book reveals Bonnard's transition from great colourist to Modernist master, and emphasises his place within the story of twentieth-century art. 00Exhibition: Tate Modern, London, UK (23.01.-16.05.2019) --
Bonnard, Pierre --- Painting, French --- Nabis (Group of artists) --- Post-impressionism (Art) --- Exhibitions. --- Bonnard, Pierre, --- Criticism and interpretation. --- Themes, motives. --- Aesthetics of art --- Painting --- Photography --- photography [process] --- art criticism --- easel paintings [paintings by form] --- Bonnard, Pierre.
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Surrealism --- Surréalisme --- Exhibitions --- Expositions --- Domínguez, Oscar, --- Exhibitions. --- surrealisme --- Domínguez, Óscar --- Breton, André --- Surréalisme --- Domínguez, Oscar, --- surrealisme. --- Domínguez, Óscar. --- Breton, André.
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"Bonnard's Worlds is organized by the Kimbell Art Museum and by The Phillips Collection, which holds the most important group of Pierre Bonnard's paintings outside France. The exhibition was inspired by the Kimbell's 2018 acquisition of the painter's 'Le Cannet,' a stunning work that encompasses the artist himself, his recently purchased house, and the gorgeous vistas surrounding it - a very personal theme for a work that was made specifically for a patron's home. The personal nature of Bonnard's oeuvre as a whole forms the basis for this exhibition's examination of his "worlds" - central themes that repeat throughout his long career. The exhibition's selection and arrangement, as reflected in this book's catalogue entries, reveal these worlds in order of increasing intimacy, from expansive views of Paris or the countryside, to gardens and terraces, to indoor spaces with views through windows or open doors, to dining rooms and sitting rooms, into the private spaces of bedrooms and bathrooms, and, finally, into the artist's own mirror, reflecting his hauntingly personal self-portraits. Because the works in the catalogue are not grouped by date or geography, a chronology offers a biography of the painter, while three essays by distinguished scholars explore the places most essential to Bonnard's development - Paris, Normandy, and the South of France - and a fourth essay examines Bonnard's legacy through his critical reception in the United States. Bonnard's World's offers visitors and readers the opportunity to look closely at more than seventy works, brought together from across the world and placed in visually thought-provoking juxtapositions, to better understand how Bonnard portrayed his own worlds of experience in works of art." - Front jacket flap
Bonnard, Pierre, --- Painting --- Homes and haunts --- Self-portraits --- Painting, French
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literatuur. --- theater, toneel, toneelvoorstelling. --- neoclassicisme. --- historiestukken. --- romantiek. --- realisme. --- impressionisme. --- symbolisme. --- Les Nabis. --- opera. --- David, Jacques-Louis. --- Fuseli, Henry. --- Shakespeare, William. --- Ingres, Jean Auguste Dominique. --- Delaroche, Paul. --- Hayez, Francesco. --- Delacroix, Eugène. --- Chassériau, Théodore. --- Moreau, Gustave. --- Moreau, Gustave. --- Daumier, Honoré. --- Degas, Edgar. --- Appia, Adolphe. --- 18de eeuw. --- 19de eeuw.
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