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Manufacturing technologies --- brocade [textile] --- illusionism --- Applied arts. Arts and crafts --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Flanders --- Textile fabrics in art --- Painting, Netherlandish --- Sculpture --- Sculpture, Netherlandish --- Polychromy --- Color decoration and ornament --- Textiles et tissus dans l'art --- Peinture flamande --- Sculpture néerlandaise --- Polychromie --- Décoration et ornement en couleurs --- Catalogs --- Themes, motives --- Catalogues --- Thèmes, motifs --- Sculpture néerlandaise --- Décoration et ornement en couleurs --- Thèmes, motifs --- Painting --- Benelux countries --- History --- 16th century --- 15th century --- Catalogs. --- Textile fabrics in art - Catalogs --- Painting, Netherlandish - 15th century - Themes, motives - Catalogs --- Painting, Netherlandish - 16th century - Themes, motives - Catalogs --- Sculpture, Netherlandish - 15th century - Themes, motives - Catalogs --- Sculpture, Netherlandish - 16th century - Themes, motives - Catalogs --- Polychromy - Benelux countries - Catalogs --- Color decoration and ornament - Benelux countries - Catalogs --- beeldhouwkunst, Nederlanden --- Peinture --- 16e siècle --- Benelux --- 15e siècle --- illusie --- brocade (techniek) --- tin --- polychromie --- schildertechnieken --- 15de eeuw --- 16de eeuw --- Zuidelijke Nederlanden --- Europa
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"The Ghent Altarpiece by Hubert and Jan van Eyck has always attracted both admiration and curiosity. Following the treatment of the closed polyptych, we turned to the paintings of the lower register of the open altarpiece, which includes the famous Adoration of the Lamb. A major research and restoration campaign by the KIK was carried out between 2016 and 2020. The findings reflect those from the treatment of the closed altarpiece: large areas of the panels were covered with overpaints, the vast majority dating from the 16th century. Their removal allows the Van Eycks brothers' paintings to be truly appreciated again. The three years that the conservators spent working on the panels enabled them to examine the paintings down to the smallest detail. Interdisciplinary collaboration with laboratory scientists, art historians and experts in scientific imagery led to a series of discoveries - some anticipated in light of earlier research, others completely unexpected."--4e de couv.
Conservation. Restoration --- altarpieces --- historical models --- conservation science [cultural heritage discipline] --- Gent, Sint-Baafskathedraal --- Het Lam Gods --- Eyck, van, Hubert --- Eyck, van, Jan --- Art --- Conservation and restoration --- Eyck, Jan van, --- Eyck, Hubert van, --- Van Eyck, Hubert, --- Eyck, Hubrecht van, --- Van Eyck, Hubrecht, --- Eyck, Lubrecht van, --- Van Eyck, Lubrecht, --- Van Eyck, Jan --- van Eyck, Jan --- Ėĭk, I︠A︡n van, --- Eyck, Jean van, --- Conservation and restoration. --- Criticism and interpretation. --- Lam Gods (Gebr. Van Eyck) --- restauratie --- conservatie --- techniek --- Eyck, van (gebr.) --- Eyck, Jan van --- Eyck, Hubert van --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Van Eyck, Jan (1390?-1440). --- Van Eyck, Hubert --- Conservation et restauration. --- Art, Primitive --- Van Eyck, Jan, --- 625.1 Schilderkunst --- Lam Gods (Gebr Van Eyck). --- restauratie. --- conservatie. --- techniek. --- van Eyck (gebr.). --- van Eyck, Jan. --- van Eyck (gebr.)
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