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The Art Institute of Chicago --- beeldhouwkunst --- Asher, Michael --- Washington, George --- Houdon, Jean Antoine, --- Washington, George, --- Statues --- Whitney Moeller and Anne Rorimer ; With an Introduction by James Rondeau --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- installaties --- Verenigde Staten --- Asher Michael --- site-specific art --- 7.071 ASHER --- Exhibitions --- Vashington, Dzhordzh, --- Waszyngton, Jerzy, --- Washington, Georg, --- Uashingktoien, Geeorg, --- Uashingtʻn, Gēorg, --- װאשינגטאן, דזשארדזש, --- ジョージワシントン, --- Washington, G. --- Houdon, Jean Antoine, - 1741-1828. - George Washington - Exhibitions --- Asher, Michael - Exhibitions --- Washington, George, - 1732-1799 - Statues - Exhibitions --- The Art Institute of Chicago. --- sculptuur. --- Asher, Michael. --- Washington, George. --- Houdon, Jean Antoine, - 1741-1828. - George Washington --- Washington, George, - 1732-1799 --- sculptuur
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antropologie --- kunstgeschiedenis --- Aertsen, Pieter --- anthropology --- congres / 2003 --- Art and anthropology --- Kunsttheorie kunst en antropologie --- Kunst theorie, filosofie, esthetica --- History --- Ethnology. Cultural anthropology --- Art --- 7.01 --- Kunsttheorie ; kunst en antropologie --- Anthropology and art --- Anthropology --- Kunst ; theorie, filosofie, esthetica --- Conferences - Meetings --- Art and anthropology - Congresses --- antropologie. --- kunstgeschiedenis. --- Aertsen, Pieter.
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Art --- Reproduction --- History --- verzamelen --- archieven --- Art - Reproduction - History - 20th century - Congresses --- verzamelen. --- archieven.
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History --- exhibiting --- art history --- art theory --- museology --- congres / 1999 --- Art --- Art museum curators --- Art criticism --- Art historians --- Historians --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- Attitudes --- Historiography --- Employees --- Cassatt, Mary --- Monet, Claude --- Degas, Edgar --- museumkunde --- kunsttheorie --- kunstkritiek --- Congresses --- Art - Historiography - Congresses --- Art criticism - Congresses --- Art historians - Attitudes - Congresses --- Art museum curators - Attitudes - Congresses --- Groeningemuseum Brugge --- museumcollecties --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Zuidelijke Nederlanden. --- België.
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Noble dreams, wicked pleasures explores complex American attitudes toward the Near East--as revealed in collected paintings, interior design, and multiple vernacular forms--at the formative moment of industrialization and the crystallization of a truly mass culture. Published to coincide with the multimedia exhibition that opens at the Sterling and Francine Clark Art Institute and travels to the Walters Art Gallery and the Mint Museum of Art, this catalogue considers how urban, mercantile, Protestant America represented the Islamic world of the Middle East and North Africa in ways that say more about itself than the foreign culture. This gorgeously illustrated volume first looks at the use of Orientalist stereotypes by some of the country's most important high art painters of the nineteenth century: Frederic Edwin Church's treatment of the exotic terrain through a lens of deep religiosity; a more cosmopolitan reading of the harem girl by John Singer Sargent; the perfumed alternative to industrial capitalism conjured in the landscapes and market scenes of Samuel Colman and Louis Comfort Tiffany; and interpretations of the Orient as emancipatory by Ella Pell, the only major woman Orientalist. The book next traces the popularization of Orientalism in the decorative arts (including a few treasures from Olana, Church's Moorish-style home on the Hudson), on Broadway, and in Hollywood, as well as through advertising that linked consumer products with visual suggestions of exotic sexuality and through cultural objects, such as the Shriners' fez. The generous color plates show both an innocent romanticization of the Orient and a darker, heavily eroticized version of Oriental "otherness." An excellent chronology and bibliography, in addition to expert essays by both Americanists and Islamicists, give context to absorbing images. Though a perfect companion for visitors to the exhibition, Noble Dreams, Wicked Pleasures is also for anyone seeking an uncommon take on the development of American self-understanding.
orientalisme --- 1870 - 1930 --- 19de eeuw --- 20ste eeuw --- Verenigde Staten --- Arts, American --- Orientalism in art --- Arts, American - 19th century - Exhibitions --- Arts, American - 20th century - Exhibitions --- Orientalism in art - United States - Exhibitions --- 1870 - 1930. --- 19de eeuw. --- 20ste eeuw. --- Verenigde Staten. --- Onze-Lieve-Vrouwekerk (Dendermonde) --- begraafplaatsen --- begraafrituelen --- Dood
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"The pioneering artist László Moholy-Nagy (1894-1946) worked across a range of art forms including painting, sculpture, photography, graphic design, film, advertising, and theater. This publication, which offers a fresh and extensive examination of his output, accompanies the first major American survey of Moholy's oeuvre in nearly a half century and represents the most extensive English-language book on the artist in thirty years. The catalogue reproduces a vast selection of Moholy's early paintings and photograms, his whimsical photomontages--all of which are reproduced together here for the first time--and late works in Plexiglas. Distinguished scholars offer new insights into his materials and working methods; the relation among writing, administration, and art making in his practice; and his influence on contemporary art. Particular emphasis is given to Moholy's American years and his leadership of the Chicago Bauhaus as well as his reception as a painter"--
sculpture [visual work] --- Abstract [fine arts style] --- Bauhaus --- technology --- photographs --- design [discipline] --- Art --- easel paintings [paintings by form] --- Constructivist --- Moholy-Nagy, László --- Moholy-Nagy, László (1895-1946) --- --kunst --- fotografie --- film --- grafisch design --- grafische vormgeving --- collages --- schilderkunst --- beeldhouwkunst --- installaties --- twintigste eeuw --- Moholy-Nagy Laszlo --- kunsttheorie --- fotogrammen --- 7.071 MOHOLY-NAGY --- Exhibitions --- kunst --- sculpture [visual works] --- --Moholy-Nagy, László (1895-1946) --- --sculpture [visual works] --- prints [visual works] --- Artiste --- Art contemporain --- --Art --- technology [general associated concept] --- --Moholy-Nagy, László --- --Moholy-Nagy, László (1895-1946) --- Moholy-Nagy, László (1895-1946) --- Moholy-Nagy, László --- --Artiste --- Moholy-Nagy, László. --- Abstract [modern European style] --- paintings [visual works]
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