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Art objects, Russian --- Jewelry --- Objets d'art russes --- Bijoux --- Exhibitions. --- Exhibitions --- Expositions --- Nicholas --- Art patronage --- Fabergé (Firm) --- Art, Russian--Exhibitions --- Art, Russian --- Fabergé (Firm) --- Jewellery --- Jewelry, Primitive --- Jewels --- Decorative arts --- Dress accessories --- Russian art objects --- Romanov, Nicholas Alexandrovich --- Romanov, Nicholas Alexandrovitch --- Romanov, Nicolas Alexandrovich --- Romanov, Nicolas Alexandrovitch --- Romanov, Nicholas Alexandrovitsj --- Romanov, Nicolas Alexandrovitsj --- Faberzhe (Firm) --- House of Fabergé --- Nikolay --- Nicholas II --- Art objects [Russian ] --- Russia (Federation) --- Art, Russian - Exhibitions
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toegepaste kunsten --- Applied arts. Arts and crafts --- decorative arts --- Victoria and Albert Museum [London] --- Victoria and Albert Museum (Londen) --- Cole, Henry --- Denon, Dominique-Vivant --- Hilliard, Nicholas --- Turner, Benjamin Brecknell --- Millais, John Everett --- decorative arts [discipline] --- Victoria and Albert Museum (Londen). --- Cole, Henry. --- Denon, Dominique-Vivant. --- Hilliard, Nicholas. --- Turner, Benjamin Brecknell. --- Millais, John Everett.
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Approche renouvelée des rapports entre l'Antiquité et le style 1200, courant antiquisant qui se développe au nord des Alpes, à travers les types de modèles utilisés par les orfèvres, les sculpteurs et les peintres médiévaux ainsi que les modalités de l'imitation des œuvres du passé. Entre 1180 et 1230, un style particulier se met en place au nord de l'Europe dont les caractéristiques principales font écho à l'art antique. Le style 1200 est un phénomène bien connu, étudié depuis quelques décennies et les rapports avec l'Antiquité ont souvent été mis en avant. Toutefois, peu de modèles antiques spécifiques furent proposés et les questions de la localisation des œuvres imitées ainsi que les modalités et les intentions du processus d'imitation n'ont pas été résolues. Notre travail propose une vue d'ensemble du style 1200 en focalisant l'étude sur les types de modèles antiques observés par les artistes dans les années autour de 1200. Nous pouvons conclure à l'observation de vestiges proches des lieux d'activités des artistes, en Gaule et en Germanie, et établir des critères esthétiques à l'origine de ce mouvement antiquisant. Après un développement historiographique des recherches abordant les liens entre l'Antiquité et le Moyen Age et le Style 1200, nous proposons un premier chapitre sur la notion médiévale d'imitation dans les arts du Moyen Age en nous servant du carnet de modèle de Villard de Honnecourt pour comprendre ce qui intéresse les artistes vers 1200 et la manière dont ils interprètent leurs modèles. Nous problématisons également les rapports avec le monde byzantin, puisque ceux-ci ont souvent servi à expliquer les tendances classicisantes dans l'art autour de 1200. Le corps de notre travail s'articule autour de trois chapitres principaux (2, 3, 4) divisés par technique (orfèvrerie, sculpture et peinture).
Art metal-work, Gothic --- Imitation in art --- Arts du métal gothiques --- Peinture gothique --- Imitation dans l'art --- Arts du métal gothiques --- Sculpture, Gothic --- Painting, Gothic --- Sculpture gothique --- Art [Medieval ] --- Byzantine influences --- Classical influences --- Art, Medieval --- Civilization, Medieval --- Greek influences --- Roman influences --- Nicholas, --- Art, Medieval - Greek influences --- Art, Medieval - Roman influences --- Art, Medieval - Byzantine influences --- Civilization, Medieval - Classical influences --- Nicholas, - of Verdun, - approximately 1150-approximately 1210
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For centuries books have contained and presented the written words that have allowed humankind to study and interpret the world. As texts have become readily available through different media, contemporary artists have been increasingly exploring the interplay between the function, structure, and format of books. Book Art is a stunning documentation of current art, installation, and design created with and from books. The fascinating range of examples, which is as diverse as books themselves, offers eloquent proof that—despite or because of digital media’s inroads as sources of text information—the book’s legacy as a carrier of ideas and communication is being expanded today.
sculpting --- boekkunst --- hedendaagse kunst --- Graphic arts --- Contemporary [style of art] --- beeldhouwkunst --- Sculpture --- Installations (Art) --- Objets trouvés (Art) --- Livres transformés --- Livres dans l'art --- Installation-art --- Objet de récupération --- Traitement de l'objet --- Altered books --- Books in art --- Sculpture, Modern --- Found objects (Art) --- 82:7 "2000-" --- 7.05 --- Boekdesign ; het boek als interactieve papieren-sculptuur --- Design ; meubels ; gebruiksvoorwerpen --- Materialen ; papier ; boeken --- Sculpturale objecten ; installaties ; gemaakt van boeken en papier --- 7.039 --- Allen Thomas --- Andersen Line --- Andersen Martin --- Barer Cara --- Bean Kyle --- Beube Doug --- Bing Xu --- Bom Michael --- Boyd Jonathan --- Cahill Laura --- Callan Jonathan --- Dale Nicola --- De Rabago J Ignacio Diaz --- Dettmer Brian --- Eliasson Olafur --- Epstein Gene --- Galanin Nicholas --- Hawkins Yvette --- Hay Graham --- Haynes Nicci --- Huang Samantha --- Hybschmann Johan --- Ishiguro Takeshi --- Jokhova Evguenia --- Jones Nicholas --- Kapoor Anish --- Kihara Yoshimi --- Koelewijn Job --- Kokin Lisa --- Krén Matej --- Laramée Guy --- Martin Alicia --- McPherson Steve --- Nendo --- Nobody & Co --- Papuli Daniele --- Porteous Susan --- Rixon Ros --- Rosenau Jim --- Ruff Donna --- Rush lee Jacqueline --- Russell Georgia --- South Twelve --- Stilkey Mike --- Syvänoja Janna --- The Robert --- Wentworth Richard --- boeken --- design --- eenentwintigste eeuw --- installaties --- kunst --- twintigste eeuw --- 684.93 --- Allen, Thomas --- Andersen M --- Barer, Cara --- Bean, Kyle --- Beube, Doug --- Bing, Xu --- Bom, Michael --- Boyd, Jonathan --- Cahill, Laura --- Callan, Jonathan --- Dale, Nicola --- De Rabago, J Ignacio Diaz --- Dettmer, Brian --- Eliasson, Olafur --- Epstein, Gene --- Galanin, Nicholas --- Hawkins, Yvette --- Hay, Graham --- Haynes, Nicci --- Huang, Samantha --- Hybschmann, Johan --- Ishiguro, Takeshi --- Jokhova, Evguenia --- Jones, Nicholas --- Kapoor, Anish --- Kihara, Yoshimi --- Koelewijn, Job --- Kokin, Lisa --- Krén, Matej --- Laramée, Guy --- Martin, Alicia --- McPherson, Steve --- Nobody&Co --- Papuli, Daniele --- Porteous, Susan --- Rixon, Ros --- Rosenau, Jim --- Ruff, Donna --- Rush Lee, Jacqueline --- Russell, Georgia --- Stilkey, Mike --- Syvänoja, Janna --- The, Robert --- Twelve south --- Wentworth, Richard --- conceptuele kunst --- productdesign --- Literatuur en kunst--"2000-"--Vanaf het jaar 2000. Toekomst--(variabel) --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- het boek, boekkunst --- Installation art --- Art, Modern --- Environment (Art) --- Found art --- Objects, Found (Art) --- Ready-mades (Art) --- Readymades (Art) --- Altered book art --- Books --- Collage --- Sculpture - 21e siècle --- Sculpture, Modern - 20th century
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An Introduction to Visual Culture provides a wide-ranging introduction to the now established interdisciplinary field of visual culture. Mapping a global history and theory of visual culture, An Introduction to Visual Culture asks how and why visual media have become so central to everyday life....
Art and society. --- Communication and culture. --- Mass media. --- Visual communication. --- Visual perception. --- Communicatie [Visuele ] --- Communication [Visual ] --- Visuele communicatie --- Visual sociology. --- Sociologie visuelle --- Art et société --- Nicholas Mirzoeff --- visuele communicatie --- esthetica --- kunstfilosofie --- nieuwe media --- kleur --- fotografische theorie --- virtual reality --- virtuele realiteit --- Congo --- kunsttheorie --- homoseksualiteit --- Casement Roger --- Diana --- pers --- perspectief --- sciencefiction --- 791.5 --- 905.2 --- cultuurfilosofie, -psychologie en -sociologie --- Art et société --- Art and society --- Communication and culture --- Mass media --- Postmodernism --- Visual communication --- Visual perception --- 130.2 --- 7.01 --- 77.01 --- communicatie --- cultuurfilosofie --- feminisme --- film --- fotografie --- gender studies --- kleurenleer --- kunst en politiek --- media --- perceptie --- psychologie --- sociologie --- televisie --- 316.77 --- 316.77 Communicatiesociologie --- Communicatiesociologie --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Mass communication --- Media, Mass --- Media, The --- Culture and communication --- Culture --- Art --- Art and sociology --- Society and art --- Sociology and art --- Psychological aspects --- Social aspects --- visual culture --- beeldcultuur --- Sociology of culture --- Postmodernism. --- Popular culture. --- Culture populaire --- Communication visuelle --- Médias --- Postmodernisme --- Arts [Modern ] --- 20th century
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Wiel Arets, Ben van Berkel, Mario Botta, Coop Himmelb(l)au, Sir Norman Foster, von Gerkan, Marg und Partner, Zvi Hecker, Herman Hertzberger, Josef Paul Kleihues, Jean Nouvel, Christian de Portzamparc, Reichen & Robert, Rudy Ricciotti, Thomas Spiegelhalter
architecture [discipline] --- Architecture --- Botta, Mario --- Perrault, Dominique --- Foster, Norman --- Coenen, Jo --- anno 1900-1999 --- Europe --- Architectes --- Europese architectuur ; 1990-1999 --- Chaix & Morel --- Chipperfield, David --- Van Egeraat, Erick --- Norman Foster Associates --- Herzog, Thomas & Partner --- Lund, Sören Robert --- Penkhues, Berthold --- Piano, Renzo --- De Portzamparc, Christian --- Tschumi, Bernard --- 72.038 --- Architectuurgeschiedenis ; 1950 - 2000 --- Architects --- Architecture, Postmodern --- History --- Ungers, Oswald Mathias, --- Böhm, Gottfried, --- Foster, Norman, --- Stirling, James, --- Wilford, Michael, --- Koolhaas, Rem --- Portzamparc, Christian de, --- Rossi, Aldo Loris --- Gregotti, Vittorio, --- Hollein, Hans, --- Ironimus, --- Bohigas, Oriol, --- Moneo, Rafael, --- Coop Himmelblau --- Architectes européens --- 72.036 --- 1976-2000 --- Europa --- architecten --- architectuur 20e eeuw --- architectuur --- 72.071 --- Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- buitenlandse architecten --- Europese architectuur ; jaren 1990 --- Architecture Studio --- Van Berkel, Ben --- Fuksas, Massimiliano --- Heikkinen-Komonen --- Leiviskä, Juha --- Rogers, Richard --- Rossi, Aldo --- Schneider + Schumacher --- Schweger + Partner --- Siza, Alvaro --- Valode & Pistre --- Portzamparc, de, Christian --- Herzog, Thomas --- Egeraat, van, Erick --- Bohigas, Oriol --- Behnisch, Günter --- Arets, Wiel --- Botta, Mario, 1943 --- -Böhm, Gottfried --- Chaix, Philippe, 1949 --- -Fuksas, Massimiliano, 1944 --- -Foster, Norman --- Calatrava, Santiago, 1951 --- -Chemetov, Paul, 1928 --- -Chipperfield, David --- Leiviska, Juha --- Gregotti, Vittorio --- Grimshaw, Nicholas --- Hecker, Zvi --- Perrault, Dominique, 1953 --- -Hollein, Hans --- Hadid, Zaha, 1950-2016 --- Hertzberger, Herman --- Rogers, Richard, 1933 --- -Krischanitz, Adolf --- Kleihues, Josef Paul --- Rossi, Aldo, 1931-1997 --- Mackay, David --- Makovecz, Imre --- Huidobro, Borja --- Nouvel, Jean, 1945 --- -Lund, Soren Robert --- Martorell, Josep --- Koolhaas, Rem, 1944 --- -de Portzamparc, Christian, 1944 --- -Morel, Jean-Paul, 1949 --- -Van Berkel, Ben --- Moneo, Rafael --- Mendini, Alessandro --- Ricciotti, Rudy, 1952 --- -Penkhues, Berthold --- Peichl, Gustav --- Miralles, Enric --- Spiegelhalter, Thomas --- Pinos, Carme --- Moneo Vallés, José Rafael --- Portoghesi, Paolo --- Stirling, James --- Soeters, Sjoerd --- Tschumi, Bernard, 1944 --- -Ungers, Oswald Mathias --- Wilford, Michael --- Schultes, Axel --- Steidle, Otto --- Wilmotte, Jean-Michel, 1948 --- -Architecture --- architects --- de Portzamparc, Christian --- Nouvel, Jean °1945 (°Fumel, Lot-et-Garonne, Frankrijk) --- Foster, Norman °1935 (°Manchester, Groot-Brittannië) --- Botta, Mario °1943 (°Mendrisio, Ticino, Zwitserland) --- Arets, Wiel °1955 (°Heerlen, Nederland) --- Hertzberger, Herman °1932 (°Amsterdam, Nederland) --- Coop Himmelb(l)au (Wolf Prix, Helmut Swiczinsky) --- Architectuur ; Europa ; 20ste eeuw --- architecture [object genre] --- Modern [style or period] --- hedendaagse architectuur --- anno 1990-1999 --- Nouvel, Jean --- Hadid, Zaha --- anno 1980-1989 --- Mackey, David C. --- Martorell Coca, Josep Maria (1965-....) --- 1970 - 2000 --- Architecture, Postmodern. --- Architecture postmoderne. --- Architects. --- Architectes européens --- -Architects --- Architectuur ; 1960 --- -Architectuur ; 1960 --- Architecture postmoderne --- Histoire
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