Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

7.071 VILLERS --- Villers Bernard --- Villers, Bernard, --- Edition Remorqueur (Bruxelles) --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- concept art --- conceptuele kunst --- artists' books --- kunstenaarsboeken --- België --- Artists' books --- Livres d'artistes --- Catalogs --- Catalogues --- Catalogs.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

kunst --- twintigste eeuw --- LeWitt Sol --- concept art --- conceptuele kunst --- verenigde Staten --- constructivisme --- 7.071 LEWITT --- Color in art. --- Geometrical drawing. --- Lewitt, Sol, --- LeWitt, Sol --- Color in art --- Geometrical drawing --- Mathematical drawing --- Plans --- Colors in art --- LeWitt, Sol, --- Le Witt, Sol, --- Witt, Sol Le, --- Drawing --- Geometry --- Mechanical drawing --- Projection --- Art --- Monochrome art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Donald Judd writings", copublished by Judd Foundation and David Zwirner Books, is the most comprehensive collection of the artist's writings assembled to date. This timely publication includes Judd's best-known essays organized chronologically with little-known texts previously published in limited editions. This new collection also includes unpublished college essays and hundreds of never-before-seen handwritten notes, a critical but unknown part of Judd's writing practice. Judd's earliest published writing, consisting largely of reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd's early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd's unpublished notes--transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most, from complaints about pluralism in art to his admiration for Giambattista Vico, and through him, Lucretius. In these intimate reflections we see Judd's thinking at its least mediated--a mind continuing to grapple with questions of its moment, demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary art.

art criticism --- Art --- Judd, Donald --- anno 1900-1999 --- kunst --- kunsttheorie --- beelhouwkunst --- Verenigde Staten --- twintigste eeuw --- minimalisme --- conceptuele kunst --- concept art --- minimal art --- Judd Donald --- 1900-1999 --- Art critics. --- Artists' writings, American --- Artists. --- Judd, Donald, --- Art, Modern --- Artists' writings --- Ecrits d'artistes --- Écrits d'artistes --- Écrits d'artistes. --- Correspondence --- artists' statements --- Artists' writings, American - 20th century --- Judd, Donald, - 1928-1994 --- Judd, Donald, - 1928-1994 - Correspondence --- Judd, Donald, - 1928-1994 - Écrits --- Écrits d'artistes --- Écrits d'artistes.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Accompanies a retrospective of Carl Andre's work at Dia:Beacon, New York. Presents a range of sculpture made from 1958 to 2010, as well as a selection of previously unpublished poems, ephemera, and documentation of installations. Includes texts by international authors and scholars"-- "Carl Andre (b. 1935) redefined the parameters of abstract sculpture in the 1960s and 1970s. He was a highly influential voice in the American minimalist movement, recognized for his ordered linear and grid formats. In the early 1960s, Andre's creative focus shifted to writing poetry when he took a job as a freight brakeman and conductor for the Pennsylvania Railroad. His poems echoed and extended the themes in his sculptural work, and his experience with the railroad significantly influenced his choice of materials in later years. In this stunning catalogue, which accompanies the first retrospective of Andre's work since 1970, the artist's legacy is examined in eleven essays by international scholars. The book presents a broad range of sculpture made over the past fifty years, including Andre's emblematic floor and corner pieces, highlighting his radical use of standardized units of industrial material such as timber planks, concrete blocks, and metal plates. A vast selection of Andre's previously unpublished concrete poems, together with letters, postcards, ephemera, and documentation of important installations, further complements our understanding of an essential figure in the history of contemporary art."--

sculpting --- Minimal --- poetry --- Art --- Andre, Carl --- kunst --- 73.071 ANDRE --- 7.071 ANDRE --- minimalisme --- conceptuele kunst --- concept art --- minimal art --- Andre Carl --- beeldhouwkunst --- Verenigde Staten --- Exhibitions --- Andre, Carl, --- ART --- American poetry --- American poetry. --- Installation --- Installations (Art) --- Installations (Art). --- Lettering in art --- Lettering in art. --- POETRY --- Plastik. --- Sculpture, Modern --- Sculpture, Modern. --- Themes, motives. --- Words in art --- Words in art. --- Collections, Catalogs, Exhibitions --- General. --- Sculpture & Installation. --- American --- Themes, motives --- 1900-1999. --- 7.07 --- 73.07 --- André, Carl °1935 (°Quincy (Massachusetts, Verenigde Staten) --- Conceptuele kunst --- Beeldhouwkunst ; Minimal Art --- Minimalisme --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldhouwkunst ; beeldhouwers A - Z --- sculpture [visual works]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dit boek handelt over het boek als kunstvorm op zich

Book history --- Aesthetics of art --- Bibliothèque nationale --- Artists' books --- Livres d'artistes --- Exhibitions --- Expositions --- Bibliothèque nationale de France. --- Exhibitions. --- Esthétique --- Livre d'artiste --- Bibliothèque nationale de France --- 76:655.5 <064> --- 7.039*1 --- 82:7 "19" --- 095 <064> --- #BIBC:ruil --- (069) --- 7.049 --- Artists Books --- Kunstenaarsboeken ; 1960-1980 --- 7.038 --- 766.01 --- 766.02 --- 766.03 --- Anne Moeglin-Delcroix --- Boltanski Christian --- Broodthaers Marcel --- Filliou Robert --- Fluxus --- Hamilton Finlay Ian --- LeWitt Sol --- Villers Bernard --- Weiner Lawrence --- arte povera --- artists' books --- boeken --- concept art --- conceptuele kunst --- concrete poëzie --- happenings --- kunstenaarsboeken --- kunsttheorie --- land art --- minimal art --- performances --- 684.93 --- 684.96 --- 754.2 --- boekillustraties --- boekkunst --- kunstboeken --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Minimal arts. Objectkunst --- Literatuur en kunst--20e eeuw. Periode 1900-1999 --- Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- (Musea. Collecties) --- Iconografie ; verschillende onderwerpen --- het boek, boekkunst --- het boek, boekband en boekomslag --- grafische vormgeving, gelegenheidsgrafiek --- 095 <064> Merkwaardige boekbanden--Tentoonstellingscatalogi. Museumcatalogi --- 82:7 "19" Literatuur en kunst--20e eeuw. Periode 1900-1999 --- 7.039*1 Minimal arts. Objectkunst --- 76:655.5 <064> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Bibliothèque nationale de France. --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Art, Modern --- Books --- Conceptual art --- Bibliothèque nationale (France). --- Artists' books - Exhibitions --- Artists' books - France - Paris - Exhibitions --- artists' books [books]