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Adamczewska, Joanna ; Alvermann, H.P. ; Bechtold, Gottfried ; Bory, Jean-François ; Brecht, George ; Chopin, Henri ; Cordier, Pierre ; Darboven, Hanne ; van Egten, Henriëtte ; Filliou, Robert ; Gappmayr, Heinz ; Gibbs, Michael ; Knizak, Milan ; Kocman, JH. ; etc.

Book history --- artists' books [books]

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This book explores the interaction between animals, plants, and humans in ancient Egypt. It draws together different aspects of the bioarchaeology of Egypt: flora, fauna, and human remains. These come from sites throughout the country from Alexandria to Aswan, as well as material from museum basements.The material presented here includes the results of new and previously unpublished excavations in the Delta and Thebes, in-depth studies of different species of animal mummies, an analysis of animal cults, tentative identifications of wild dogs in Egyptian art, a variety of diseases from which the ancient Egyptians suffered, studies on human remains using traditional as well as state-of-the-art technologies, and the different foods that formed the diet of the ancient Egyptians.The studies blend traditional methodologies, often deployed in novel ways, such as examining the pelage of lions, as well as new 3D technologies used in the analyses of bioarchaeological material. The results of these studies deepen our knowledge of ancient Egypt, its inhabitants, and their interaction with their environment.The present volume is the proceedings of the Conference on the Bioarchaeology of Ancient Egypt & the Second International Symposium on Animals in Ancient Egypt (Cairo, 2019).

E-books --- Conferences - Meetings

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Book history --- Poetry --- artists' books [books] --- typography --- book history

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Le livre d'artiste, qui a par le passé permis aux artistes d'échapper à l'ingérence des institutions et des galeries dans la production et la diffusion des œuvres d'art, est aujourd'hui dans une situation paradoxale. D'un côté subsistent de très rares premiers tirages ou, plus largement, l'édition originale de livres précurseurs, et de l'autre circulent des éditions en fac-similé venues remédier à la rareté des originaux en offrant un reenactment ou une réinterprétation de livres célèbres.Cet essai souligne l'intérêt que portent certain·e·s artistes et éditeur·rice·s aux pratiques d'appropriation, et vise à rendre compte des méthodes et des discours propres à la production de fac-similés de livres d'artistes. - Artists' books, which once allowed artists to avoid meddlesome institutions and galleries in producing and distributing artistic work, today have a paradoxical existence. On the one hand, there are the extremely rare founding books, termed 'first edition' or 'original', and, on the other hand, there are 'facsimile' editions, which entered the artist's book realm to counteract the scarcity of the originals by offering re-enactments and reinterpretations of famous titles.This essay underlines a curiosity for practices of appropriation by artists and publishers, and aims to expose methods and discourses in the production of facsimile artists' books.

Art --- artists' books [books] --- book history --- kunstenaarsboeken --- kunst --- 7.01 --- kunsttheorie --- 7.039 --- appropriation art --- artists' books