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This edited collection of papers explores from an interdisciplinary perspective the role of images and objects in early modern knowledge-making practices with an emphasis on mapping methodological approaches against printed pictures and things. The volume brings together work across diverse printed images, objects, and materials produced c. 1500-1700, as well as well as works in the ambit of early modern print culture, to reframe a comparative history of the rise of the ‘epistemic imprint’ as a new visual genre at the onset of the scientific revolution. The book includes contributions from the perspective of international scholars and museum professionals drawing on methodologies from a range of fields.

Theory of knowledge --- Graphic arts --- scientific illustration [process] --- epistemology --- kunst en wetenschap --- anno 1500-1799

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Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a “new” philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans’ objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.

Art --- anno 1600-1699 --- anno 1500-1599 --- Art and science --- History --- Science and art --- Science --- 16th century --- 17th century --- cultuurgeschiedenis --- kunst en wetenschap --- Art et sciences --- Histoire

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In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a kind of knowledge available only to experts in the respective fields. With contributions by historians of art and historians of science, and with geographic coverage focusing on the Low Countries and their multiple connections to different parts of the world, this volume reframes recent scholarship on what the editors term 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to what was then called the 'science' (scientia) of art, to artistic expertise and connoisseurship, and to 'secrets of art and nature.'

art [fine art] --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- knowledge --- technical art history --- Arts, European --- Aesthetics --- European arts --- History. --- History of civilization --- History --- Radio broadcasting Aesthetics --- art [discipline] --- kunst en wetenschap

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Drawing --- spacecraft --- art [fine art] --- drawing [image-making] --- submersibles --- balloons [aircraft] --- Iconography --- Art --- Panamarenko --- Belgium --- drawing and drawing techniques --- tekenkunst --- 7.071 PANAMARENKO --- 625 Beeldende kunst --- 7.038 --- 7.07 --- Beeldende kunst ; 1960-2003 ; Panamarenko --- Belgische kunstenaars --- Happenings --- Installaties --- Kunst en wetenschap --- Panamarenko (pseudoniem van Henri Van Herreweghe) °1940 (°Antwerpen, België) --- Van Herreweghe, Henri --- 741.071 PANAMARENKO --- België --- installaties --- kunst en wetenschap --- kunst --- tekeningen, teksten en vormgeving Panamarenko --- twintigste eeuw --- 7.071(493) --- kunst 20e eeuw --- kunst 21e eeuw --- 736.8 --- 20e eeuw --- 705.8 --- vliegers --- zeppelins --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--PANAMARENKO --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Belgische kunstenaars vanaf 2e helft 19e eeuw --- kunstgeschiedenis, 20e eeuw --- drawing techniques --- 790 --- kunst 20ste eeuw --- kunstenaars --- artistes --- art [discipline] --- vliegen

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Joris Hoefnagel (1542–1600) a internationalisé la peinture miniature flamande au XVIe siècle comme pratiquement aucun autre artiste. Il a également enrichi les sciences naturelles, en particulier l'entomologie, avec son observation fine avec des représentations exquises. En regardant ses œuvres époustouflantes, il semble d'autant plus étonnant qu'il a développé son talent d'autodidacte. Joris Hoefnagel appartient au cercle des artistes et humanistes hautement qualifiés qui ont travaillé dans les plus importantes cours européennes à la fin du XVIe siècle. C'est dans cet environnement que ses illuminations surgissent dans de vastes codex de contenu spirituel et profane. Après avoir terminé un apprentissage de peintre à Anvers, son fils Jacob Hoefnagel (1573–1632/33) a suivi les traces de son père à la cour impériale de Prague et excellait dans les œuvres de chambre, mais se concentrait principalement sur les scènes mythologiques et allégoriques. Avec un œil analytique et des textes scientifiquement fondés, le volume richement illustré introduit les mondes picturaux des miniaturistes, qui étonnent l'admiration du spectateur alors comme aujourd'hui.

Art and science --- Miniature painting, Flemish --- Flemish miniature painting --- Science and art --- History --- Hoefnagel, Joris, --- Hoefnagel, Jacob, --- Hoefnaghel, Joris, --- Hoefnagelius, Georgious, --- Hoefnagel, Georgius, --- Hoefnagel, Georg, --- 75 HOEFNAGEL, JORIS --- 76:655.5 --- 76 <493> "16" --- 76 <493> "16" Grafische kunsten. Grafiek. Prentkunst--België--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--België--17e eeuw. Periode 1600-1699 --- 75 HOEFNAGEL, JORIS Schilderkunst--HOEFNAGEL, JORIS --- Schilderkunst--HOEFNAGEL, JORIS --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- miniatures [paintings] --- Hoefnagel, Joris --- Hoefnagel, Jacob --- Science --- art [fine art] --- anno 1500-1599 --- Hoefnagel, Joris, - 1542-1601 --- Hoefnagel, Jacob, - 1575-1630? --- invloed van Vlaamse school --- kunst en wetenschap --- art [discipline]