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copies [derivative objects] --- Rubens, Peter Paul --- Art, German --- Art, Netherlandish --- Art --- Copying --- Rubens, Peter Paul, --- Copying. --- 759.04 --- 759.9493 --- Arts Painting 1600 - 1800 --- Arts Painting Belgium --- Adaptations, Art --- Netherlandish art --- German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- Technique --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Catalogues raisonnés --- Art [German ] --- Art [Netherlandish ] --- Adaptations --- Rubens, Petrus Paulus, --- Art, German - Copying --- Art, Netherlandish - Copying --- Art - Adaptations --- Rubens, Petrus Paulus, - 1577-1640 --- Rubens, Peter Paul, - 1577-1640 - Catalogues raisonnés --- Rubens, petrus paulus (1577-1640) --- Nederlandse school --- invloed van Duitse school --- Rubens, Peter Paul, - 1577-1640
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"Examines internet virality as a critical framework for considering early modern artworks' global mobility and replication. Explores the role of artistic labor, gatekeepers, infrastructures, and social networks to reassess art's role in processes of globalization"--
Art
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art history
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globalization
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replicas
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Vos, de, Maarten
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Michael [Archangel]
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anno 1500-1799
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Art and globalization
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Art and globalization.
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Rezeption.
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Druckgrafik.
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Illustration.
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History
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Reproduction
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Copying
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Reproduction.
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Vos, Maarten de,
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Nadal, Gerónimo
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Michael
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Vos, Maarten <
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"This book excavates the unequaled reception of Flemish artist Peter Paul Rubens in Latin America in the form of prints made after his works, arguing that colonial artists in the New World forged new frameworks for artistic creativity by conforming to European printed designs"--
Art, Latin American --- Prints, European --- Art, Colonial --- European influences --- Copying --- Rubens, Peter Paul, --- Influence --- Influence. --- Art, Spanish American --- Latin American art --- Colonial art --- European prints --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Graphic arts --- prints [visual works] --- influence --- copies [derivative objects] --- anno 1600-1699 --- anno 1700-1799 --- Latin America --- Colonial Latin American fine arts styles --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Art, Latin American - European influences --- Prints, European - Copying --- Art, Colonial - Latin America --- Art, Latin American - 17th century --- Art, Latin American - 18th century --- Rubens, Peter Paul, - 1577-1640 - Influence --- Rubens, Peter Paul, - Sir, - 1577-1640 --- Rubens, Peter Paul, - 1577-1640 --- European influences. --- Copying.
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Book history --- Melk --- Monastic libraries --- Scriptoria --- Manuscripts, Latin (Medieval and modern) --- History. --- Stift Melk. --- Catalogs. --- 091 <436 MELK> --- 091 <064> --- -Monastic libraries --- -Scriptoria --- -Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Religious libraries --- Medieval and modern Latin manuscripts --- Manuscripts, Medieval --- Handschriftenkunde. Handschriftencatalogi--Oostenrijk--MELK --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Catalogs --- History --- Reproduction --- Stift Melk. Stiftsbibliothek --- -Stift Melk. Stiftsbibliothek --- -Catalogs --- -Handschriftenkunde. Handschriftencatalogi--Oostenrijk--MELK --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091 <436 MELK> Handschriftenkunde. Handschriftencatalogi--Oostenrijk--MELK --- Copying rooms --- Melk (Austria). --- Melker Stiftsbibliothek --- Melk. Benediktiner-Stift --- Bibliothek des Benedictiner-Stiftes Melk --- Monastic libraries - Austria - Melk - History. --- Scriptoria - Austria - Melk - History. --- Manuscripts, Latin (Medieval and modern) - Austria - Melk. --- Manuscripts, Latin (Medieval and modern) - Austria - Melk - Catalogs. --- Catalogue de manuscrits --- Stiftsbibliothek
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Graphic arts
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Rubensgrafiek
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Rubens, Peter Paul
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Arts graphiques
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Catalogues d'expositions
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Grafische kunst
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Rubens, Pierre Paul
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Tentoonstellingscatalogi
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Engraving
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Rubens, Peter Paul,
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Influence
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Exhibitions
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#BIBC:ruil
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History
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Graphic arts
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Raimondi, Marcantonio
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Dürer, Albrecht
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Raphael
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anno 1500-1599
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Italy
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Prints, Renaissance
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Artistic collaboration
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Art
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Estampe de la Renaissance
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Collaboration artistique
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Reproduction
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Histoire
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Raimondi, Marcantonio,
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Raphael,
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Dürer, Albrecht,
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Criticism and interpretation.
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Copying
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Dürer, Albrecht,
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Criticism and interpretation
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76 <45> "15"
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7.026
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094.1 <45 VENEZIA>
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Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599
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Kunstwerken: copiëren; reproduceren; facsimile's
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Oude drukken: bibliografie--
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Manuscripts. Epigraphy. Paleography --- anno 1400-1499 --- Great Britain --- Books --- Scriptoria --- Manuscripts, Medieval --- Book industries and trade --- Publishers and publishing --- Livres --- Scriptoriums --- Manuscrits médiévaux --- Editeurs et édition --- History. --- History --- Histoire --- Industrie --- Grande-Bretagne --- Intellectual life --- Vie intellectuelle --- 091 <41> --- 093.1 <41> --- 655.4 <41> --- -Books --- -Manuscripts, Medieval --- -Publishers and publishing --- -Scriptoria --- -Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Book publishing --- Booksellers and bookselling --- Medieval manuscripts --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Book trade --- Cultural industries --- Manufacturing industries --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Incunabelen: bibliografie--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Uitgeverij. Boekhandel--algemeen--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Reproduction --- Publishing --- -Book industries and trade --- -Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -091 <41> --- 093.1 <41> Incunabelen: bibliografie--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- -Manuscripts. Epigraphy. Paleography --- Manuscrits médiévaux --- Editeurs et édition --- books --- book history --- manuscripts [documents] --- reading culture --- Copying rooms --- Manuscripts [Medieval ] --- England --- Medieval period, 1066-1485 --- Books - Great Britain - History. --- Scriptoria - Great Britain - History. --- Manuscripts, Medieval - Great Britain - History. --- Book industries and trade - Great Britain - History. --- Publishers and publishing - Great Britain - History.
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Consacré au livre de musique - livre contenant de la notation musicale ou traitant de théorie de la musique, livre manuscrit et imprimé -, cet ouvrage est issu de quatre conférences prononcées en 2003 par Catherine Massip, directeur du département de la Musique de la Bibliothèque nationale de France. L'Antiquité grecque, qui considère la musique comme une science, lègue à l'Occident latin puis médiéval la géniale théorie de Pythagore sur la nature du son. Au Moyen-Âge des centaines de manuscrits, produits dans les monastères et les abbayes, transmettent les écrits théoriques des Boèce, Cassiodore, Isidore de Séville et Gui d'Arezzo ; ils gardent aussi la mémoire de la musique servant à la liturgie - grâce à des systèmes de notation en constante évolution - ou bien celle de la musique profane des troubadours et des trouvères. Les premiers " livres d'auteurs" voient le jour avec le Roman de Fauve !, les ouvrages de Guillaume de Machaut ou le chef-d'oeuvre courtois réalisé pour Jean de Montchenu : le Chansonnier cordiforme. L'édition imprimée, qui se développe à partir de 1501, à Venise, avec Ottaviano Petrucci, et à Paris, à partir de 1528, est associée au développement de la chanson polyphonique et adopte le format oblong qu'elle gardera longtemps, tout en conservant certains aspects de présentation des manuscrits. Au XVIIe siècle, elle joue, pour de grands compositeurs comme Frescobaldi, Gesualdo ou Monteverdi, et, au XVIIIesiècle pour les nouvelles formes de la musique instrumentale (sonate, symphonie), un rôle de diffusion massive, même si en Italie l'édition décline au XVIIIe siècle au profit du manuscrit, plus adapté à la diffusion de l'opéra. En France, l'époque baroque, qui est celle des ballets de cour, des grands motets, des partitions d'opéras sorties des presses des Ballard, est aussi celle des collections et de l'émergence des manuscrits autographes (M.-A. Charpentier, J.-Ph. Rameau). Depuis la fin du XVIIIe siècle, le manuscrit autographe est considéré comme le témoin privilégié du travail du compositeur (la BNF conserve des manuscrits de Haydn, Mozart, Beethoven), connu aussi par d'autres sources comme les éditions, épreuves corrigées, livrets, correspondances, mémoires. C'est encore grâce aux manuscrits qu'au XXe siècle des études génétiques peuvent être consacrées à Debussy, Stravinsky, Honegger, Milhaud, Jolivet ou Messiaen. Cette synthèse illustrée et érudite, qui brasse et ordonne l'ensemble des collections de musique de la BNF, dessine en parallèle une véritable histoire du livre de musique à l'échelle de l'Europe, tout en évoquant d'autres termes : l'évolution de la notation musicale, les centres de production, les liens entre texte, musique et peinture, mais aussi le devenir du livre de musique "dématérialisé" au XXe siècle par des compositeurs comme Xenakis...Index, glossaire et illustrations guident le lecteur, qu'il soit néophyte ou musicologue chevronné, dans cette découverte des sources d'une histoire commune au livre et à la musique.
Musical notation --- Music --- Music publishing --- Dissemination of music --- History --- Manuscripts --- autographs [manuscripts] --- 091:78 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music trade --- Publishers and publishing --- Music printing --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical --- Circulation of music --- Music dissemination --- Music and globalization --- 091:78 Handschriften i.v.m. muziek --- Handschriften i.v.m. muziek --- Manuscripts&delete& --- Publishing --- Circulation --- Book history --- Manuscripts. Epigraphy. Paleography --- manuscripts [documents] --- Bibliothèque nationale de France --- Catalogs --- Congresses --- Editing --- Musical notation - History --- Music - Manuscripts - History --- Music publishing - History --- Dissemination of music - History --- Bijbelstudie --- Ondersteuning --- muziekdruk
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Manuscripts. Epigraphy. Paleography --- anno 1400-1499 --- Italy --- Handschriften --- Manuscrits --- Paleography, Italian --- Writing, Humanistic --- Parchment --- Books --- Scriptoria --- Manuscripts, Renaissance --- Manuscripts, Latin (Medieval and modern) --- Paléographie italienne --- Écriture humanistique --- Parchemin --- Livres --- Scriptoriums --- Manuscrits de la Renaissance --- Manuscrits latins médiévaux et modernes --- History --- Union lists --- Histoire --- Catalogues collectifs --- 091.14 --- 091 <45> --- -Scriptoria --- -Manuscripts, Renaissance --- -Manuscripts, Latin (Medieval and modern) --- -Renaissance manuscripts --- Medieval and modern Latin manuscripts --- Manuscripts, Medieval --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Vellum --- Hides and skins --- Paper --- Humanistic writing --- Neo-Caroline script --- Paleography --- Penmanship --- Italian paleography --- Codicologie. Codices. Scriptoria --- Handschriftenkunde. Handschriftencatalogi--Italië --- -Union lists --- Reproduction --- Paleography, Italian. --- Parchment. --- Writing, Humanistic. --- Union lists. --- -Codicologie. Codices. Scriptoria --- 091 <45> Handschriftenkunde. Handschriftencatalogi--Italië --- 091.14 Codicologie. Codices. Scriptoria --- -Vellum --- Renaissance manuscripts --- Paléographie italienne --- Écriture humanistique --- Manuscrits latins médiévaux et modernes --- Codicologie. --- Manuscrits en écriture humanistique. --- Handschriften in humanistisch schrift. --- Codicologie --- Manuscrits latins --- Écriture humanistique. --- Parchemin. --- Histoire. --- Histoire du livre. --- Books - Italy - History - 1400-1600 --- Scriptoria - Italy --- Manuscripts, Renaissance - Italy --- Manuscripts, Latin (Medieval and modern) - Italy --- Manuscripts, Renaissance - Union lists --- Manuscripts, Latin (Medieval and modern) - Union lists --- Mss codicographie et codicologie
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Book history --- anno 500-1499 --- Boeken --- Geschiedenis van de Middeleeuwen --- Histoire du Moyen Age --- Livres --- Books --- Libraries --- Manuscripts, Medieval --- Scriptoria --- Bibliothèques --- Manuscrits médiévaux --- Scriptoriums --- History --- Histoire --- Illumination of books and manuscripts, Medieval --- Learning and scholarship --- Congresses --- 02 "04/14" --- 091 --- 09 <035> --- 091.14 --- 091 "04/14" --- -Manuscripts, Medieval --- -Learning and scholarship --- -Illumination of books and manuscripts, Medieval --- -Books --- -Scriptoria --- -#RBIB:XTOF --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Erudition --- Scholarship --- Civilization --- Intellectual life --- Education --- Learned institutions and societies --- Research --- Scholars --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Painting, Medieval --- Medieval manuscripts --- Bibliotheekwezen: Middeleeuwen --- Handschriftenkunde. Handschriftencatalogi --- Handschriften. Oude en merkwaardige drukken. Curiosa--Grote handboeken. Compendia --- Codicologie. Codices. Scriptoria --- Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- -History --- Reproduction --- Illumination of books and manuscripts, Medieval. --- History. --- 091 "04/14" Handschriftenkunde. Handschriftencatalogi--Middeleeuwen --- 091.14 Codicologie. Codices. Scriptoria --- 09 <035> Handschriften. Oude en merkwaardige drukken. Curiosa--Grote handboeken. Compendia --- 091 Handschriftenkunde. Handschriftencatalogi --- 02 "04/14" Bibliotheekwezen: Middeleeuwen --- Bibliothèques --- Manuscrits médiévaux --- 400-1400 --- Learning and scholarship - History - Medieval, 500-1500 --- Scriptoria - History --- Scriptoria - History - Europe --- Books - History - 1400-1600 --- Manuscripts, Medieval - History --- Learning and scholarship - History - Medieval, 500-1500 - Congresses --- Books - History - 400-1400 - Europe --- Histoire du livre --- Moyen age --- HISTOIRE DU LIVRE --- MANUSCRITS LATINS MEDIEVAUX ET MODERNES --- LIVRES RARES --- LIVRES ET LECTURE --- LATIN (LANGUE) MEDIEVAL ET MODERNE --- PALEOGRAPHIE --- MOYEN AGE
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