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Painting landscapes was very much a private activity for Peter Paul Rubens. Whilst the majority of his other works were commissioned, the landscapes seem to have been painted for his own pleasure and delight and stayed in the artist’ s possession until his death. Most of them were painted in the last decade of his life; a happy period, in which Rubens retired from public duties and spent most of his free time studying the antique and enjoying sojourns on his country estate, castle Het Steen.0To grasp this profoundly personal character of Rubens’ s landscapes, this book considers the artist’ s highly complex method of pictorial invention to illuminate the perception, implementation, dissemination, and posthumous reception of views on nature and landscape as depicted in Rubens’ s landscape art.
Nature --- landscapes [representations] --- Rubens, Peter Paul --- Painters --- Landscape painting, Flemish --- Landscape prints, Flemish --- Peintres --- Peinture de paysages flamande --- Estampe de paysages flamande --- Attitudes --- Rubens, Peter Paul, --- Painting, Flemish --- Landscape prints, Dutch --- Nature in art. --- Nature (Aesthetics) --- Landscapes in art. --- History --- Criticism and interpretation. --- Themes, motives. --- Nature in art --- Landscapes in art --- Criticism and interpretation --- Themes, motives --- Painting, Flemish - 17th century --- Landscape painting, Flemish - 17th century --- Landscape prints, Dutch - 17th century --- Nature (Aesthetics) - History - 17th century --- Rubens, Peter Paul, - 1577-1640 - Criticism and interpretation --- Rubens, Peter Paul, - 1577-1640 - Themes, motives --- Rubens, Peter Paul, - 1577-1640
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Art --- Aesthetics --- Esthétique --- Philosophy --- Moral and ethical aspects --- Psychology --- Philosophie --- Aspect moral --- Psychologie --- Musée du Louvre --- symbolisme --- performance --- hedendaagse kunst --- waanzin --- misdaad --- Dood --- verminking --- ogen --- schreeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Avant-garde (Aesthetics) --- Art, Modern --- Regression (Civilization) in art --- Suffering in art --- History --- Exhibitions --- 75.03 --- CDL --- Romney, George, --- Fuseli, Henry, --- Blake, William, --- Goya, Francisco, --- Klein, Yves, --- Pollock, Jackson, --- Magritte, René, --- Schwarzkogler, Rudolf, --- Romney, G. --- Magritte, --- Magritt, Rene, --- Pollock, Paul Jackson, --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- גויה, פראנסיסקו, --- ゴヤ, --- Blake, W. --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם --- בלייק, ויליאם --- Füssli, Johann Heinrich, --- Fusely, Henry, --- Füessli, Henry, --- Fi︠u︡zeli, Genry, --- Esthétique --- Musée du Louvre --- Musée du Louvre. --- Moral and ethical aspects. --- בליק, ויליאם, --- בלייק, ויליאם, --- emotionele ziektes, waanzin, krankzinnigheid --- Avant-garde (Aesthetics) - History - 20th century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Regression (Civilization) in art - Exhibitions. --- Suffering in art - Exhibitions. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw.
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