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Using a range of methodological strategies and examining material from different media, ranging from illuminated manuscripts to wall painting, stained glass windows, and monumental sculpture, the articles in this volume show how different arboreal structures were conceived, employed, and appropriated by their specific contexts, how they functioned in their original framework, and how they were perceived by their audience.

Semiotics --- Iconography --- trees --- History of civilization --- anno 500-1499 --- Europe --- Art, Medieval --- Symbolism in art --- Trees in art --- Art médiéval --- Symbolisme dans l'art --- Arbres dans l'art --- Trees --- Christian art and symbolism --- Visual communication --- Symbolic aspects --- History --- Religious aspects --- Christianity --- Themes, motives --- Art médiéval --- Trees - Symbolic aspects - Europe - History - To 1500 - Congresses --- Trees in art - Congresses --- Trees - Religious aspects - Christianity - Congresses --- Christian art and symbolism - Medieval, 500-1500 - Congresses --- Symbolism in art - Europe - History - To 1500 - Congresses --- Art, Medieval - Themes, motives - Congresses --- Visual communication - Europe - History --- Trees - Religious aspects - Congresses --- trees [woody plants]