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'The Best Sculptor' is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world?s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.

Sculpture --- altarpieces --- saints --- woodcarvers [woodworkers] --- Borman [Family] --- Belgium --- Borman (Family : --- Exhibitions --- Sculpture de la Renaissance --- Catalogues d'exposition. --- Borman (famille) --- Catalogues raisonnés. --- Sculpture, Flemish --- Flemish sculpture --- Borreman, Jan, --- Borman (Family : active 15th-16th century) --- Borman, Jan, --- Altarpieces, Renaissance --- Altarpieces, Flemish --- Sculptors --- Boarman family --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Altarpieces --- Exhibitions. --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- gotiek --- renaissance --- techniek --- Borman (familie) --- 15de eeuw --- 16de eeuw --- Antwerpen --- Brussel --- Leuven --- 726.3 --- Beeldsnijkunst--Brabant (hertogdom) --- Borman, Jan --- Borman --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture [Renaissance ] --- Borman (Family : - active 15th-16th century) - Exhibitions --- Borman (Family : - active 15th-16th century) --- techniek. --- gotiek. --- Borman (familie). --- 15de eeuw. --- 16de eeuw. --- Leuven. --- Brussel. --- Antwerpen. --- Christelijke kunst --- Borreman (Family : active 15th-16th century)

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diptychs --- Painting --- Vlaamse Primitieven --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- Netherlands --- diptieken --- 75.033.5 --- Schilderkunst ; Vlaanderen ; 15de eeuw --- Schilderkunst ; Vlaamse Primitieven --- Tweeluiken ; diptieken --- Tentoonstellingscatalogi ; Antwerpen ; Kon. Mus. voor Schone Kunsten --- Schilderkunst ; Late-middeleeuwen ; Gotiek --- Exhibitions --- Diptychs --- Panel painting [Flemish ] --- 15th century --- 16th century --- Early Netherlandish --- Vlaamse primitieven --- diptieken. --- Vlaamse primitieven.

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sculpting --- silver [metal] --- drawing [image-making] --- painting [image-making] --- decorative arts --- Art --- anno 1600-1699 --- anno 1500-1599 --- Painting --- Netherlands --- Mander, Carel van, --- prints [visual works] --- Art, Dutch --- Painting, Dutch --- 7.034 --- 75.034 --- Schilderkunst ; Nederland ; Gouden Eeuw --- Dutch painting --- Dutch art --- Ploeg (Group of artists) --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Schilderkunst ; Renaissance. Barok. Rococo --- 7 <492> "15/16" --- #A9406A --- 7 <492> "15/16" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--?"15/16" --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--?"15/16" --- Exhibitions --- geschiedenis --- Van Mander, Carel --- 1580 - 1620 --- 16de eeuw --- 17de eeuw --- Noordelijke Nederlanden --- Art [Renaissance ] --- Art [Modern ] --- 17th-18th centuries --- Art [Dutch ] --- decorative arts [discipline] --- Nieuwe Ploeg (Group of artists) --- CDL --- Painting, Dutch - 17th century --- Art, Dutch - 16th century --- Art, Dutch - 17th century --- Painting, Dutch - 16th century --- geschiedenis. --- van Mander, Karel I. --- 1580 - 1620. --- 16de eeuw. --- 17de eeuw. --- Noordelijke Nederlanden. --- Hollandse school --- Nederlandse school --- van Mander, Karel I

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L'exposition "Florence, portraits à la cour des Médicis" présente un panorama de l'art du portrait au XVIe siècle dans la capitale toscane. A travers le regard des peintres expérimentant de nouvelles manières de représenter leurs contemporains, elle permet d'apprécier l'évolution stylistique du cinquecento, siècle particulièrement mouvementé sur le plan culturel et religieux, et retrace l'histoire des Médicis, leur accession au pouvoir et la consécration de leur dynastie. Ce sera l'occasion d'apprécier la virtuosité du travail d'Andrea del Sarto, surnommé par Vasari le "peintre sans erreurs", mais aussi le premier maniérisme, incarné par Pontormo, ainsi que les chefs-d'oeuvre de Bronzino, dont le sens achevé de la sophistication, qui répondait aux codes de représentation imposés par la cour des Médicis, a profondément marqué l'art de cette époque.

Painting --- Medici, de [Family] --- anno 1500-1599 --- Florence --- Portrait painting, Renaissance --- Peinture de portraits de la Renaissance --- Exhibitions --- Expositions --- Médicis, House of --- portretten --- geschiedenis --- hofkunst --- Medici, de (familie) --- Raphaël --- Vasari, Giorgio --- 16de eeuw --- Firenze --- Peinture de portraits --- Médicis, House of --- painting [image-making] --- portraits --- Portrait painting --- Florence (Italy) --- 16th century --- De' Medici (familie) --- portretten. --- geschiedenis. --- hofkunst. --- De' Medici (familie). --- Rafaël. --- Vasari, Giorgio. --- 16de eeuw. --- Firenze. --- Rafaël

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"Pieter Bruegel the Elder. Art discourse in the sixteenth-century Netherlands" examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfolds in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in front of pictures and the way in which pictorial strategies facilitated their visual experience and challenged their analytical capabilities.

Bruegel, Pieter [Elder] --- Art and society --- Art et société --- History --- Histoire --- Bruegel, Pieter, --- Criticism and interpretation --- Criticism and interpretation. --- Art et société --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Bruegel, Pieter --- Bolugaier --- Breĭgelʹ, Piter --- Brʹogel, Piter --- Broigel, Peṭer --- Bruegel, Pierre --- Bruegel, --- Brueghel, Pieter --- Bryūgeru, Pītā --- Po-lu-kai-erh --- Breughel, Pieter --- Breugel, Pieter --- Bolugaier, --- Breĭgelʹ, Piter, --- Brʹogel, Piter, --- Broigel, Peṭer, --- Breughel de Oude, Pieter --- Bruegel, Pierre, --- Brueghel, Pieter, --- Bryūgeru, Pītā, --- Po-lu-kai-erh, --- ברויגל, פיטר --- Art and society - Netherlands - History - 16th century --- Bruegel, Pieter, - ca. 1525-1569 - Criticism and interpretation --- Bruegel, Pieter, - ca. 1525-1569