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History of civilization --- art [discipline] --- social history --- employment [general economic concept] --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- Belgium

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Photography --- journalistic photography --- social history --- gender issues --- Bode, Arnold --- Kienholz, Edward --- Brock, Bazon --- Kadishman, Menashe --- Segal, George --- Lebeck, Robert --- Beuys, Joseph --- Wesselmann, Tom --- Schreib, Werner --- Rauschenberg, Robert --- Vostell, Wolf --- anno 1960-1969

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"In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production and constrained his public reputation"--

Modernism (Art) --- Art and society --- J6008.80 --- J2284.80 --- J4000.80 --- History --- Japan: Art and antiquities -- history -- Gendai (1926- ), Shōwa period, 20th century --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- Japan: Social history, history of civilization -- Gendai (1926- ), Shōwa period, 20th century --- Noguchi, Isamu, --- ノグチイサム, --- 野口イサム, --- 野口勇, --- Criticism and interpretation. --- Art --- sculpture [visual works] --- public art --- ethnicity --- race [group of people] --- identity --- Noguchi, Isamu --- anno 1930-1939 --- anno 1940-1949

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""What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?" Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany's darkest period, Petropoulos shows how individuals variously dealt with the regime's public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gru��ndgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions"--

National Socialism --- art [fine art] --- collaboratie (kunst) --- Art --- Hindemith, Paul --- Nolde, Emil --- Speer, Albert --- Riefenstahl, Leni --- Strauss, Richard --- Gropius, Walter --- Breker, Arno --- Benn, Gottfried --- Barlach, Ernst H. --- anno 1940-1949 --- Germany --- National socialism and art. --- Arts, German --- Artists --- Nazisme et art --- Arts allemands --- Artistes --- Social conditions --- Conditions sociales --- Allemagne --- HISTORY / Europe / Germany. --- HISTORY / Modern / 20th Century. --- HISTORY / Social History. --- BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers. --- BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians. --- Nazisme en kunst --- Propaganda --- Politiek --- National socialism and art --- Maatschappij --- Film --- Arts, German - 20th century --- Artists - Germany - Social conditions - 20th century --- Germany - Social conditions - 20th century --- Oorlog --- Oorlogspropaganda --- art [discipline]

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The first encompassing publication on the work of Adam Pendleton, one of the most formally inventive and conceptually rigorous American artists working todayAdam Pendleton's original and powerful body of work has been described as the embodiment of a new era. His multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.A rising star in the international art scene, Pendleton is currently represented by PACE in New York, London, and Hong Kong; Shane Campbell in Chicago; David Kordansky in Los Angeles; Max Hetzler in Berlin; Pedro Cera in Lisbon; and Eva Presenhuber in Zurich.

Art --- installations [visual works] --- spray painting --- social history --- racial discrimination --- video art --- easel paintings [paintings by form] --- texts [documents] --- black-and-white [colors] --- graffiti art --- Pendleton, Adam --- Artists --- kunst --- 7.071 PENDLETON --- boekdesign --- boeken --- Black Dada --- kunst en politiek --- performances --- performance --- collages --- collage --- film --- Afro-Amerikaanse kunst --- Verenigde Staten --- eenentwintigste eeuw --- Pendleton Adam --- Pendleton, Adam, --- Criticism and interpretation. --- Thema's in de kunst ; Black Lives Matter --- Beeldende kunst ; Verenigde Staten ; 21ste eeuw --- Beeldende kunst ; 21ste eeuw ; Black Dada --- Pendelton, Adam (°1984, Richmond, Virginia) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- paintings [visual works]