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"Gordon Matta-Clark (1943-1978) has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for un-building abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an oeuvre that has made him an enduring cult figure. In 2002, when Gordon Matta-Clark's widow, Jane Crawford, put his archive on deposit at the Canadian Centre for Architecture in Montreal, it revealed a new voice in the ongoing discussion of artist/architect Matta-Clark's work: his own. Gwendolyn Owens and Philip Ursprung's careful selection and ordering of letters, interviews, statements, and the now-famous art cards from the CCA as well as other sources deepens our understanding of one of the most original thinkers of his generation. Gordon Matta-Clark: An Archival Sourcebook creates a multidimensional portrait that provides an opportunity for readers to explore and enjoy the complexity and contradiction that was Gordon Matta-Clark"--

Matta-Clark, Gordon, --- Art and architecture --- Conceptual art --- Site-specific art --- Art --- Architecture --- fonds [collections] --- Matta-Clark, Gordon

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Met Contact verbindt Maarten Inghels (1988) nieuwe poëzie, beeld en performance. Zijn gedichten verschenen als tatoeage (‘Honger’), als enquête waarin hij de staat van de samenleving opvroeg (‘Volksbevraging’), en werden geplant met eetbare zaadjes (‘Wanneer wij zomer zaaien in elkaar’). Ook maakte Inghels een voettocht langs de Schelde van bron tot monding, om de stroom te controleren op onregelmatigheden en oneffenheden. Met ‘The Invisible Route’ publiceerde hij een kaart met daarop alle camera’s in Antwerpen en de laatste route om onzichtbaar door de stad te dwalen.

Dutch literature --- privacy --- performance art --- walking tours --- surveillance cameras --- seed [material] --- tattoos --- Inghels, Maarten --- Scheldt --- Antwerp --- Photography, Artistic. --- Performance art --- Site-specific art. --- Performance art. --- Antwerp (Belgium) --- Belgium. --- Belgium --- In art.

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sculpting --- color [perceived attribute] --- installations [visual works] --- public spaces --- commissions [orders for works] --- site-specific works --- Art --- Buren, Daniel --- Site-specific art --- Oeuvres in situ --- Guy Lelong --- kunst --- schilderkunst --- installaties --- twintigste eeuw --- Buren Daniël --- Frankrijk --- 75.071 BUREN --- Site art --- Site-specific arts --- Arts, Modern --- Criticism and interpretation.

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"Christo (born 1935) and Jeanne-Claude (1935–2009) have always compared their work to that of urban planners. And it is true that the projects they have carried out around the world since the 1960s not only have huge dimensions but are also at the center of public debates and disputes. The very fact that their projects are subject to approval by local authorities makes them sometimes resemble public construction projects more than works of art. For the first time, this book gives a comprehensive account of Christo and Jeanne-Claude’s urban projects. It presents preparatory drawings, collages and models for many little-known works from the artists’ early career, some of which were never carried out, such as the planned wrapping of several New York City skyscrapers, as well as the spectacular large-scale projects of later years, such as the wrapping of the Pont Neuf bridge in Paris in 1985, the wrapping of the Reichstag building in Berlin in 1995 and the 2005 installation The Gates in New York’s Central Park. In two detailed essays, the authors of the book explore Christo’s extraordinary talent for drawing and investigate the artists’ ambivalent perspective on urban space, which oscillates between a powerful critique of the city’s impersonal modernism and a tribute to the liberal, democratic use of urban areas"--Publisher's website.

7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Christo, --- Jeanne-Claude, --- Javatcheff, Christo, --- Явашев, Христо, --- Ĭavashev, Khristo, --- Javacheff, Christo, --- Javacheff, Christo Vladimirov, --- كريستو، --- Guillebon, Jeanne-Claude de, --- De Guillebon, Jeanne-Claude, --- Denat de Guillebon, Jeanne-Claude, --- Жан-Клод, --- Zhan-Klod, --- Exhibitions --- 7.038 --- Land Art ; landschapskunst ; 1961-2003 ; Christo & Jeanne-Claude --- Landschappen ; kunstzinnige ingrepen ; Land Art --- Nouveau Réalisme --- Kunstenaarskoppels ; Christo en Jeanne-Claude --- Omgevingskunst ; 20ste en 21ste eeuw --- Christo (Christo Javacheff) °1935 (°Gabrovo, Bulgarije) --- Javacheff, Christo --- Jeanne-Claude (Jeanne-Claude de Guillebon) 1935-2009 (°Casablanca, Tunesië) --- De Guillebon, Jeanne-Claude --- Kunstgeschiedenis ; 1950 - 2000 --- public art --- sculpture [visual works] --- Art --- Christo --- Jeanne-Claude --- Yavashev, Hristo, --- Site-specific art --- Явашев, Христо Владимиров, , --- Site-specific art - Exhibitions --- Christo, - 1935- - Exhibitions --- Jeanne-Claude, - 1935-2009 - Exhibitions --- Christo, - 1935 --- -Jeanne-Claude, - 1935-2009

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Installations (Art) --- Site-specific art --- Performance art --- 7.07 --- 791.43.07 --- 741.5.07 --- Collages --- Performing arts ; dans ; theater --- Beeldende kunst ; 21ste eeuw ; 2002-2010 ; M. Dzama --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Site art --- Site-specific arts --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Exhibitions --- Art --- installations [visual works] --- drawing [image-making] --- performance art --- site-specific works --- Dzama, Marcel