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To accompany the Cruising Bye exhibition, this catalogue prolongs the experience of cruising (in the sense that it refers as much to sexual vagrancy and police patrols as stray dogs and queer flirtations), which Aline Bouvy invites us to experience at the MACS. Illustrated with a complete photoreportage of the exhibition, to enable an immersion in the heart of the artist’s work, it also includes an in-depth interview by the art critic Milena Oldfield with the artist about her practice and her sources of inspiration, along with an essay by Denis Gielen, curator of the exhibition. Aline Bouvy's catalogue takes the form of loitering, in that it is as much about sexual vagrancy and police patrols as stray dogs and queer flirtations. On the horizon of this poetic, transgressive deviation, we spy the utopia of a fluid sexuality which the visual artist assimilates less with pragmatic LGBT militancy than a permanent critique of the aesthetic and health codes which society uses to keep our bodies in check and contains its desires. Anticipating the end of mortifying inhibitions, her artistic approach undertakes an unbridled eroticisation of our environment by incorporating rundown materials, decadent postures and disused territories. Her multidisciplinary palette, alternating thermoformed Plexiglas, inlaid linoleums and remote-controlled vehicles, surprises the public through its infringement of good taste and its disregard for taboos.

kunst --- België --- grafiek --- installaties --- beeldhouwkunst --- LGBTQIA+ --- homoseksualiteit --- seksualiteit --- Bouvy Aline --- eenentwintigste eeuw --- Bouvy, Aline --- Aline Bouvy --- Macs, Belgien --- Überwachungsgesellschaft --- Installation --- Sexuelle Tabus --- Zeitgenössische Kunst --- Body Politics --- Bildende Kunst --- Ausstellung --- Art --- collages [visual works] --- sculpture [visual works] --- sexuality --- homosexuality --- wall pieces --- Canis familiaris [species] --- political art --- policemen --- gender