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Art --- multimedia works --- revolutions --- fantasy [imagination] --- video art --- sound art --- Rose, Rachel --- Rose, Rachel,
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"Une confiance d'enfant, une confiance qui va au-devant, espérante, qui vous soulève, confiance qui, entrant dans le brassage tumultueux de l'univers [...], devient un soulèvement plus grand, un soulèvement prodigieusement grand, un soulèvement extraordinaire, un soulèvement jamais connu, un soulèvement par-dessus soi, par-dessus tout, un soulèvement miraculeux qui est en même temps un acquiescement, un acquiescement sans borne, apaisant et excitant, un débordement et une libération, une contemplation, une soif de plus de libération, et pourtant à avoir peur que la poitrine ne cède dans cette bienheureuse joie excessive..." Henri Michaux, L'infini turbulent (1957). Ouvrage collectif de Nicole Brenez, Judith Butler, Marie José Mondzain, Antonio Negri et de Jacques Rancière. Édition publiée sous la direction de Georges Didi-Huberman.
kunst --- kunst en politiek --- kunsttheorie --- 7.036/039 --- 7.01 --- Exhibitions --- Révoltes --- Révolutions --- Émeutes --- Résistance politique --- Peuple --- Art et révolution --- Art --- Revolutions in art --- Révolutions dans l'art --- Art and revolutions --- Art et révolutions --- Dans l'art --- Catalogues d'exposition. --- Thèmes, motifs. --- Exhibitions. --- Expositions --- politics --- wars --- social conflict --- strikes [events] --- psychology --- suffering --- assassinations --- conflict [general sense] --- armed conflicts --- Révolutions dans l'art --- Art et révolutions --- Art et politique --- Activisme --- Philosophie de l'art --- opstand
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sculpture [visual works] --- assemblages [sculpture] --- revolutions --- terrorism --- texts [documents] --- virtue --- Daphne [Mythological character] --- Apollo [Mythological character] --- Finlay, Ian Hamilton
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Art --- suffering --- revolutions --- communism --- fascism --- kunst en politiek --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939
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Art --- revolutions --- wars --- religions [belief systems, cultures] --- protesting --- Finlay, Ian Hamilton --- Balincourt, de, Jules --- Julien, Isaac --- Mutu, Wangechi --- Neel, Alice --- Elmgreen & Dragset --- Aitken, Doug --- Kusama, Yayoi --- Tillmans, Wolfgang --- Ofili, Chris --- Sze, Sarah --- Tiravanija, Rirkrit --- Caniaris, Vlassis --- Prince, Richard
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Art --- art [discipline] --- safety --- revolutions --- wars --- poetry --- Sherzad, Zolaykha --- Hazara, Aziz --- Hamed Hassanzada , Mahdi --- Khademi, Kubra --- Ayreek, Kaveh --- Wahab Mohmand, Abdul --- Taasha, Mohsin --- Wahidy, Farzana --- Eshraq, Latif --- Herati, Morteza --- Laiq, Asar --- Afghanistan
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"An accessible and richly illustrated exploration of how art and design have driven major social and political change in the 21st century. Features the work of over 200 artists, from the famous such as Ai Weiwei and Shepard Fairey, to the anonymous influencers working through social media. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. Explores themes and issues such as popular uprisings (the Arab Spring, the London Riots) social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests Global in outlook, it features exciting work from emerging economies such as Brazil, Russia, China and the Middle East, as well as the US and Europe. Complements Phaidon titles 'Graphic agitation' and 'Graphic agitation 2' by providing insight to the art and design shaping today's global political landscape"
pollution --- wars --- social conflict --- political art --- terrorism --- revolutions --- art [fine art] --- multiculturalism --- dissident art --- social stratification --- Art --- anno 2000-2099 --- Art, Modern --- 754.49 --- affiches --- politiek --- oorlog --- welzijn --- socia --- Modern art --- Political aspects. --- Political aspects --- grafische vormgeving, volgens thema, overige --- MAD-faculty 15 --- grafisch design --- kunst en maatschappij --- Nieuwe Ploeg (Group of artists) --- art [discipline]
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kunst --- 7.01 --- cultuurfilosofie --- 130.2 --- 7.038/039 --- Afrika --- activisme --- kunst en politiek --- eenentwintigste eeuw --- twintigste eeuw --- nineties --- gender studies --- racisme --- feminisme --- kunsttheorie --- Art --- interviews --- painting [image-making] --- photography [process] --- revolutions --- performance art --- political art --- computers --- educators --- activists --- Böhm, Kathrin --- Chetwynd, Spartacus --- Ndiritu, Grace --- Sambunaris, Victoria --- Emsley, Laura --- Bacos, Nina --- Popp, Nancy --- Sterling, Lisha --- anno 1990-1999 --- Popular culture --- Book
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La société de réseau actuelle offre de nombreuses possibilités d'information, de communication, de mobilité et de flexibilité. Cependant, cela a un effet secondaire caché: cela rend le monde "plat", en d'autres termes: superficiel. Les hiérarchies, les traditions, les élites et les canons fiables et éprouvés par le temps sont sujets à l'érosion. Dans un monde aussi lissé et «horizontal», les institutions artistiques peinent à définir leur rôle. Après tout, les institutions existent dans une tradition de «verticalité»: profondeur historique, traditions, valeurs, dignité et certitude. Institutional Attitudes étudie l'identité que les institutions artistiques pourraient avoir à l'avenir. Pourront-ils retrouver de la profondeur et de la hauteur? Et est-ce souhaitable? Et si oui, à quoi ressemblera cette nouvelle verticalité? Ou sont-ils meilleurs pour développer des stratégies horizontales pour mieux répondre au monde «plat»? «Lorsque la planéité règne, nous ressentons tous le besoin de nous lever pour prendre l'air. C'est exactement cet espace de respiration que Institutional Attitudes espère créer. "
kunstfilosofie --- philosophy of art --- Philosophy and psychology of culture --- kunstbeleid --- kunstopvoeding --- art appreciation --- Art --- PBIB --- 7.01 --- 373.67.01 --- Kunsttheorie ; positie van de kunstinstituten in de digitale wereld --- Cultuurfilosofie ; de toekomst van culturele instellingen in het informaticatijdperk --- cultuurfilosofie --- sociologie --- communicatie --- informatietechnologie --- informatietheorie --- kunst --- kunstinstellingen --- 130.2 --- Institutionalisering --- Horizontale organisatie --- Kunsteducatie --- Kunstinstituten --- Sociale pedagogiek --- Culturele pedagogiek --- Kunst ; theorie, filosofie, esthetica --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- MAD-faculty 13 --- kunst en maatschappij --- Arts and society --- Arts --- Arts and revolutions --- Politics and culture --- Philosophie et art --- Politique et art --- Réseau --- Artiste, rôle --- Communication --- Sociologie de la communication --- Philosophy --- Arts - Philosophy
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sculpting --- Sculpture --- Painting --- sociology --- communism --- art [fine art] --- Iconography --- painting [image-making] --- Art --- dictatorships --- anno 1900-1999 --- anno 2000-2099 --- North Korea --- Arts --- Art and state --- Arts and society --- Socialist realism in art --- Art, Korean --- K9800.05 --- K9808.90 --- K9800.15 --- K9139.50 --- K9110.15 --- Korea: Art and antiquities -- North Korea --- Korea: Art and antiquities -- history -- North Korea (1945- ) --- Korea: Art and antiquities -- policy, legislation, guidelines, codes of behavior -- North Korea --- Korea: History -- historiography, theory and philosophy -- North Korea --- Korea: Archaeology and antiquities -- policy, legislation, guidelines, codes of behavior -- North Korea --- Art and society --- Art and revolutions --- Communism and art --- Socialism and art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Korea [North ] --- Arts - Korea (North) --- Art and state - Korea (North) --- Arts and society - Korea (North) --- Socialist realism in art - Korea (North) --- Art, Korean - Korea (North) --- K9139.90 --- art [discipline] --- kunst en politiek
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