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Iconography --- repetition (process) --- Art --- Mangold, Robert Peter --- Zaugg, Remy --- Johns, Jasper --- Pistoletto, Michelangelo --- Tàpies, Antonio --- Richter, Gerhard --- McCollum, Allan --- Warhol, Andy --- Rauschenberg, Robert --- Levine, Sherrie --- Martin, Agnes --- Art & Language --- anno 1900-1999 --- Art, Modern --- Repetition (Aesthetics) --- Répétition (Esthétique) --- Exhibitions. --- Expositions --- repetition [process] --- Répétition (Esthétique) --- Tàpies, Antoni
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Art --- art [discipline] --- repetition [process] --- anno 1990-1999 --- anno 2000-2009
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Art --- sculpture [visual works] --- painting [image-making] --- torsional stress --- monochrome --- repetition [artistic concept] --- Leblanc, Walter
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Piper, Adrian --- Art --- dance [discipline] --- video art --- performance art --- texts [documents] --- sound art --- repetition [artistic concept] --- dance [performing arts genre]
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Art --- installations [visual works] --- monumental [size or dimensions] --- site-specific works --- repetition [process] --- plastic [material] --- Karsten, Danuta
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Art --- installations [visual works] --- migration [function] --- public art --- light art --- found object sculpture --- water [inorganic material] --- repetition [artistic concept] --- Godinho, Marco
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Sculpture --- sculpture [visual works] --- public sculpture --- reliefs [sculptures] --- installations [visual works] --- mathematics --- wall pieces --- floor pieces --- repetition [artistic concept] --- Obrist, Ruth Maria
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Known for her intricate and distinct artistic language, Asawa produced numerous sculptures, drawings, and prints that are built on simple, repeated gestures that accumulate into complex compositions. Her works on paper and "continuous" looped-wire sculptures suggest a field of fluctuating positive and negative forms, a means of reshaping how we perceive the world. Personal motifs reappear throughout in the most comprehensive look at the artist's oeuvre to date -ceramic casts of faces of her family, friends, and neighbors; the carved front door Asawa and her family made for their home; and drawings of her children, grandchildren, and husband sleeping- all providing an expansive look into the artist's life. A document of the breathtaking and surprising exhibition Ruth Asawa: All Is Possible, organized by Helen Molesworth, this book records and expands upon the show, offering new insight from writers and curators with a selection of sixty-four works from Asawa's spectacular oeuvre. With an introduction by Molesworth, this book features focused texts from Makeda Best, Taylor Davis, Ruth Erickson, Briony Fer, Jennifer L. Roberts, and John Yau.
Art --- drawings [visual works] --- sculpture [visual works] --- fauna --- wire --- organic material --- repetition [process] --- human figures [visual works] --- thread --- portraits --- Asawa, Ruth
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Art --- masters theses --- identity --- repetition (process) --- psychology --- quotations [texts] --- Garabedian, Mekhitar --- repetition [process] --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Theses --- Beeldende kunst ; installaties ; 21ste eeuw ; M. Garabedian --- Kunst en maatschappij ; migratie ; oorlog ; diaspora --- Doctoraat in de kunsten --- Artistiek onderzoek --- Garabedian, Mekhitar °1977 (°Aleppo, Syrië) --- Kunst --- citaten [teksten] --- psychologie --- doctoraalscripties --- identiteit --- #breakthecanon --- memory --- reminiscences --- diaspora
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Sculpture --- sculpture [visual works] --- reliefs [sculptures] --- public art --- monumental [size or dimensions] --- boats --- containers [receptacles] --- stelae --- submarines --- airplanes --- zeppelins --- islands [landforms] --- repetition [artistic concept] --- Riera i Aragó, Josep M.
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