Listing 1 - 10 of 10 |
Sort by
|
Choose an application
Art --- installations [visual works] --- coffins --- mourning --- Conceptual --- Broodthaers, Marcel --- Lecomte, Marcel
Choose an application
Art --- drawings [visual works] --- prints [visual works] --- sculpture [visual works] --- suffering --- poverty --- wars --- mourning --- casualties --- Barlach, Ernst H. --- Kollwitz, Käthe --- dood
Choose an application
suffering --- wars --- Sculpture --- furniture --- assemblages [sculpture] --- sculpting --- installations [visual works] --- mourning --- politics --- biological material --- case furniture --- chairs [furniture forms] --- Salcedo, Doris --- Salcedo, Doris (1958-....) --- --suffering --- --Salcedo, Doris (1958-....) --- --Sculpture --- --Salcedo, Doris --- kunst in de openbare ruimte --- oorlogstrauma (kunst) --- trauma (kunst)
Choose an application
Iconography --- Sculpture --- Drawing --- drawing [image-making] --- war memorials --- monuments --- mourning --- sculpting --- terracotta [clay material] --- longing --- stone [worked rock] --- women [female humans] --- Flora --- Maillol, Aristide --- Pomona [Mythological character] --- Cézanne, Paul --- Debussy, Claude --- Venus [Mythological character] --- Banyuls-sur-Mer --- France
Choose an application
Memorials --- Memorialization --- Victims --- Nationalism and collective memory --- Monuments commémoratifs --- Commémorations --- Victimes --- Nationalisme et mémoire collective --- Social aspects --- Aspect social --- war memorials --- History --- mourning --- memorials [monuments] --- casualties --- memory --- nationalism --- Art --- United States --- memory [psychological concept] --- United States of America
Choose an application
Each persons grief is as unique as their fingerprint. But what everyone has in common is that no matter how they grieve, they share a need for their grief to be witnessed. David Kessler (2019) The pandemic has once again made us more aware of the fragility of life and the importance of being able to properly mourn the dead. Dramaturg Guy Cools has been researching laments and other rituals of mourning. He is particularly interested in how the emotions of loss need to be externalized. The laments are a formal device, used in many cultures to express and contain the emotions of grief. In a poetic, meandering, personal way Cools explores cultural habits, traditions, rituals, and artists performances. His narrative looks into many forms of laments: literary, anthropological, philosophical, and in contemporary art practices. The latter part delves into artistic strategies to address or embody mourning: dialogical strategies that deal with personal losses; collective mourning rituals and how they invite communities to witness these losses; contemporary examples of laments that are not only used to dialogue with the dead but also to communicate with loved ones who are absent because of migration or exile; a very specific form of mourning that occurs when we grieve for the unrealized potential of a child's unlived life, including that of an unborn child. And finally, the very recent phenomenon of lamenting not just the losses of the past, but also the loss of a future
kunst --- klaagliederen --- kunsttheorie --- antropologie --- etnologie --- etnografie --- cultuurfilosofie --- 39 --- 7.01 --- 130.2 --- dans --- dood --- rouw --- theater --- Art --- theater [discipline] --- grief --- performance art --- mourning --- dirges [documents] --- texts [documents] --- philosophy of art --- dances [performance events] --- Kunsttheorie ; over de dood ; het rouwen ; rouw --- Begrafenisrituelen --- Cultuurfilosofie ; rituelen --- Performances ; dans --- Kunst ; theorie, filosofie, esthetica --- dirges
Choose an application
A compelling look at Doris Salcedo's works from the past fifteen years, exploring how the artist challenges not only the limits of the materials she uses but also the traditions of sculpture itself. Colombian sculptor and installation artist Doris Salcedo (b. 1958) creates works that address political violence and oppression. This pioneering book, which focuses on Salcedo's works from 2001 to the present, examines the development and evolution of her approach. These sculptures have pushed toward new extremes, incorporating organic materials-rose petals, grass, soil-in order to blur the line between the permanent and the ephemeral. This insightful text illuminates the artist's practice: exhaustive personal interviews and deep research joined with painstaking acts of making that both challenge limits and set new directions in materiality. Mary Schneider Enriquez convincingly argues for viewing Salcedo's oeuvre not just through a particular theoretical lens, such as violence studies or trauma and memory studies, but for the profound way the artist engages with and expands the traditions of sculpture as a medium
Sculpture --- furniture --- sculpture [visual works] --- installations [visual works] --- suffering --- wars --- politics --- murders --- assassinations --- violence --- site-specific works --- mourning --- #breakthecanon --- Salcedo, Doris --- Colombia --- Thema's in de kunst ; geschiedenis ; herinnering --- Beeldende kunst ; Latijns-Amerika --- Kunst en politiek ; 20ste en 21ste eeuw --- Salcedo, Doris °1958 (°Bogota, Columbia) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Salcedo, Doris, --- murders [deaths]
Choose an application
Araneae [order] --- Art --- History --- Iconography --- psychology --- Sculpture --- art history --- art [fine art] --- mourning --- psychoanalysis --- sculpting --- parents --- eroticism --- Johns, Jasper --- Levine, Sherrie --- Jean, Marcel --- Giacometti, Alberto --- Bourgeois, Louise --- Hesse, Eva --- Miró, Joan --- Kusama, Yayoi --- Duchamp, Marcel --- Masson, André --- Brancusi, Constantin --- United States --- Mignon Nixon --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Bourgeois Louise --- Frankrijk --- installaties --- Verenigde Staten --- beeldhouwkunst --- psychoanalyse --- lichamelijkheid --- kunst en psychoanalyse --- feminisme --- gender studies --- Klein Melanie --- 7.071 BOURGEOIS --- Feminism and art. --- Psychoanalysis and art. --- Bourgeois, Louise, --- Feminism and art --- Psychoanalysis and art --- Art and psychoanalysis --- Art and feminism --- art [discipline] --- dood --- kunstpsychologie --- United States of America
Choose an application
wars --- sculpture [visual work] --- Sculpture --- mourning --- suffering --- war memorials --- Eerste Wereldoorlog --- drawings [visual works] --- monuments --- easel paintings [paintings by form] --- Gorsemann, Ernst --- Bossard, Johann Michael --- Behn, Fritz --- Mataré, Ewald --- Kollwitz, Käthe --- Hoetger, Bernhard --- Arp, Hans --- Barlach, Ernst H. --- Gerstel, Wilhelm --- Scharff, Edwin --- Lehmbruck, Wilhelm --- Marcks, Gerhard --- Kolbe, Georg --- anno 1910-1919 --- Wereldoorlog I --- beeldhouwkunst --- Barlach, Ernst --- Duitsland --- Dresden --- sculpture [visual works] --- Wereldoorlog I. --- sculptuur. --- Arp, Hans. --- Barlach, Ernst. --- Lehmbruck, Wilhelm. --- Kollwitz, Käthe. --- Behn, Fritz. --- Bossard, Johann Michael. --- Gerstel, Wilhelm. --- Gorsemann, Ernst. --- Hoetger, Bernhard. --- Kolbe, Georg. --- Marcks, Gerhard. --- Mataré, Ewald. --- Scharff, Edwin. --- Duitsland. --- Dresden. --- paintings [visual works] --- dood --- oorlogstrauma (kunst) --- sculptuur
Choose an application
In recent years, the world has seen the rise of white nationalism in America and the tragic persistence of violence against African-Americans. Featuring works by more than 30 artists and writings by scholars and art historians, this book - and its accompanying exhibition - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that Black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Okwui Enwezor, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Lisa Phillips, Claudia Rankine, and Christina Sharpe.
Art --- photographs --- sculpture [visual works] --- installations [visual works] --- grief --- racial discrimination --- civil rights --- video art --- performance art --- easel paintings [paintings by form] --- commemorations [events] --- mourning --- race [group of people] --- sound art --- African Americans in art --- Grief in art --- Art, American --- African Americans --- kunst --- eenentwintigste eeuw --- Verenigde Staten --- racisme --- afro-amerikanen --- kunst en samenleving --- kunst en maatschappij --- 7.039 --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Violence against --- Exhibitions --- Black people --- Racisme --- Colonialisme --- Noirs américains --- Chagrin --- Catalogues d'exposition --- African Americans in art. --- Art américain --- Art, American. --- Black lives matter movement --- Chagrin dans l'art --- Grief in art. --- Noirs américains dans l'art --- Violence against. --- 2000-2099. --- United States --- Race relations --- Psychological aspects --- paintings [visual works]
Listing 1 - 10 of 10 |
Sort by
|