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Sculpture --- Theatrical science --- installations [visual works] --- scenography [discipline] --- machines [general equipment] --- street theater [performing art] --- Delarozière, François --- La Machine --- Royal de Luxe

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“Machine art” is neither a movement nor a genre but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the twentieth century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration.

Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, in light of the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.

machines [general equipment] --- algorithmic art --- sculpture [visual works] --- installations [visual works] --- robots --- art [fine art] --- ecology --- body arts [discipline] --- Art --- Art and technology. --- Art, Modern --- Themes, motives --- Themes, motives. --- 1900-1999. --- Machine (thème) --- Image --- Technique --- Dadaïsme --- Installation-art --- Cybernétique --- Art vidéo --- Moholy-Nagy, László, --- Albers, Josef --- Tatline, Vladimir Evgrafovitch --- Rokeby, David --- Munari, Bruno --- Duchamp, Marcel --- Tinguely, Jean --- Schöffer, Nicolas, --- Dean, Max --- Farocki, Harun --- Mikami, Seiko --- Campbell, Jim --- Weiser, Herwig --- Moholy-Nagy, László, 1895-1946 --- Schöffer, Nicolas, 1912-1992 --- art [discipline]

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Iconography --- landscapes [representations] --- Amoroso, Nadia --- Cantrell, Bradley --- de Monchaux, Nicholas --- Guerreiro, Paulo --- Gustafson, Kathryn --- Lieberman, David --- Meyer & Silberberg --- MLZ Design --- Paar, Philip --- Rekittke, Jörg --- Speed, Chris --- Architectural Association School of Architecture [London] --- MVRDV [Rotterdam] --- Ballistic Architecture Machine --- Balmori --- Centre for Landscape Research --- EcoLogicStudio --- Emergent [Veurne] --- Fletcher Studio --- Freise Brothers --- GT2P --- Groundlab --- Hood Design --- Institute of Landscape Architecture --- LAND --- Laboratory for Visionary Architecture --- Land-I Archcolture --- Landworks Studio --- Lateral Office --- Metagardens --- Nox --- O2 Planning & Design --- PEG Office of Lanscape & Architecture --- PYO Arquitectos --- Paisajes Emergentes --- R&Sie(n) --- StossLU --- TerreformONE --- Topotek1 --- Turenscape --- Urbanarbolismo --- VisionDivision --- West 8 [Rotterdam] --- Zaha Hadid Architects --- Andrés Jaque Arquitects

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Marina Abramovic; Eija-Liisa Ahtila; Kutlug Ataman; Uta Barth; Tom Burr; Sophie Calle; Paul Chan; Desire Machine Collective; Stan Douglas; Cherryl Dunye; Kota Ezawa; Jef Geys; Liam Gillick; Shumona Goel; Felix Gonzalez-Torres; Sharon Hayes; Susan Hiller; Roni Horn; Craigy Horsfeld; Pierre Huyghe; Amar Kanwar; William Kentridge; Idreis Kahn; Zoe leonard; Ilan Lieberman; Glen Ligon; Elisabeth Manchester; Kabir Mohanty; Robert Morris; RabihMroué; Jun Nguyen-Hatsushiba; Uriel Orlow; Philippe Parreno; Walid Raad; Anri Sala; Fazal Sheikh; Lorna Simson; Vivan Sundaram. Luc Tuymans

hedendaagse kunst --- art theory --- Art --- thema's in de kunst --- art [fine art] --- memory --- psychology --- Contemporary [style of art] --- Khan, Idris --- Parreno, Philippe --- Horn, Roni --- Gonzalez-Torres, Felix --- Ataman, Kutlug --- Sala, Anri --- Burr, Tom --- Sundaram, Vivan --- Hayes, Sharon --- Geys, Jef --- Kanwar, Amar --- Ahtila, Eija-Liisa --- Simpson, Lorna --- Leonard, Zoe --- Hiller, Susan --- Ezawa, Kota --- Walker, Kara --- Douglas, Stan --- Orlow, Uriel --- Ligon, Glenn --- Tuymans, Luc --- Gillick, Liam --- Abramovic, Marina --- Morris, Robert --- Barth, Uta --- Nguyen-Hatsushiba, Jun --- Kentridge, William --- Dunye, Cheryl --- Chan, Paul --- Raad, Walid --- Mroué, Rabih --- Sheikh, Fazal --- Huyghe, Pierre --- Horsfield, Craigie --- Calle, Sophie --- anno 1900-1999 --- anno 2000-2099 --- Memory in art. --- Arts, Modern --- Mémoire dans l'art --- Arts --- Memory in art --- kunst --- twintigste eeuw --- geheugen --- archieven --- archivering --- tijd --- tijdelijkheid --- Abramovic Marina --- Ahtila Eija-Liisa --- Ataman Kutlug --- Barth Uta --- Burr Tom --- Calle Sophie --- Chan Paul --- Desire machine collective --- Douglas Stan --- Dunye Cheryl --- Ezawa Kota --- Geys Jef --- Gillick Liam --- Goel Shumona --- Gonzalez-Torres Felix --- Hayes Sharon --- Hiller Susan --- Horn Roni --- Horsfield Craigie --- Huyghe Pierre --- Kanwar Amar --- Kentridge William --- Khan Idris --- Leonard Zoe --- Lieberman Ilan --- Ligon Glenn --- Manchester Elizabeth --- Mohanty Kabir --- Morris Robert --- Mroué Rabih --- Nguyen-Hatsushiba Jun --- Orlow Uriel --- Parreno Philippe --- Raad Walid --- Sala Anri --- Sheikh Fazal --- Simpson Lorna --- Sundaram Vivan --- Tuymans Luc --- Walker Kara --- 7.038/039 --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; geheugen ; herinnering in de kunst --- Adaptatie ; assimilatie in de kunst ; 20ste en 21ste eeuw --- Mémoire dans l'art --- Kunst --- psychologie --- kunsttheorie --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- art [discipline] --- memory [psychological concept]

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Art --- art [discipline] --- ecology --- Nature --- kunstsociologie --- Starling, Simon --- Švankmajer, Jan --- Vermeulen, Angelo --- Reyers, Zeger --- Villevoye, Roy --- Hiller, Susan --- Wilson, Jane --- Wilson, Louise --- Aquilizan, Alfredo Juan --- Barlow, Phyllida --- Beesley, Philip --- Biemann, Ursula --- Broersen, Persijn --- Bunting, Heath --- Bruijne, de, Matthijs --- Haan, de, Siebren --- Devlin, Lucinda --- Driessens & Verstappen --- Dröge-Wendel, Yvonne --- Dumas, Charlotte --- Edmier, Keith --- Evans, Simon --- Greenfort, Tue --- Guimarães, Cao --- Hietbrink, Roderick --- Jeremijenko, Natalie --- Johansson, Michael --- Kessels, Erik --- Korstanje, Maartje --- Kuchar, George --- Lukács, Margit --- Mandersloot, Frank --- Neuenschwander, Rivane --- Nkanga, Otobong --- Norrie, Susan --- Palma Rodriguez, Fernando --- Simons, Egied --- Brummelen, van, Lonnie --- Eynde, Vanden, Maarten --- Wilmering, Luuk --- Zaretsky, Adam --- Aquilizan, Maria Isabel --- Berger, Wouter --- Bonetto, Diego --- Broomé, Thomas --- Camacho, Francisco --- Chapple, Boo --- Darné, Olivier --- Desire Machine Collective --- Dijkman, Marjolijn --- Driessen, Clemens --- Elffers, Joost --- Hendrix, Sjim --- Hofstede, Hilarius --- Hruskova, Katarina --- Laitinen, Antti --- Langenberg, Sjaak --- Matton, Ton --- Mäkikpää, Tea --- Ayala, Ràul Ortega --- Scholten, Hans --- Schwarz, Michiel --- Tinkebell --- Beer, de, Rosé --- Egmond, van, Wim --- Mensvoort, van, Koert --- Kiefer, Anselm --- Durham, Jimmie --- Eliasson, Olafur --- Dion, Mark --- Fischli, Peter --- Hirst, Damien --- Mullican, Matt --- Weiss, David --- Alÿs, Francis --- Huyghe, Pierre --- Althamer, Paweł --- Doherty, Willie --- Fend, Peter --- Potrč, Marjetica --- Cuevas, Minerva --- Ai Weiwei --- Sekula, Allan --- Ooze [Rotterdam] --- Atelier Van Lieshout [Rotterdam] --- SUPERFLEX [Copenhagen] --- Studio DRIFT --- Superuse Studios [Rotterdam]