Listing 1 - 10 of 12 | << page >> |
Sort by
|
Choose an application
Illusionistische Skulpturen sind keine Erfindung unserer Zeit. Schon vor viereinhalbtausend Jahren war man bestrebt, möglichst wirklichkeitsgetreue Skulpturen zu schaffen. Der prächtig illustrierte Band bietet eine Zusammenschau veristischer Bildwerke aller Zeiten wie Einblicke in die Geschichte der Materialien und Techniken, mit deren Hilfe sie entstanden.Duane Hansons oder Ron Muecks hyperrealistische Figuren irritieren, schockieren und beeindrucken den heutigen Betrachter gleichermaßen aufgrund ihrer täuschend echten Erscheinung. Die technischen Mittel zur Erzielung solch illusionistischer Effekte lassen sich dabei bis in die Antike zurückverfolgen. Ganz unabhängig vom plastischen Ausgangsmaterial eines Bildwerks stößt man stets auf dieselben Vorgehensweisen: realistische Bemalung der Objekte und zusätzlicher Einsatz natürlicher oder Natur imitierender Materialien etwa in Form eingesetzter Augen, applizierter Haare oder Textilien. Das Buch erläutert diese faszinierende Tradition in all ihren Facetten. Buch empfehlen: Share on facebook Share on twitter Share on email Share on print More Sharing Services 1 Hg. Stefan Roller sofort lieferbar Beiträge von V. Brinkmann, M. Bückling, S. Roller, H. Theiss 280 Seiten, 255 Abbildungen in Farbe 24 × 30 cm, gebunden, Fadenheftung ISBN: 978-3-7774-2253-4 Veranstaltungen Frankfurt a.M. | Liebighaus 01.10.2014 - 01.03.2015 » zur Veranstaltung Kategorien Antike | Kunst- und Kulturgeschichte | Skulptur | Zeitgenössische Kunst Schlagworte VERISTISCHE BILDWERKE, HANSON, MUECK Download » Cover 300 dpi
sculpting --- Sculpture --- sculpture techniques --- realism [artistic form of expression] --- Art styles --- Homo sapiens [species] --- beeldhouwwerken --- technieken --- hyperrealisme --- portretten --- wassen beelden --- marmer --- human figures [visual works] --- sculpturen --- sculpturen. --- technieken. --- hyperrealisme. --- portretten. --- wassen beelden. --- marmer.
Choose an application
Alling, Janet ; de Andrea, John ; Artschwager, Richard ; Baeder, John ; Beal, Jack ; Bechtle, Robert ; Beckman, William ; Bell, Charles ; Besser, Arne ; Blackwell, Tom ; Bohnen, Blythe ; Bond, Douglas ; Clem Clarke, John ; Close, Chuck ; Cottingham, Robert ; Cross, Chris ; Woodburn, Stephen ; Cyrsky, Frank ; Douke, Dan ; Duchamp, Marcel ; Economou, Michael ; Eddy, Don ; Estes, Richard ; Everett, Bruce ; Fish, Janet ; Flack, Audrey ; Gertsch, Franz ; Goings, Ralph ; Gregor, Harold ; Haas, Richard ; Han, H.N. ; Hanson, Duane ; Hendricks, Donald T. ; Hoffman, Martin ; Hornak, Ian ; Jacquet, Alain ; Jacquette, Yvonne ; Jimenez, Luis ; Johnson, Guy ; Joseph, Richard ; Kacere, John ; Kanovitz, Howard ; Kessler, Alan ; Kleemann, Ron ; Kurt, Kay ; Leslie, Alfred ; Levine, Marilyn ; Ligare, David ; Mahaffey, Noël ; Mandel, John ; Plimack Mangold, Sylvia ; Mau, Michael ; McLean, Richard ; Mendenhall, Jack ; Midgette, Williard F. ; Miller, Mariann ; Moore, John ; Morley, Malcolm ; Nakagawa ; Nesbitt, Lowell ; Ott, Jerry ; Pearlstein, Philip ; Pettibone, Shirley ; Posen, Stephen ; Raffael, Joseph ; Ramos, Mel ; Rehm, Celeste ; Rummelhoff, John ; Salt, John ; Sandler, Barbara ; Schenck, William ; Schock, Carolyn ; Schonzeit, Ben ; Semmel, Joan ; Siburney, Alex ; Sobieski, Jean ; Stevenson, Harold ; Strider, Marjorie ; Warhol, Andy ; Weber, Idelle ; Ximenez, Antonio ; Yoshimura, Fumio
Photorealist --- Art styles --- anno 1900-1999 --- anno 2000-2099 --- United States --- stijlen in Westerse kunst --- Photorealist [style] --- United States of America --- Hyperrealisme --- Super-realisme
Choose an application
There are three observations that I would make about my work. First of all, and above all, I'm a sculptor, my most important concern is to get all the forms to look right. I try to eliminate faulty distortions and areas that look too flat, and those that do not register properly to my eye. Then, there is the matter of impact. I use models, oftentimes to get a maximum impact with the work, who are physically large and (to me) very sculptural, the third is one of communicating, this often takes care of itself. I express my feelings of empathy and sympathy for the subjects I portray through their weariness and despair. Duane Hanson
Hanson, Duane --- Duane Hanson 1925-1996 (° Alexandria, Minnesota, USA) --- Beeldhouwkunst ; 2de helft 20ste eeuw ; Duane Hanson --- Beeldhouwkunst ; Hyperrealisme --- Fotorealisme --- 73.07 --- 73.038 --- Beeldhouwkunst ; beeldhouwers A - Z --- Beeldhouwkunst ; 1950 - 2000 --- oeuvre catalogi --- beeldhouwwerken [beeldmateriaal] --- Fotorealistisch --- catalogues raisonnés --- sculpture [visual works] --- Photorealist --- Sculpture --- human figures [visual works] --- Photo-realism --- Sculpture, American --- Human figure in art --- Hyperrealist --- Photorealist [style]
Choose an application
Overzicht van de beeldende kunst van 1945 tot 1976 in Europa en Noord-Amerika.
Beeldende kunst 20ste eeuw 1905-1977 naslagwerken --- 7(03) --- Kunst encyclopedieën --- Kunst ; 20ste eeuw ; 1905-1977 ; naslagwerken --- Kunst ; encyclopedieën --- 73.036 --- 74/76.036 --- Abstract Expressionisme --- Hyperrealisme --- Kinetic [style] --- assemblages [sculpture] --- feminism --- Pop [fine arts styles] --- Conceptual --- Minimal --- Art --- anno 1900-1999 --- Modernist --- minimal art --- happenings --- conceptuele kunst --- happening --- abstract expressionisme --- feminisme --- environmental art --- biografieën (genre) --- art [fine art] --- pop-art --- assemblages (kunst) --- kinetische kunst --- Art styles --- land art --- Photorealist --- Op art --- Abstract Expressionist --- Beeldende kunst ; 20ste eeuw ; 1905-1977 ; naslagwerken --- Conceptual. --- Kinetic [style]. --- Minimal. --- Pop [fine arts styles]. --- assemblages [sculpture]. --- feminism. --- Anno 1900-1999. --- Kinetic Art --- art [discipline] --- Photorealist [style]
Choose an application
Street Art Today is een actueel en eigentijds overzicht van de meest invloedrijke street artists, hun werk en de belangrijkste stromingen. De auteurs stelden deze who's who van de hedendaagse street art op in samenwerking met tal van kunstenaars. Namen als MOBSTR, Pixel Pancho, JR, 1010, Invader, spY passeren de revue.Exclusieve interviews, verhelderende essays en een voorwoord van Martyn Reed maken van dit boek een mustread voor al wie deze steeds populairder wordende kunstscene van ver of dichtbij volgt.
public spaces --- Contemporary [style of art] --- street art --- Art --- anno 2000-2009 --- anno 2010-2019 --- humor --- sculpture [visual works] --- mural paintings [visual works] --- site-specific works --- Walker, David --- Harrington, Conor --- Pixel Pancho --- M-City --- Levalet --- Nychos --- Void, Axel --- Inti --- Zacharevic, Ernest --- Hayuk, Maya --- Tenten/1010 --- Jana & Js --- Space Invader --- Iacurci, Agostino --- Os Gemeos --- Biancoshock --- Eversiempre --- Bicicleta Sem Freio --- Phlegm --- JR --- SpY --- Borondo --- Magee, Fintan --- DALeast --- Ella & Pitr --- Mobstr --- Strøk --- Fikos --- Faith 47 --- Escif --- Diaz, Alexis --- Aryz --- Cordal, Isaac --- MTO --- Etam Crew --- Bordalo II --- Ludo --- Helten, Van, Guido --- Elle --- Eaton, Tristan --- Case --- Telmo Miel --- Pejac --- ROA --- Rone --- Banksy --- Seth --- Iurato, Joe --- Hyuro --- Street art --- Art [Modern ] --- 21st century --- Mural painting and decoration --- Graffiti --- Muurschilderingen --- Beeldende kunst --- straatkunst --- urban art --- surrealisme --- toyisme --- naïeve kunst --- figuratieve kunst --- hyperrealisme --- urban interventionisme --- 738.9 --- schilder- en tekenkunst, overige genres en motieven -trompe l'oeil, graffiti --- Invader --- Muurschildering --- 730 --- grafische kunst --- art urbain --- schilder- en tekenkunst --- peinture et dessin --- kunst in de openbare ruimte --- social criticism --- Propaganda
Choose an application
In De tweede helft vertelt Ad de Visser niet veel schwung het verhaal van de beeldende kunst van de laatste vijftig jaar. de tweede helft van de twintigste eeuw. Zonder de spreekwoordelijke complexiteit van de materie uit de weg te gaan slaagt hij erin de baaierd van stromingen en individuele kunstenaars overzichtelijk te expliciteren en weet hij (beducht voor kunsthistorische clichés, niet afkerig van persoonlijke voorkeur en kritisch commentaar) zijn verhaal levendig te houden. In vier hoofdstukken (eik voorafgegaan door een tijdsbeeld waarin samenleving en cultuur kort worden gekarakteriseerd) presenteert hij de kunst van na 1945 aan de hand van de vier naoorlogse generaties en hun specifieke ambities en preoccupaties: de deugdzame jaren veertig en vijftig, de provocerende jaren zestig, de 'therapeutische' jaren zeventig en tot slot de vrijblijvende, maar verleidelijke jaren tachtig en negentig. De tweede helft is een verfrissende handleiding voor iedere kunstliefhebber en een gedegen studieboek waarnaar het kunstonderwijs lang heeft uitgezien.
Art --- Histoire de l'art --- Peinture --- Art, Modern --- hedendaagse kunst --- Contemporary [style of art] --- anno 1940-1949 --- anno 1980-1989 --- anno 1960-1969 --- anno 1950-1959 --- anno 1970-1979 --- anno 1990-1999 --- History --- art history --- anno 1900-1999 --- 1945 --- -20e eeuw --- 701.1 --- abstract expressionisme --- arte povera --- Beuys, Joseph --- cobra --- conceptuele kunst --- De Visser, Ad --- Ecole de Paris --- happenings --- hyperrealisme --- kinetic --- kunstgeschiedenis --- land art --- l'art informel --- lichtkunst --- materieschilderkunst --- minimalisme --- neo-expressionisme --- op art --- performance --- pop art --- postmodernisme --- 7.038(03) --- 7.038 --- Beeldende kunst ; 1945-1998 ; naslagwerken --- 7.039 --- 7 <09> --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- algemene kunstgeschiedenis, inleidingen - hand- en leerboeken --- Kunstgeschiedenis ; 1950 - 2000 ; encyclopedieën --- Kunstgeschiedenis ; 1950 - 2000 --- 705.8 --- beeldende kunst --- expressionisme --- kunst --- 20e eeuw --- Abstracte kunst --- Architectuur --- Arte Povera --- Art informel --- Assemblage --- Beeldende kunst --- Body art --- Camp --- Cobra --- Colorfield painting --- Concept art --- Design --- Environment --- Figuration libre --- Happening --- Hollandse nieuwen --- Hyper-concept --- Hyperrealisme --- Kinetica --- Kitsch --- Kunst --- Kunstgeschiedenis --- Land art --- Latijnse school --- Lichtkunst --- Materie-schilderkunst --- Minimal art --- Neo-expressionisme --- Neue Wilden --- New British sculpture --- Nouveau Réalisme --- Op Art --- Performance --- Pop-art --- Postmodernisme --- Transavanguardia --- Kunstgeschiedenis 20e eeuw --- Kunsten --- Schilderkunst --- Tekenkunst --- Beeldhouwkunst --- kunst 20e eeuw --- action painting --- Ad de Visser --- appropriation --- architectuur --- art informel --- assemblages --- Bacon Francis --- beeldhouwkunst --- Beuys Joseph --- body art --- camp --- colorfield painting --- commodity art --- concept art --- design --- environment --- feminisme --- figuration libre --- film --- fotografie --- fundamentele schilderkunst --- graffiti --- Hollandse Nieuwen --- informele kunst --- installaties --- kinetische kunst --- kitsch --- Manzoni Piero --- minimal art --- muziek --- naslagwerk --- neostijlen --- neue Wilden --- new-image painting --- nouveau réalisme --- Nul --- outsider art --- performances --- post-painterly abstraction --- schilderkunst --- simulation --- televise --- theater --- transavanguardia --- twintigste eeuw --- video --- Virtual reality --- virtuele realiteit --- Zero --- kunstgeschiedenis - kunst na 1945 --- 2e helft 20e eeuw --- Art, Modern.
Choose an application
Photorealist --- art [fine art] --- Art styles --- Art --- anno 1900-1999 --- anno 2000-2099 --- Art, Modern --- -Photo-realism --- kunst --- hyperrealisme --- Morley Malcolm --- Artschwager Richard --- Close Chuck --- Peale raphaelle --- Harnett William Michael --- Laderman Gabriel --- Salt John --- Baeder John --- Danby Ken --- Estes Richard --- Stöcklin Niklaus --- Bravo Claudio --- Störtenbecker Nikolaus --- Grützke Johannes --- Munsky M.M. --- Ibbotson Diane --- Bond Douglas --- Pearlstein Philip --- McLean Richard --- Bechtle Robert --- Cottingham Robert --- Hepher David --- Neilan Brendan --- Haas Richard --- Parrish David --- Yvel Claude --- Raffael Joseph --- Flack Audrey --- Miller Mariann --- Kanovitz Howard --- De Filippi Fernando --- Gertsch Franz --- Gorman mike --- Roberts Paul --- Quintanilla Isabella --- Bussola Dionigi --- Prent Mark --- Hanson Duane --- Johns Jasper --- Segal George --- Poynter Malcolm --- de Andrea John --- Davies John --- Lopez Francesco --- van Leeuwen Jan --- Levine Marilyn --- Yoshimura Fumio --- Renonciat Christian --- 7.038 --- Artificial realism --- Hyperrealism --- New New York naturalism --- New realism --- Photorealism --- Post-pop realism --- Radical realism --- Sharp-focus realism --- Super-realism --- Painting from photographs --- Pop art --- Realism in art --- Modern art --- Photo-realism. --- Photo-realism --- Munsky M.M --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- art [discipline] --- Photorealist [style]
Choose an application
video art --- Film --- religions [belief systems, cultures] --- mixed media --- photography [process] --- mutilation --- Iconography --- Art --- performance art --- violence --- installations [visual works] --- art history --- Homo sapiens [species] --- nudes [representations] --- suffering --- pain [sensation] --- psychology --- eroticism --- Philosophical anthropology --- anno 2000-2009 --- anno 1980-1989 --- anno 1970-1979 --- anno 1990-1999 --- Francesca Alfano Miglietti (FAM) --- kunst --- schilderkunst --- fotografie --- beeldhouwkunst --- video --- videokunst --- installaties --- performances --- twintigste eeuw --- lichamelijkheid --- naakt --- iconografie --- dood --- kunst en religie --- gender studies --- vrouwen --- kunst en technologie --- cybercultuur --- robots --- virtual reality --- hyperrealisme --- body art --- erotiek --- seksualiteit --- Athey Ron --- Franko B --- Abramovic Marina --- Anderson Laurie --- Andelic Igor --- Artaud Antonin --- Baudrillard Jean --- Bourgeois Louise --- Critical Art Ensemble --- De Andrea John --- Deleuze Gilles --- Dick Philip K. --- Eyre Janieta --- Foucault Michel --- Gober Robert --- Hanson Duane --- Moffatt Tracey --- Molinier Pierre --- Orlan --- Pane Gina --- Schwarzkogler Rudolf --- Serrano Andres --- Sprinkle Annie --- Stelarc --- Warhol Andy --- Witkin Joel-Peter --- 7.041 --- 7.036 --- alienation --- Art, Modern --- Human beings in art --- Dick Philip K --- Humans in art --- Modern art --- Nieuwe Ploeg (Group of artists) --- human figures [visual works] --- lichaam (van de mens) --- automutilatie (kunst) --- kunstpsychologie --- masochisme (kunst) --- transformatie (kunst)
Choose an application
Bice Curiger, Norman Bryson, Griselda Pollock [et al.] --- kunst --- twintigste eeuw --- Rosenquist James --- Dali Salvador --- Cottingham Robert --- Prince Richard --- Koons Jeff --- Gnoli Domenico --- Nesbitt Lowell --- Hamilton Richard --- Rist Pipilotti --- Hanson Duane --- Barney Matthew --- Burden Chris --- Weibel Peter --- Export Valie --- fotografie --- installaties --- beeldhouwkunst --- Manzoni Piero --- de Saint-Phalle Niki --- Tinguely Jean --- Gilbert & George --- Polke Sigmar --- Kaprow Allan --- Lucas Sarah --- Mendieta Ana --- Richter Gerhard --- Lueg Konrad --- Klein Yves --- Gober Robert --- Schonzeit Ben --- Wilson Jane --- Wilson Louise --- Bulatov Eric --- Hirst Damien --- Rosler Martha --- Hammons David --- Sooja Kim --- Duchamp Marcel --- surrealisme --- hyperrealisme --- Bellmer Hans --- Kusama Yaoi --- Mohr Max --- Fischl Eric --- Sherman Cindy --- Oppenheim Meret --- Bourgeois Louise --- Gonzalez-Torres Felix --- Riley Bridget --- Mori Mariko --- Tomaselli Fred --- Davie Karin --- Wall Jeff --- Breuning Olaf --- Kruger Barbara --- Pfeiffer Paul --- Skreber Dirk --- Loeb Damian --- Brown Glenn --- Gaskell Anna --- Gordon Douglas --- Aitken Doug --- Bock John --- Ritchie Matthew --- Nauman Bruce --- Abramovic Marina --- kunst en wetenschap --- psychologie --- kunst en psychologie --- 7.038 --- Art styles --- Iconography --- Art --- Painting --- Photography --- Film --- assemblages [sculpture] --- installations [visual works] --- painting [image-making] --- photography [process] --- video art --- eroticism --- Surrealist --- Photorealist --- Lueg, Konrad --- Hamilton, Richard --- Bellmer, Hans --- Ultvedt, Per Olof --- Wilson, Jane --- Wilson, Louise --- Duchamp, Marcel --- Boelatov, Erik --- Breuning, Olaf --- Brown, Glenn --- Cottingham, Robert --- Davie, Karin --- Bourgeois, Louise --- Gonzales-Torres, Felix --- Kimsooja --- Polke, Sigmar --- Abramovic, Marina --- Loeb, Damian --- Nesbitt, Lowell --- Pasmore, George --- Pfeiffer, Paul --- Poersch, Gilbert --- Schonzeit, Ben --- Tingely, Jean --- Richter, Gerhard --- Koons, Jeff --- Mohr, Max --- Klein, Yves --- Manzoni, Piero --- Saint-Phalle, de, Niki --- Sherman, Cindy --- Dalí, Salvador --- Export, Valie --- Wall, Jeff --- Rosenquist, James --- Aitken, Doug --- Kusama, Yayoi --- Hanson, Duane --- Barney, Matthew --- Fischl, Eric --- Fischli, Peter --- Gaskell, Anna --- Gilbert and George --- Hirst, Damien --- Kruger, Barbara --- Lucas, Sarah --- Mori, Mariko --- Nauman, Bruce --- Oppenheim, Meret --- Riley, Bridget --- Rist, Pipilotti --- Ritchie, Matthew --- Weiss, David --- Gober, Robert --- Bock, John --- Tomaselli, Fred --- Fritsch, Katharina --- Rosler, Martha --- Burden, Chris --- Gnoli, Domenico --- Hammons, David --- Mendieta, Ana --- Gordon, Douglas --- Weibel, Peter --- Skreber, Dirk --- Prince, Richard --- Kaprow, Allan --- anno 1900-1999 --- anno 2000-2099 --- Tinguely, Jean --- Photorealist [style]
Choose an application
History --- lexicons --- architecture [discipline] --- Architecture --- sculpting --- Sculpture --- art history --- Art --- Painting --- art appreciation --- painting [image-making] --- Hertzberger, Herman --- Fetting, Rainer --- Johns, Jasper --- Alberts, Anton --- Sottsas, Ettore --- Pan, Marta --- King, Philip --- Vasarely, Victor --- Simonds, Charles --- Wesselmann, Tom --- Christo --- Lucas, Stewart --- Smith, Tony --- Hall, David --- Schippers, Wim T. --- Goings, Ralph --- Francis, Sam --- Kuramata, Shiro --- Kommers, Else --- Maters, Bas --- Dine, Jim --- Taylor, Gerard --- Chia, Sandro --- Piano & Rogers --- Paladino, Mimmo --- Maria, de, Nicola --- Richier, Germaine --- Riley, Bridget --- Bisschop, Peter --- Zimmer, Bernd --- Bisscheroux, Laurens --- Monselles, Verita --- Hamilton, Richard --- Spronken, Arthur --- Nevelson, Louise --- Rijvers, Wim --- Cottingham, Robert --- Wex, Marianne --- Bazaine, Jean --- Velde, van, Bram --- Pollock, Jackson --- van de Wint, Rudi --- Lohse, Richard Paul --- Boltanski, Christian --- Bofill, Ricardo --- Zanini, Marco --- Fabro, Luciano --- Judd, Donald --- Dam, C. --- Amen, van, Woody --- Hanson, Duane --- Daniels, René --- Estes, Richard --- Marini, Marino --- Beuys, Joseph --- Tatafiore, Ernesto --- Struycken, Peter --- Sneyders de Vogel, Hermian --- Nesbitt, Lowell --- Stirling, James --- Soto, Jesús Rafael --- Thek, Paul --- Bay, Didier --- Cibic, Aldo --- Snelder, B. --- Raysse, Martial --- Staeck, Klaus --- Snelson, Kenneth --- Combas, Robert --- Byars, James L. --- Appel, Karel --- Cucchi, Enzo --- Schoonhoven, Jan J. --- Volten, André --- Clemente, Francesco --- Richter, Gerhard --- Panamarenko --- Niemeyer, Oscar --- Paolozzi, Eduardo --- Flavin, Dan --- Morellet, François --- Rauschenberg, Robert --- Baumgarten, Lothar --- Albers, Josef --- Segal, George --- Witkin, Isaac --- Tinguely, Jean --- Lucchi, De, Michele --- Studio Alchimia --- Indiana, Robert --- Kreijkamp, D. --- Thun, Matteo --- Rosenquist, James --- Colville, Alex --- Kelly, Ellsworth --- Kiefer, Anselm --- Eddy, Don --- Visser, Carel --- Immendorff, Jörg --- Gnoli, Domenico --- Zuyderland, Siet --- Ploeg, Maarten --- Ontani, Luigi --- Turnbull, William --- Spoerri, Daniel --- Waterkeyn, A. --- Studio Memphis --- Meyer-Degen, Fiety --- Saint-Phalle, de, Niki --- van Gool, F. --- Salle, David --- Arman --- Caro, Anthony --- Andrea, De, John --- Salomé --- Noland, Kenneth --- Dubuffet, Jean --- Plessi, Fabrizio --- Warhol, Andy --- Blom, Piet --- Nervi, Pier Luigi --- Lafontaine, Marie-Jo --- Oldenburg, Claes --- Eyck, van, Aldo E. --- Zekveld, Jacob --- César --- Longo, Robert --- Marisol --- Middendorf, Helmut --- Gac, le, Jean --- Golden, van, Daan --- Close, Chuck --- Tucker, William --- Lüpertz, Markus --- Berkulin, Arie --- Penck, A.R. --- Lichtenstein, Roy --- Rickey, George --- Kienholz, Edward --- Klein, Yves --- Morris, Robert --- du Pasquier, Nathalie --- Sanders, Har --- Jones, Allen --- Dodeigne, Eugène --- Kemeny, Zoltan --- Bedin, Martine --- Holzbauer, Wilhelm --- Tange, Kenzo --- anno 1900-1999 --- kunst --- schilderkunst --- twintigste eeuw --- abstract expressionisme --- cobra --- materiekunst --- ecole de Paris --- informele kunst --- post-painterly abstraction --- Hard edge --- systematische kunst --- computerkunst --- op art --- junk art --- beeldhouwkunst --- minimal art --- pop art --- kinetische kunst --- nieuw realisme --- hyperrealisme --- protestkunst --- emancipatiekunst --- architectuur --- 7.038 --- Kunstgeschiedenis ; handboeken ; 1945-1988 --- 705.8 --- Kunstgeschiedenis --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst --- geschiedenis --- 1945-1987 --- 1945-1987. --- Geschiedenis --- kunstgeschiedenis --- hedendaagse kunst --- Didactics of the arts --- Contemporary [style of art] --- Wint, van de, Rudi --- Piano & Roger --- Schoonhoven, Jan --- King, Phillip --- Studio Alchimia [Milaan] --- Studio Alchimia [Milan] --- Pasquier, du, Nathalie
Listing 1 - 10 of 12 | << page >> |
Sort by
|