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Since 1968, Bernhard Leitner has been creating sound spaces, meaning he considers sound to be an architectural, sculptural material. His first work in this regard was a model of Soundcube, a walkable cube with a grid of 384 loudspeakers lining its six inner walls. Moving sound through individually controlled loudspeakers distributed over an area creates spaces that are entirely auditory in nature. Initial empirical studies conducted by the artist were followed by approximately 150 sound space sculptures created between the mid-1970s and the present, each a unique calibration of the relationship between the bodily perception and sound spaces as they emerge in physical space and in time. Every one of Leitner's sculptures can be experienced as an interior (visitors can walk, sit, lie down in them), and each reveals new psycho-physiological dimensions of experience. This is the first volume to comprise all of the artist's sound space investigations, sound space sculptures, and sound space installations.

Beeldhouwkunst ; installaties ; 2de h. 20ste eeuw --- Beeldende kunst ; geluid in de hedendaagse kunst --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Klankkunst ; geluidskunst --- Beeldende kunst, video en geluidskunst --- Leitner, Bernhard (°1938, Feldkirch, Oostenrijk) --- 78.07 --- Musici, componisten, zangers, geluidskunstenaars --- Art --- sculpture [visual works] --- installations [visual works] --- environments [sculpture] --- interactive art --- sound art --- Leitner, Bernhard

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In Aporie is the first monograph on Kwade covering a wide range of her intriguing works. Being ‘In Aporie’ is to be in a state where an insoluble theoretical problem allows for the paradoxical knowledge of one’s own ignorance. From early on in her career, Kwade was never afraid to ponder complicated scientific and mathematical questions in her objects, sculptures, and installations, such as probability calculation, astronomical wormholes, the endless universe, and parallel realities. And these complex ideas and theories continue to fuel her artistic practice and drive. Besides many images of her work, the monograph features articles by Danish experts on her work.

Kunst --- beeldhouwwerken [beeldmateriaal] --- installaties [kunstwerken] --- wiskunde --- bollen --- openbare kunst --- rij van Fibonacci --- monumentaal --- tijd --- geometrische patronen --- geluidskunst --- Kwade, Alicja --- 73.07 --- 7.07 --- Beeldende kunst ; installaties ; 21ste eeuw --- Kunst en wetenschap --- Kwade, Alicja °1979 (Katowice, Polen) Leeft en werkt in Berlijn --- Vrouwelijke kunstenaars --- Beeldhouwkunst ; beeldhouwers A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kwade, Alicja, --- Art --- sculpture [visual works] --- installations [visual works] --- mathematics --- spheres [geometric figures] --- public art --- Fibonacci numbers --- monumental [size or dimensions] --- time --- geometric patterns --- sound art --- kunst en wetenschap

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An examination of the role of sound in twentieth-century arts.This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it--to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.

Geluid in de kunst --- Son dans l'art --- Sound in art --- Douglas Kahn --- kunst --- twintigste eeuw --- muziek --- klank --- geluid --- kunst en muziek --- kunst en geluid --- stilte --- literatuur --- theater --- Artaud Antonin --- Brecht George --- Burroughs William --- Cage John --- Eisenstein Sergei --- Fluxus --- Kaprow Allan --- McClure Michael --- Ono Yoko --- Pollock Jackson --- Russolo Luigi --- Vertov Dziga --- bruitisme --- 7.036 --- Arts, Modern --- Sound in art. --- Arts [Modern ] --- 20th century --- Vibrations --- Art --- Music --- art [fine art] --- music [performing arts] --- noise --- sound [acoustics] --- sound art --- Cage, John --- anno 1900-1999 --- Son --- Son dans l'art - Expositions --- Son dans les arts du spectacle --- Arts visuels --- Histoire de la musique --- Art et musique --- Rapport image son --- Artaud, Antonin --- Brecht, George --- Burroughs, William Seward --- Cage, John, 1912-1992 --- Eisenstein, Sergueï --- Kaprow, Allan --- MacClure, Michael --- Ono, Yōko, 1933 --- Pollock, Jackson --- Russolo, Luigi --- Vertov, Dziga --- 82:7 --- 781.1 --- Geluid ; geluiden ; klanken --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Sound Art --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Geluidskunst --- ARTS/General --- art [discipline] --- music [performing arts genre]

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Avant-garde (Aesthetics) --- Sound in art --- Sound sculpture --- 7.049 --- CD-ROMS --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- 781.1 --- Laurie Anderson --- Sam Auinger --- Llorenç Barber --- Andres Bosshard --- Henning Christansen --- Nicolas Collins --- Brian Eno --- Gary Hill --- Maurizio Kagel --- Ana Torfs --- Peter Vogel --- Kyra Stratman --- 778.5 --- Sonic sculpture --- Sculpture --- Sound art --- Iconografie ; verschillende onderwerpen --- Geluidskunst --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Art styles --- Iconography --- Art --- Music --- Film --- History --- music [performing arts] --- art history --- sound [acoustics] --- video art --- environmental art --- motion pictures [visual works] --- Paik, Nam June --- Fox, Terry --- Julius, Rolf --- Neuhaus, Max --- Trimpin --- Vortex --- Auinger, Sam --- Barber, Ilorenç --- Bordoni, Isabella --- Bosshard, Andres --- Breindl, Martin --- Freyer, Achim --- Collins, Nicolas --- Curran, Alvin --- Marinis, De, Paul --- Demers, Louis-Philippe --- Demnig, Gunter --- Eller, Ulrich --- Fuchs, Paul --- Gierschik, Hans --- Glandien, Lutz --- Gün --- Günschel, Josefine --- Heckert, Matt --- Hess, Felix --- Jacobsen, Robert [1963] --- Jovanovic, Arsenije --- Kuhn, Hans Peter --- Kuivila, Ron --- Lemberg, Götz --- Lotz, Beate --- Lucier, Alvin --- Lüders, Malte --- Maubrey, Benoît --- Minard, Robin --- Miranda, Fátima --- Monahan, Gordon --- Moss, David --- Odland, Bruce --- Osborn, Ed --- Paci Dalò, Roberto --- Palestine, Charlemagne --- Panhuysen, Paul --- Riches, Martin --- Ritter, Don --- Rose, Jon --- Sani, Nicola --- Sasso, Mario --- Schatzl, Leo --- Schwibbert, Dirk --- Sodomka, Andrea --- Sonami, Laetiti --- Stratmann, Kyra --- Suzuki, Akio --- Trayle, Mark --- Vogel, Peter --- Vorn, Bill --- Wada, Junko --- White, Red --- Kubisch, Christina --- Huene, von, Stephan --- Sarkis --- Leitner, Bernhard --- Brecht, George --- Bruch, vom, Klaus --- Christiansen, Henning --- Hill, Gary --- Marclay, Christian --- Qin Yufen --- Torfs, Ana --- Kagel, Mauricio --- Rihm, Wolfgang --- Schnebel, Dieter --- Eno, Brian --- Anderson, Laurie --- Young farmers claim future --- anno 1900-1999 --- anno 2000-2099 --- Kunst nieuwe technieken ; video, laser, computer, klank, --- Trimpin, Gerhard --- Barber, Llorenç --- music [performing arts genre] --- kunst en technologie