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Raising Frankenstein" presents compelling new writing that explores the education and formation of curators. This book offers an overview of recent thinking on curatorial pedagogy, designed to elucidate, define and build on current debates surrounding this subject. The questions posed here are timely and provocative. The five essays provide a set of cogent inquiries and analyses for all those who concern themselves today with the presentation and theorization of contemporary art. At its heart lies the single question, "Where does the curatorial profession reside?" "Raising Frankenstein" is developed from the conference "Trade Secrets: Education / Collection / History", organized by the Banff International Curatorial Institute in collaboration with Teresa Gleadowe, and held at The Banff Centre, November 12 - 14, 2008.

museology --- Museology --- exhibition curators --- Art museum curators --- Art --- Art, Modern --- Training of. --- Exhibition techniques --- Study and teaching. --- Philosophy. --- Museum curators --- Conservateurs de musée d'art --- Commissaires d'exposition --- Exhibitions --- Formation --- Techniques d'exposition --- Etude et enseignement --- Expositions --- Philosophie

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Artiste, vidéaste, performeur et poète, Julien Creuzet construit des passerelles entre les histoires minoritaires oubliées, les imaginaires de l'ailleurs et les réalités sociales de l'ici. Son exposition au Palais de Tokyo, dont la visite est rythmée par une bande-son composée pour l'occasion, prend la forme d'une grande place publique où règne une tension permanente propre à notre époque, et déploie la profusion de ses œuvres en une multitude de récits fragmentés. Préférant l'anachronisme à la linéarité des discours consacrés, Julien Creuzet convoque les registres du poétique et du politique pour livrer un imaginaire mobile associant différentes temporalités et géographies

installations [visual works] --- video art --- performance art --- assemblage [sculpture technique] --- Creuzet, Julien --- Creuzet, Julien, 1986-.... --- Catalogues d'exposition

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The first thorough monograph on Tomas Saraceno's groundbreaking installations, modeling a utopian future of balance between humanity and nature Argentinian artist Tomas Saraceno (born 1973) creates cell-like, spidery interactive installations and sculptures that propose new possibilities for inhabiting the environment, speculative models for alternate ways of living. This fully illustrated publication, the most substantial overview on the artist, documents Saraceno's biographical and artistic development through images of his works and installations, along with sketches, notes, studies and a selection of texts.00Exhibition: Palazzo Strozzi, Florence, Italy (22.02-19.07.2020).

Art --- installations [visual works] --- ecology --- Nature --- spider webs [structures] --- Araneae [order] --- Saraceno, Tomás --- Installation (Art) --- Saraceno, Tomas, --- Saraceno, Tomas --- Art - 20e siècle - 21e siècle - Exposition --- Installation (Art) - 20e siècle - 21e siècle - Exposition --- Saraceno, Tomas, - 1973- - Exposition --- Saraceno, Tomas, - 1973 --- -Art --- Installations (Art) --- Saraceno, Tomás, --- Saraceno, Tomas, - 1973-

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"Un panorama des relations entre chorégraphie et exposition, à travers les contributions d'une trentaine d'artistes, chorégraphes, musiciens, cinéastes, théoriciens et commissaires d'exposition internationaux. En 2008, le centre d'art contemporain La Ferme du Buisson accueillait le commissaire d'exposition Mathieu Copeland pour la présentation remarquée d'Une Exposition Chorégraphiée. Composée exclusivement de mouvements interprétés par trois danseurs pendant deux mois, l'exposition fit date dans l'histoire des relations entre danse et arts plastiques. Au-delà de l'expérience unique qu'elle a constituée pour ceux qui l'ont vécue, Une Exposition Chorégraphiée a nourri une multitude de questions qui ont fait leur chemin pour donner naissance à un ouvrage intitulé Chorégraphier l'exposition. Le livre réunit plus d'une trentaine d'artistes plasticiens, chorégraphes, musiciens, cinéastes, théoriciens et commissaires d'exposition internationaux. Formidable panorama des relations entre chorégraphie et exposition, il orchestre une polyphonie de points de vue à partir de cinq prismes : la partition, l'espace, le temps, le corps et la mémoire."

performance art --- exhibiting --- choreography --- museology --- Recreation. Games. Sports. Corp. expression --- Museology --- dance [discipline] --- Chorégraphie --- Musique --- Exposition --- Cinéaste --- dance [performing arts genre]

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"(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White cube). Employing a diarist style, the curator presents his personal curatorial alphabet with similar transparency and the same idiosyncratic character revealed in many of his exhibitions. The entries are not only stimulating and intellectually rigorous, but also emotionally engaging."--Publisher description.

Museology --- museology --- exhibition curators --- anno 1900-1999 --- anno 2000-2099 --- Curatorship --- Art --- Exposition --- Muséologie --- Musée --- Philosophie --- Exhibition techniques --- Art - Exhibition techniques